The Wolfe Tones story
A history of one of the most famous bands ever to come out of Ireland. Included is an interview with Derek Warfield who explaIns the break up of the group with Derek leaving the band for a solo career.
Review of a Wolf Tones gig
After a long absense of from attending The Wolfe Tones concerts
I decided to attend one of their shows on the 30th of December
in Dublin. I didn't quiet know what to expect as I hadn't seen
The Wolfe Tones live since the departure of Derek Warfield from
the group, as most of you already know that Derek left the band
many years ago for what he called ''Artistic Differences'', and
now tours with his own new band.
Tickets cost 20 euro for all seats, some shows that are held in
hotels have a meal included in the price but you can just pay for
the show which is what I done. The doors opened at 9-30 and anybody
that bought tickets that included a meal were already in the venue
so all the front seats were already full when the doors opened.
I thought this was a little unfair to the fans who simply didn't
want to eat and only wanted to see The Wolfe Tones as the only
remaining tables were at the back.
I didn't let this put me off one bit,we took our seats and as usual
headed for the bar where we ordered several drinks each. Ordering
several drinks saves you the hassell of returning to the bar and standing
around waiting to be served by Part-Time bar staff who are usually
very slow.
The Wolfe Tones came on stage shortly after 10 pm and played a solid
two hours without a break. There wasn't any band on beforehand as a
warm up act. The lads started with the song ''In Belfast'' followed by
Janey Mac I'm Nearly 40 and then played a medely of oldies including
The Merry Ploughboy [ lyrics ] and Slievenamon. They played a good mix of old
and new songs that included standards such as The Streets Of New York [ lyrics ]
and Joe McDonnald and from the new album they played Swing A Banker.
During the whole show there's a large video screen showing photos. of
the the person they are singing about that tell the story of the song.
This is an interesting addition to the show. All the music is not live,
there are some backing tracks used in several of the songs which include
strings, bass and drums. I'm a bit of a purest when it comes to using
backing tracks and was disappointed to see The Wolfe Tones using them.
They arn't used in every song, but after a while I forgot about them
and really started to enjoy each song.
The athomphere was what I'd describe as ''Laid Back'' . The lads put
on a show that you could bring the whole family to see. There were no
drunks to be seen anywhere, just people of all ages enjoying a bunch of
bards telling stories of our troubled past with some comical songs thrown
in by Brian Warfield. Tommy Byrne, Noel Nagle and Brian were in good
form and gave one hundred percent. Brian introduces most of the songs
and gives a bit of background information on them all.
After the show was over all of The Wolfe Tones came off stage and stayed
around signing autographs, chatting to the fans and getting photographs
taken. Nobody was left out as the lads stayed put until everybody was
catered for. All in all it was the best spent twenty euro in many's the year.
The only gripe I would have being a musician myself would be for
The Wolfe Tones to get another musician to join them and never to use
backing tracks again, perhaps a mandolin player. If the ticket price was
increased to 22 euro this would cover the cost of the other musician.
If ever you thought about going to hear the lads play, I say go and listen,
you won't be disappointed , they are as fresh and energetic as the first time
I seen them in The Wexford way back in days of yore.
After a long absense of from attending The Wolfe Tones concerts
I decided to attend one of their shows on the 30th of December
in Dublin. I didn't quiet know what to expect as I hadn't seen
The Wolfe Tones live since the departure of Derek Warfield from
the group, as most of you already know that Derek left the band
many years ago for what he called ''Artistic Differences'', and
now tours with his own new band.
Tickets cost 20 euro for all seats, some shows that are held in
hotels have a meal included in the price but you can just pay for
the show which is what I done. The doors opened at 9-30 and anybody
that bought tickets that included a meal were already in the venue
so all the front seats were already full when the doors opened.
I thought this was a little unfair to the fans who simply didn't
want to eat and only wanted to see The Wolfe Tones as the only
remaining tables were at the back.
I didn't let this put me off one bit,we took our seats and as usual
headed for the bar where we ordered several drinks each. Ordering
several drinks saves you the hassell of returning to the bar and standing
around waiting to be served by Part-Time bar staff who are usually
very slow.
The Wolfe Tones came on stage shortly after 10 pm and played a solid
two hours without a break. There wasn't any band on beforehand as a
warm up act. The lads started with the song ''In Belfast'' followed by
Janey Mac I'm Nearly 40 and then played a medely of oldies including
The Merry Ploughboy [ lyrics ] and Slievenamon. They played a good mix of old
and new songs that included standards such as The Streets Of New York [ lyrics ]
and Joe McDonnald and from the new album they played Swing A Banker.
During the whole show there's a large video screen showing photos. of
the the person they are singing about that tell the story of the song.
This is an interesting addition to the show. All the music is not live,
there are some backing tracks used in several of the songs which include
strings, bass and drums. I'm a bit of a purest when it comes to using
backing tracks and was disappointed to see The Wolfe Tones using them.
They arn't used in every song, but after a while I forgot about them
and really started to enjoy each song.
The athomphere was what I'd describe as ''Laid Back'' . The lads put
on a show that you could bring the whole family to see. There were no
drunks to be seen anywhere, just people of all ages enjoying a bunch of
bards telling stories of our troubled past with some comical songs thrown
in by Brian Warfield. Tommy Byrne, Noel Nagle and Brian were in good
form and gave one hundred percent. Brian introduces most of the songs
and gives a bit of background information on them all.
After the show was over all of The Wolfe Tones came off stage and stayed
around signing autographs, chatting to the fans and getting photographs
taken. Nobody was left out as the lads stayed put until everybody was
catered for. All in all it was the best spent twenty euro in many's the year.
The only gripe I would have being a musician myself would be for
The Wolfe Tones to get another musician to join them and never to use
backing tracks again, perhaps a mandolin player. If the ticket price was
increased to 22 euro this would cover the cost of the other musician.
If ever you thought about going to hear the lads play, I say go and listen,
you won't be disappointed , they are as fresh and energetic as the first time
I seen them in The Wexford way back in days of yore.
More International Tour Dates That Any Band In The World.
The Wolfe Tones do around 50 international gigs a years, sometimes more. From the beginning [ 1964 ] this band has brought the Irish ballads around the world for those with a love of Irish music. It seems to me that The Wolfe Tones play more gigs than any other group in the world for the longest period of time. They enter their 50th year on January 2013. From Australia to Canada, from Kilarney to The Barrowlands of Glasgow the 'tones have play most countries of the world where the Irish have settled.
The Rolling Stones have been together 2 years before the 'tones but have not had such an extensive touring scehedule. There are very few bands that have made it to 50 years together and there are none that I can think of that have not added or replaced a member in that time. Sure, Derek left the group but but he wasn't replaced and the 'tones continued. The Dubliners [ song list ] were together since 1962 and also toured extensively in the early days, but they didn't play as many gigs as The Wolfe Tones and their line up changed several times over the years. So what keeps a band like The Wolfe Tones together for all those years ?
My own opinion is having a great songwriter such as Brian Warfield in the band along with a marvelous singer in Tommy Byrne and a great lead musician such as Noel Nagle holding the melody together. You also must be able to get along together. When The Wolfe Tones call it a day in 2014 after their 50 years together i's going to be difficult for any other group to match what they have achieved, be they a pop / rock or ballad group. The group have never given in to pressure to curtail their the rebel songs. In fact it seemed to inspire Brian to write even more of the rebel songs just to annoy the begrudgers.
The Wolfe Tones do around 50 international gigs a years, sometimes more. From the beginning [ 1964 ] this band has brought the Irish ballads around the world for those with a love of Irish music. It seems to me that The Wolfe Tones play more gigs than any other group in the world for the longest period of time. They enter their 50th year on January 2013. From Australia to Canada, from Kilarney to The Barrowlands of Glasgow the 'tones have play most countries of the world where the Irish have settled.
The Rolling Stones have been together 2 years before the 'tones but have not had such an extensive touring scehedule. There are very few bands that have made it to 50 years together and there are none that I can think of that have not added or replaced a member in that time. Sure, Derek left the group but but he wasn't replaced and the 'tones continued. The Dubliners [ song list ] were together since 1962 and also toured extensively in the early days, but they didn't play as many gigs as The Wolfe Tones and their line up changed several times over the years. So what keeps a band like The Wolfe Tones together for all those years ?
My own opinion is having a great songwriter such as Brian Warfield in the band along with a marvelous singer in Tommy Byrne and a great lead musician such as Noel Nagle holding the melody together. You also must be able to get along together. When The Wolfe Tones call it a day in 2014 after their 50 years together i's going to be difficult for any other group to match what they have achieved, be they a pop / rock or ballad group. The group have never given in to pressure to curtail their the rebel songs. In fact it seemed to inspire Brian to write even more of the rebel songs just to annoy the begrudgers.
The Beginning. In the 50's and 60's Irish music was a part of the popular song culture of the time and the Wolfe Tones were exposed to it as young boys on the radio, at school, in Theater's and by family members. "There was always music in our house", said Brian, "both my father and Mother played piano and we had a wind up record player that was constantly in use scratching out both classical and Irish records". "Irish song and dance was seen and heard at every family occasion it was an important form of entertainment in those per Television days". "My father formed the Eire Og girls pipe and drum band", said Noel, [Tin Whistle Player With The Wolfe Tones] "and of course every one had their party piece at the regular family get together, in fact they never needed an occasion to have drinks and a sing song it happened every weekend after the pub closed".
Brian Warfield and friend Noel Nagle were the founding pillars of the Wolfe Tones and first took an interest in playing and singing Irish folk music as young teenagers back in 1961. They were introduced to recordings by a boyfriend of Noels sister Marie, Tony, who had a great collection of records by such groups as the Clancy Brothers [ song list ], various Ceili bands and solo players, Pete Seegar, The Weavers, and they enjoyed many a winters night listening to these records. Tony played the accordion and sang some very fine songs. We both went to whistle lessons in Church Street where we were taught by Paddy Bawn 0' Brinn and learned many great tunes from him. In time Brian, encouraged his brother Derek, who took up the mandolin which their father Harry played in a band when in his teens. They traveled to all the Fleadhs to listen and learn and indeed enjoyed the experience as City boys discovering the countryside. From these humble beginnings was to grow one of the best and most unique folk bands ever to grace the stages of the world. Here are some of the milestones of their recordings and development.
Brian Warfield and friend Noel Nagle were the founding pillars of the Wolfe Tones and first took an interest in playing and singing Irish folk music as young teenagers back in 1961. They were introduced to recordings by a boyfriend of Noels sister Marie, Tony, who had a great collection of records by such groups as the Clancy Brothers [ song list ], various Ceili bands and solo players, Pete Seegar, The Weavers, and they enjoyed many a winters night listening to these records. Tony played the accordion and sang some very fine songs. We both went to whistle lessons in Church Street where we were taught by Paddy Bawn 0' Brinn and learned many great tunes from him. In time Brian, encouraged his brother Derek, who took up the mandolin which their father Harry played in a band when in his teens. They traveled to all the Fleadhs to listen and learn and indeed enjoyed the experience as City boys discovering the countryside. From these humble beginnings was to grow one of the best and most unique folk bands ever to grace the stages of the world. Here are some of the milestones of their recordings and development.
August 1963 they form a band with many of their friends they play at concerts and pubs. Oct 1963 Noel and Brian leave for England and become the resident band at 4 different folk and one was run by Paul Simon, they got front page of the Essex Herald. They called themselves Wolfe Tones after the great Irish hero. Jan 1964 Derek and Philip have a group in Ireland known as circle group, they came to London and rejoin the group.
Easter 64 they go home and they meet Tommy Byrne in Mc Dermot's Pub, Elfin, Co Roscommon. Derek goes back to England. Noel and Brian join forces with Liam Courtney and are known as the WolfeTone Group. They have many guest performances on Radio and some Television.
August 64 Derek come back and joins the Wolfe Tones. They get regular spots on Ballad Session a poplar ballad TV show as a foursome. They meet their first manager Kaare Jonson a Norwegian who has great hopes for the band.
Sept 64 They are winners at the Rose of Tralee Ballad group and Pub Competition Oct 64 They are watched by Scout from Fontana records Leslie Mann.
Nov 1964 Tommy Byrne joins the group and replaces Liam Courtney. Tommy had kept in touch with the others since their first meeting and had played with them on occasions
Nov 64 contract signed with Fontana
Jan 1965 They record their first album at Phillips Studios, Marble Arch, London. Where groups like Wayne Fontana, Pretty Things and Dave Dee Dozy Becky, Mitch and Titch have all recorded.
March 1965 they get many TV and Radio gigs as they become favorites with RTE and the Irish audience.
June 1965 they move to the four courts hotel Dublin on Friday's Saturday's and Sunday nights, it becomes the most successful show in town and everybody wants to play at it.
1965 They open the Old Shelling Hotel on Mondays for Bill Fuller
1966 Their second release on Fontana "Up The Rebels" was recorded at Eamonn Andrews Studio, Henry Street, Dublin.
1966 The Wolfe Tones open The Embankment in Tallaght on Thursdays for Mick McCarthy August 1966 Sees their first tour of America
1967 They meet their new manager Oliver Barry and their partnership lasted until Oliver's departure for his venture with Century Radio in 1988.
1967 Their radio and television career blossoms and blooms as they have many hit records and chart successes.
1967 The "Rights of Man" released and becomes huge hit, and they have continued success on radio and television
Dec 1967 "Teddy Bears Head [ lyrics ]" is released and there are regular tours of UK and US.
1968 new record deal with Dolphin Records. "The Rifles of the IRA" is released and recorded at Eamonn Andrews Studios. "Uncle Nobby's Steamboat" heralded as a landmark of Irish Music arrangement that was to be copied by many groups that came later like Planxty.
1969 The Wolfe Tones win the rights to their songs from their record company after 10 years
Dec 1971 "Let The People Sing" becomes a huge seller and publishes photo's smuggled out of Long Kesh [ song ] on the cover.
1972 continued success on TV a handful of songs are released
1973 Their first number one "The Helicopter Song"[ lyrics ] about an escape from Mountjoy Jail Dublin
1974 Disappointment with the deal made by Dolphin for their old recordings, the Wolfe Tones form their own record company Triskel and their first release is "Across the Broad Atlantic". "Irish to the Core" followed and in
1975 "Till Ireland a Nation" then 1976 "Belt of the Celts"
1978 "Alive Alive Oh" is recorded live at The National in London.
1979 "As Gaeilge" their only Irish speaking album is released.
1981 Sees their second No. 1 "Streets of New York" followed by the LP "Spirit of a Nation".
1983 "The Sense of Freedom". The Late Late Show which tried to demonize the Tones for singing "Joe Mc Donnell" and supporting the people of the 6 counties.
1985 The Wolfe Tones LP "Profile" was released and the cover was soon to become their logo.
1987 "Sing out for Ireland".
1988 The "Greatest Hits" was released on Harmac. Oliver Barry resigns as manager to devote his time to Century Radio.
1989 The "25TH. Anniversary" is released.
1990 From this point on they did not record owing to a dispute over US release of their product with Shanachie Records. They have continued their recording career since Derek left the group and have had many hit CD's like "Never Beat the Irish" in
2000 "Rebels and Heroes" 2001 WolfeTones Live
2002 "The WolfeTones 40th Live" on CD and DVD 2003. "Celtic Symphony" CD and DVD
Easter 64 they go home and they meet Tommy Byrne in Mc Dermot's Pub, Elfin, Co Roscommon. Derek goes back to England. Noel and Brian join forces with Liam Courtney and are known as the WolfeTone Group. They have many guest performances on Radio and some Television.
August 64 Derek come back and joins the Wolfe Tones. They get regular spots on Ballad Session a poplar ballad TV show as a foursome. They meet their first manager Kaare Jonson a Norwegian who has great hopes for the band.
Sept 64 They are winners at the Rose of Tralee Ballad group and Pub Competition Oct 64 They are watched by Scout from Fontana records Leslie Mann.
Nov 1964 Tommy Byrne joins the group and replaces Liam Courtney. Tommy had kept in touch with the others since their first meeting and had played with them on occasions
Nov 64 contract signed with Fontana
Jan 1965 They record their first album at Phillips Studios, Marble Arch, London. Where groups like Wayne Fontana, Pretty Things and Dave Dee Dozy Becky, Mitch and Titch have all recorded.
March 1965 they get many TV and Radio gigs as they become favorites with RTE and the Irish audience.
June 1965 they move to the four courts hotel Dublin on Friday's Saturday's and Sunday nights, it becomes the most successful show in town and everybody wants to play at it.
1965 They open the Old Shelling Hotel on Mondays for Bill Fuller
1966 Their second release on Fontana "Up The Rebels" was recorded at Eamonn Andrews Studio, Henry Street, Dublin.
1966 The Wolfe Tones open The Embankment in Tallaght on Thursdays for Mick McCarthy August 1966 Sees their first tour of America
1967 They meet their new manager Oliver Barry and their partnership lasted until Oliver's departure for his venture with Century Radio in 1988.
1967 Their radio and television career blossoms and blooms as they have many hit records and chart successes.
1967 The "Rights of Man" released and becomes huge hit, and they have continued success on radio and television
Dec 1967 "Teddy Bears Head [ lyrics ]" is released and there are regular tours of UK and US.
1968 new record deal with Dolphin Records. "The Rifles of the IRA" is released and recorded at Eamonn Andrews Studios. "Uncle Nobby's Steamboat" heralded as a landmark of Irish Music arrangement that was to be copied by many groups that came later like Planxty.
1969 The Wolfe Tones win the rights to their songs from their record company after 10 years
Dec 1971 "Let The People Sing" becomes a huge seller and publishes photo's smuggled out of Long Kesh [ song ] on the cover.
1972 continued success on TV a handful of songs are released
1973 Their first number one "The Helicopter Song"[ lyrics ] about an escape from Mountjoy Jail Dublin
1974 Disappointment with the deal made by Dolphin for their old recordings, the Wolfe Tones form their own record company Triskel and their first release is "Across the Broad Atlantic". "Irish to the Core" followed and in
1975 "Till Ireland a Nation" then 1976 "Belt of the Celts"
1978 "Alive Alive Oh" is recorded live at The National in London.
1979 "As Gaeilge" their only Irish speaking album is released.
1981 Sees their second No. 1 "Streets of New York" followed by the LP "Spirit of a Nation".
1983 "The Sense of Freedom". The Late Late Show which tried to demonize the Tones for singing "Joe Mc Donnell" and supporting the people of the 6 counties.
1985 The Wolfe Tones LP "Profile" was released and the cover was soon to become their logo.
1987 "Sing out for Ireland".
1988 The "Greatest Hits" was released on Harmac. Oliver Barry resigns as manager to devote his time to Century Radio.
1989 The "25TH. Anniversary" is released.
1990 From this point on they did not record owing to a dispute over US release of their product with Shanachie Records. They have continued their recording career since Derek left the group and have had many hit CD's like "Never Beat the Irish" in
2000 "Rebels and Heroes" 2001 WolfeTones Live
2002 "The WolfeTones 40th Live" on CD and DVD 2003. "Celtic Symphony" CD and DVD
This video is an interview with Derek Warfield who was a founder member of The Wolfe Tones. Here Derek explains the reason why The Wolfe Tones broke up.
2004. "The Troubles"
2005.2006 "1916 Remembered" and The Wolfe Tones Platinum Collection on EMI. This anthology is a selection of tracks taken from their many recordings old and new. Up Close with the WolfeTones
Noel Brian and Tommy have gone from strength to strength since Derek left in Dec 2000 and are still one of the biggest sellers of CD's and the most popular Irish acts at their time. They continue to make and break records and long may it continue.
So much has been said about the "Tones", as they are affectionately called,a fresh look at this group which has now become an Irish institution and intrinsic part of Ireland's rich ballad music history. They are now a grand 44 years on the road. Within this timeframe, they have achieved almost every award and accolade which an Irish folk ballad group can hope to aspire to. As a band they function on multi-levels; creative, brilliant, humorous, mind-provoking, controversial, heroic, traditional and contemporary, but at all times they remain entertaining and guarantee to bring a smile to your face.
They are regarded by many as the last in a great line of bards and folk story tellers who have enriched Ireland for the past thousand years.
Their mission has been to keep the tradition of the Irish ballad alive and flourishing. They have been similar to the old bards of old in their telling of the story and history of Ireland to the Irish and its' Diaspora. Their love of performing is evident throughout the past five decades as they carried their music to the four corners of the world. When they couldn't tour or visit, their CD'S and DVD's spread the music and the heritage throughout the jukeboxes and iPods of the world. Their music has reached the remotest regions, from the Arctic to the Antarctic, from the lowlands of Holland to the highlands of the Himalayas. Irish group on their many missions and sojourns of discovery.
2004. "The Troubles"
2005.2006 "1916 Remembered" and The Wolfe Tones Platinum Collection on EMI. This anthology is a selection of tracks taken from their many recordings old and new. Up Close with the WolfeTones
Noel Brian and Tommy have gone from strength to strength since Derek left in Dec 2000 and are still one of the biggest sellers of CD's and the most popular Irish acts at their time. They continue to make and break records and long may it continue.
So much has been said about the "Tones", as they are affectionately called,a fresh look at this group which has now become an Irish institution and intrinsic part of Ireland's rich ballad music history. They are now a grand 44 years on the road. Within this timeframe, they have achieved almost every award and accolade which an Irish folk ballad group can hope to aspire to. As a band they function on multi-levels; creative, brilliant, humorous, mind-provoking, controversial, heroic, traditional and contemporary, but at all times they remain entertaining and guarantee to bring a smile to your face.
They are regarded by many as the last in a great line of bards and folk story tellers who have enriched Ireland for the past thousand years.
Their mission has been to keep the tradition of the Irish ballad alive and flourishing. They have been similar to the old bards of old in their telling of the story and history of Ireland to the Irish and its' Diaspora. Their love of performing is evident throughout the past five decades as they carried their music to the four corners of the world. When they couldn't tour or visit, their CD'S and DVD's spread the music and the heritage throughout the jukeboxes and iPods of the world. Their music has reached the remotest regions, from the Arctic to the Antarctic, from the lowlands of Holland to the highlands of the Himalayas. Irish group on their many missions and sojourns of discovery.
Brian Warfield The Wolfe Tones Singer Songwriter
Brian Warfield has been playing music since he was 12 years old
It scars old. He plays Banjo. Guitar and Harp with the Tones.
He is the song writer of the group and has contributed most of
the original material and hits over the years. He and Noel Nagle
gave the name Wolfe Tones to the group in a pub in London and
they have held unto it since then- The group has heroine a household name in Ireland. They are together for over 38 years and there is
only one Wolftones
Brian was horn in Holies Si Maternity Hospital Dublin on the 2nd
April 1947 the second of four children, all boys.
We lived firstly in a one roomed flat at No I south Circular and
we moved to a new house in Bluebell when I was seven.
I attended St Kevins Junior School and then The Oblaic School Inchiore from there to St.James's Christian Brothers. I studied to be a radio officer at St. Kevins with the wish to go see the world
Both my parents were musical, my father was an excellent musician and played piano and mandolin, my mother amused herself
in the afternoons playing her favorite tunes, both of them
loved playing music and singing.
I can never remember a time without music or song in the
Dublin of the 1950's, there was no television just the wireless
The variety of musical knowledge we got from those
programmes from classical to light opera from Hollywood
to the Irish song and dance
My early influences in music were the ordinary people
and my family and the songs I heard on radio.
My favorite song was The Black Hills Of Dakota
and my favorite singer was Doris Day, my best loved Irish
singer at the time was Brendan O'Dowda, I loved the
Ceili music dance and song so I went to learn the
tin whistle with Paddy Ban O'Brien in Church St.Dublin.
I enjoyed this experence very much. Noel Nagle and
Finbar Furey were in the class. Noel lived just around
the corner and a friend of Noel's sister, Tony Butler
introduced us to the Fleadh Ceoil's, We went to one
in Miltown Malbay Co Clare soon after and had a fantastic
time. The music song and dance and the craic. We were
hooked and after that Irish music and song and story became
our passion.
Noel and I immigrated to England in 1963 and played
the folk clubs, mainly around London and Essex.
We stayed there almost a year and returned to
Ireland in '64 and played the Irish clubs around Dublin.
We did some radio and television work and were slowly
getting recognized. We were signed to Fontana Records
which was a major record lable in the 60's.
We met Tommy Byrne at a Fleady in Elphin Roscommon in
a bar called McDermotts and he joined us in October of 1964.
It's a long story after that and there's not enough
space to tell it here. I was married to Ruth who
I met in London in '64, she was from Drumcondra Dublin.
I have 4 children, Siobhan, Ciaran, Laragh and Ruairi
and live in Co. Wicklow.
Brian has written over two hundred songs and at lease
half have been recorded by The Wolfe Tones, he composed
music for R.T.E. radio production of Shakespares
As You Like It, composed a suite of music called Exoudus
remembering the Irish Holocaust, The Great Famine
He has written songs about every aspect of Irish life
and documented the story of major happenings and events
that occurred in Ireland during our lifetime. He has
written numerous hit songs including three Number ones
and the hope is he will continue to write as long as he can
There is much to tell and Ireland's story is continuously
changing. His passion is music and the mission is
to tell the story of Ireland.
Brian Warfield has been playing music since he was 12 years old
It scars old. He plays Banjo. Guitar and Harp with the Tones.
He is the song writer of the group and has contributed most of
the original material and hits over the years. He and Noel Nagle
gave the name Wolfe Tones to the group in a pub in London and
they have held unto it since then- The group has heroine a household name in Ireland. They are together for over 38 years and there is
only one Wolftones
Brian was horn in Holies Si Maternity Hospital Dublin on the 2nd
April 1947 the second of four children, all boys.
We lived firstly in a one roomed flat at No I south Circular and
we moved to a new house in Bluebell when I was seven.
I attended St Kevins Junior School and then The Oblaic School Inchiore from there to St.James's Christian Brothers. I studied to be a radio officer at St. Kevins with the wish to go see the world
Both my parents were musical, my father was an excellent musician and played piano and mandolin, my mother amused herself
in the afternoons playing her favorite tunes, both of them
loved playing music and singing.
I can never remember a time without music or song in the
Dublin of the 1950's, there was no television just the wireless
The variety of musical knowledge we got from those
programmes from classical to light opera from Hollywood
to the Irish song and dance
My early influences in music were the ordinary people
and my family and the songs I heard on radio.
My favorite song was The Black Hills Of Dakota
and my favorite singer was Doris Day, my best loved Irish
singer at the time was Brendan O'Dowda, I loved the
Ceili music dance and song so I went to learn the
tin whistle with Paddy Ban O'Brien in Church St.Dublin.
I enjoyed this experence very much. Noel Nagle and
Finbar Furey were in the class. Noel lived just around
the corner and a friend of Noel's sister, Tony Butler
introduced us to the Fleadh Ceoil's, We went to one
in Miltown Malbay Co Clare soon after and had a fantastic
time. The music song and dance and the craic. We were
hooked and after that Irish music and song and story became
our passion.
Noel and I immigrated to England in 1963 and played
the folk clubs, mainly around London and Essex.
We stayed there almost a year and returned to
Ireland in '64 and played the Irish clubs around Dublin.
We did some radio and television work and were slowly
getting recognized. We were signed to Fontana Records
which was a major record lable in the 60's.
We met Tommy Byrne at a Fleady in Elphin Roscommon in
a bar called McDermotts and he joined us in October of 1964.
It's a long story after that and there's not enough
space to tell it here. I was married to Ruth who
I met in London in '64, she was from Drumcondra Dublin.
I have 4 children, Siobhan, Ciaran, Laragh and Ruairi
and live in Co. Wicklow.
Brian has written over two hundred songs and at lease
half have been recorded by The Wolfe Tones, he composed
music for R.T.E. radio production of Shakespares
As You Like It, composed a suite of music called Exoudus
remembering the Irish Holocaust, The Great Famine
He has written songs about every aspect of Irish life
and documented the story of major happenings and events
that occurred in Ireland during our lifetime. He has
written numerous hit songs including three Number ones
and the hope is he will continue to write as long as he can
There is much to tell and Ireland's story is continuously
changing. His passion is music and the mission is
to tell the story of Ireland.
Noel Nagle Tin Whistle Player
My father was the first big musical influence in my life.
He taught pipes and drums, and had a very successful band
called New Eire Girls Pipe Band. I began playing the
guitar first, then moved on to the banjo, until I finally
settled on the tin whistle. I also played the Uillean Pipes,
and a great pipe player Dan O'Dowd made my first practice
set for me.
I was born in Dublin aird grew up in Drimnagh.
In the early 50s we had to move to Bluebell, another
Dublin suburb, to accommodate our hig family of twelve children.
I went to school in St. Michaels Christian Brothers School in
Inchcore.
It was here that I first learned and became interested in
the history of Ireland, and it was the Christian Brothers
who first installed the love of Irish music and rebel songs
into me. The gymnasium at the schools where the 1918 leaders
were brought after their arrest and spent their first night
of detention there, before being taken to nearby Kilmainham Jail.
where they were later executed for their part in the rising
When I finished school I spent nearly every weekend travelling
around Ireland to the Fleadh Ceoils and quickly accrued a great
love of Irish traditional music. It was one such weekend
myself and Brian were in Roscommon at a fleadh when we met
Tommy Byrne and that was the start of The Wolfe Tones.
Since then we have gone from strength to strength.
We have sold millions of albums and travelled the world.
I married my wife Marie in 1970 and we have four children,
and one grandchild. We live in County Wicklow in the ''Garden Of Ireland''
I still enjoy the gigs, recording and preforming and hope to
continue for many years to come.
My father was the first big musical influence in my life.
He taught pipes and drums, and had a very successful band
called New Eire Girls Pipe Band. I began playing the
guitar first, then moved on to the banjo, until I finally
settled on the tin whistle. I also played the Uillean Pipes,
and a great pipe player Dan O'Dowd made my first practice
set for me.
I was born in Dublin aird grew up in Drimnagh.
In the early 50s we had to move to Bluebell, another
Dublin suburb, to accommodate our hig family of twelve children.
I went to school in St. Michaels Christian Brothers School in
Inchcore.
It was here that I first learned and became interested in
the history of Ireland, and it was the Christian Brothers
who first installed the love of Irish music and rebel songs
into me. The gymnasium at the schools where the 1918 leaders
were brought after their arrest and spent their first night
of detention there, before being taken to nearby Kilmainham Jail.
where they were later executed for their part in the rising
When I finished school I spent nearly every weekend travelling
around Ireland to the Fleadh Ceoils and quickly accrued a great
love of Irish traditional music. It was one such weekend
myself and Brian were in Roscommon at a fleadh when we met
Tommy Byrne and that was the start of The Wolfe Tones.
Since then we have gone from strength to strength.
We have sold millions of albums and travelled the world.
I married my wife Marie in 1970 and we have four children,
and one grandchild. We live in County Wicklow in the ''Garden Of Ireland''
I still enjoy the gigs, recording and preforming and hope to
continue for many years to come.
Tommy Byrne The Wolfe Tones Guitar Player And Singer
Born and reared in the Liberties to the 40s/50s, and the eldest of 11 children
l bought my flrst guitar in 1962 and taught myself to play
My early influences were Joan Biaz and the Clancy Brothers songs
who were making it big in the US at the time; and I fell in love
with folk music Irish And American. By 1966 there were at least 800
ballad groups. and the folk boom had really taken hold,
I began performing in the various folk clubs in Dublin and it the
fleadhs around the country Fry, It was at a fleadh in Elphin,
Co. Roscommon, on Easter weekend, 1964 that I first met Brian Warfield
and Noel Nagle, who were members of a ballad group called the Wolfe Tones,
We played and sang together all weekend and within the year
I had left my job in the Guinness brewery and joined the band full time
and thank God I have never looked back!
Since then we have preformed the world a few times over, and in
some of the most prestigious venues around the world including
Carnegie Hall, New York, The Royal Albert London. and I must mention
The Apollo, Glasgow, the most memorably gig of my life
We have played about 40 states in the US,
Australia, and all over the UK and Ireland and played alongside artistes
like John Denver,: Kris Kristofferson, Glen Campbell, Joan Biaz
and Status Quo,
On a personal note, I married my wife, Kate, 34 years ago, we have two children
Thomas and Emma and one grandchild, "Vivienne' whom, I adore,
and we have another one on the way. These days I have slowed down a little
from the hectic days of the tins, 705, 8Os and 90s, I now enjoy golfing.
walking and gardening with my wile, I am an avid sports fan, particularly
hurling (the best game in the world), and I most admit it enjoying a
few pints down the local with friend. For the future, I hope to continue
playing, turning and recording for at least few years
l bought my flrst guitar in 1962 and taught myself to play
My early influences were Joan Biaz and the Clancy Brothers songs
who were making it big in the US at the time; and I fell in love
with folk music Irish And American. By 1966 there were at least 800
ballad groups. and the folk boom had really taken hold,
I began performing in the various folk clubs in Dublin and it the
fleadhs around the country Fry, It was at a fleadh in Elphin,
Co. Roscommon, on Easter weekend, 1964 that I first met Brian Warfield
and Noel Nagle, who were members of a ballad group called the Wolfe Tones,
We played and sang together all weekend and within the year
I had left my job in the Guinness brewery and joined the band full time
and thank God I have never looked back!
Since then we have preformed the world a few times over, and in
some of the most prestigious venues around the world including
Carnegie Hall, New York, The Royal Albert London. and I must mention
The Apollo, Glasgow, the most memorably gig of my life
We have played about 40 states in the US,
Australia, and all over the UK and Ireland and played alongside artistes
like John Denver,: Kris Kristofferson, Glen Campbell, Joan Biaz
and Status Quo,
On a personal note, I married my wife, Kate, 34 years ago, we have two children
Thomas and Emma and one grandchild, "Vivienne' whom, I adore,
and we have another one on the way. These days I have slowed down a little
from the hectic days of the tins, 705, 8Os and 90s, I now enjoy golfing.
walking and gardening with my wile, I am an avid sports fan, particularly
hurling (the best game in the world), and I most admit it enjoying a
few pints down the local with friend. For the future, I hope to continue
playing, turning and recording for at least few years
The Wolfe Tones And Me
I Was aware of The Wolfe Tones music from an early age,
I'd say it was around 1977 I bought my first tape, it was
The Rifles Of The I.R.A and from that moment on I was hooked on ballads and in particular The Wolfe Tones.
This was the 1970's and money was tight, if you had three or four tapes or L.Ps you were made.
I remember I would listen to the same songs over and over and know every word of every song of by heart.
Eventually I collected all The Wolfe Tones to date and would wait in anticipation for new releases.
I was not content with having all the tapes that I would buy any singles the record shop had in stock just to listen to the B side of the single.
It was around 1978/79 that I first went to see The Wolfe Tones preform, the gig was in The Wexford Inn Dublin, the lads played there every Tuesday nights for a couple of years from what I remember.
It was one of the top spots in Dublin at the time for ballad groups, a great venue with lots of atmosphere, I'd say it held around 300 and that figure doesn't include the people standing on the tables who were mad drunk with excitement and drink.
The Wolfe Tones surly know how to get the crowd going, they would start of with a few fast rebel songs, then slow it down with a couple of slow ballads like Slievenamon lyrics.
I would be thinking, these fellows must have been practising this stuff for weeks, but they were already veterans by this stage.
The 'tones were as good live as recorded, the thing that has always struck me about the band is the harmonies.
The four of them would come in on the chorus, Derek and Noel would stop playing just for the chorus and then go back to the whistle and mandolin.
The harmonies with The Wolfe Tones was not there with most of the other ballad groups, and there were plenty around during the 60s and 70s, the exception would by The Johnstons and The Ludlows. But it wasn't just their style of singing that attracted me to The Wolfe Tones.
Listening to folk songs and ballads has thought me a great deal about the history of Ireland, more than the education system ever did. Listening to ballads like Kelly Of Killane or Bold Robert Emmett will give an insight into Irish life at that period in history. Of all The Wolfe Tones songs I've listened to I have found the facts portrayed in the lyrics to accurately describe events of the time they were written about.
Brian Warfield, the songwriter from The Wolfe Tones has written about most aspects of Irish life, including it's social and political history. From the powerful ballads of Joe McDonnell and Celtic Symphony, to humorous songs like Quare Things In Dublin and Uncle Nobby's Steamboat.
In the tradition of folk songwriting he has very few rivals, the closest would by Shane MacGowan.
Without such a fine songwriter I doubt if the group would still be around today, Brian is constantly writing new songs and stories. The show is as fresh today as it was 30 years ago. Derek Warfield left the group 2001 to go solo, he continues o tour Ireland and America mostly. Derek also brought the group to No1 in the Irish charts with Admiral William Brown
It's now over 30 years ago since I first bought that Wolf Tones tape and I'm still listening to them, the tapes have long gone but the music lives on.
I now not only listen, but play their songs on guitar and do my bit to promote Irish music whenever I can. This is just my own memories from watching the lads play, if you want write your own review and want it published here then send it on to me. also if you have any sheet music notes for banjo/mandolin or tin whistle notes, please send them to me.
2008 is the 45Th anniversary of the coming together of the Wolfe Tones, very few bands in the history of music have stayed together so long and with the same line up, except for the departure of Derek the line up has been the same since 1963 when they formed the band at a fleadh cheol in Elphin County Roscommon. Some music journalist only see the band as 'Rebel Rousing' balladeers but if that was the case they wouldn't have lasted for this long.
Sure the rebel songs are an important part of Irish folk music..
Take their first album for example, you have songs like Dicey Reilly, The Zoological Gardens, Down In The Mines and Glenswilly, from The Wolfe Tones first album to their latest they have recorded a mixture of Irish folk and an equal amount of the rebel songs.
I started listening to an old song by the 'tones that someone had posted on Youtube, ''Farewell To Dublin'' , I had almost forgotten about this wonderful song by Brian with Tommy on vocals. It's truly one of the all time greatest Dublin songs. Brian should get a lifetime achievement award just for writing this song, but that I'll hardly happen now will it ? in fact The Wolfe Tones should all get lifetime achievement award for the hugh contribution they have made to the preservation of Irish folk music.
Ticket prices for all the shows have been kept low and represent great value, normally around £20 or €25, compared to other acts on the folk circuit who charge up to €50, when you decide to go and see The Wolfe Tones remember you can book your tickets online at the official site. End
I Was aware of The Wolfe Tones music from an early age,
I'd say it was around 1977 I bought my first tape, it was
The Rifles Of The I.R.A and from that moment on I was hooked on ballads and in particular The Wolfe Tones.
This was the 1970's and money was tight, if you had three or four tapes or L.Ps you were made.
I remember I would listen to the same songs over and over and know every word of every song of by heart.
Eventually I collected all The Wolfe Tones to date and would wait in anticipation for new releases.
I was not content with having all the tapes that I would buy any singles the record shop had in stock just to listen to the B side of the single.
It was around 1978/79 that I first went to see The Wolfe Tones preform, the gig was in The Wexford Inn Dublin, the lads played there every Tuesday nights for a couple of years from what I remember.
It was one of the top spots in Dublin at the time for ballad groups, a great venue with lots of atmosphere, I'd say it held around 300 and that figure doesn't include the people standing on the tables who were mad drunk with excitement and drink.
The Wolfe Tones surly know how to get the crowd going, they would start of with a few fast rebel songs, then slow it down with a couple of slow ballads like Slievenamon lyrics.
I would be thinking, these fellows must have been practising this stuff for weeks, but they were already veterans by this stage.
The 'tones were as good live as recorded, the thing that has always struck me about the band is the harmonies.
The four of them would come in on the chorus, Derek and Noel would stop playing just for the chorus and then go back to the whistle and mandolin.
The harmonies with The Wolfe Tones was not there with most of the other ballad groups, and there were plenty around during the 60s and 70s, the exception would by The Johnstons and The Ludlows. But it wasn't just their style of singing that attracted me to The Wolfe Tones.
Listening to folk songs and ballads has thought me a great deal about the history of Ireland, more than the education system ever did. Listening to ballads like Kelly Of Killane or Bold Robert Emmett will give an insight into Irish life at that period in history. Of all The Wolfe Tones songs I've listened to I have found the facts portrayed in the lyrics to accurately describe events of the time they were written about.
Brian Warfield, the songwriter from The Wolfe Tones has written about most aspects of Irish life, including it's social and political history. From the powerful ballads of Joe McDonnell and Celtic Symphony, to humorous songs like Quare Things In Dublin and Uncle Nobby's Steamboat.
In the tradition of folk songwriting he has very few rivals, the closest would by Shane MacGowan.
Without such a fine songwriter I doubt if the group would still be around today, Brian is constantly writing new songs and stories. The show is as fresh today as it was 30 years ago. Derek Warfield left the group 2001 to go solo, he continues o tour Ireland and America mostly. Derek also brought the group to No1 in the Irish charts with Admiral William Brown
It's now over 30 years ago since I first bought that Wolf Tones tape and I'm still listening to them, the tapes have long gone but the music lives on.
I now not only listen, but play their songs on guitar and do my bit to promote Irish music whenever I can. This is just my own memories from watching the lads play, if you want write your own review and want it published here then send it on to me. also if you have any sheet music notes for banjo/mandolin or tin whistle notes, please send them to me.
2008 is the 45Th anniversary of the coming together of the Wolfe Tones, very few bands in the history of music have stayed together so long and with the same line up, except for the departure of Derek the line up has been the same since 1963 when they formed the band at a fleadh cheol in Elphin County Roscommon. Some music journalist only see the band as 'Rebel Rousing' balladeers but if that was the case they wouldn't have lasted for this long.
Sure the rebel songs are an important part of Irish folk music..
Take their first album for example, you have songs like Dicey Reilly, The Zoological Gardens, Down In The Mines and Glenswilly, from The Wolfe Tones first album to their latest they have recorded a mixture of Irish folk and an equal amount of the rebel songs.
I started listening to an old song by the 'tones that someone had posted on Youtube, ''Farewell To Dublin'' , I had almost forgotten about this wonderful song by Brian with Tommy on vocals. It's truly one of the all time greatest Dublin songs. Brian should get a lifetime achievement award just for writing this song, but that I'll hardly happen now will it ? in fact The Wolfe Tones should all get lifetime achievement award for the hugh contribution they have made to the preservation of Irish folk music.
Ticket prices for all the shows have been kept low and represent great value, normally around £20 or €25, compared to other acts on the folk circuit who charge up to €50, when you decide to go and see The Wolfe Tones remember you can book your tickets online at the official site. End
To mark this occasion, the beginning of the long winding 50 years on the road, we are going to have several special events across the year. Commencing on the 30th of October we will begin a tour of England taking in all the wonderful clubs, pubs, towns, cities, halls, theaters and places that we visited over the years. We look forward to meeting the people who gave us great support since our humble beginnings as emigrant folk singers in 1964. We once again will travel this road and play every major city across England, Scotland and Wales, from London to Inverness and everywhere between. It began in 64/65 with our first gigs around London. The second town in England to recognize the Tones was Liverpool in 65, this gig was run by college students, Malcolm and Stewart, two great guys who ran our shows there, we have never forgotten them. Then we played the Albert Hall, the National in Kilburn, the great dance venues and ballrooms throughout the country. In every town, in every city, there was an Irish Club or Ballroom, we played them all some time or other. We toured the theaters and concert halls. We did them all big and small.
For many years the police in Scotland prevented us from playing there with all kinds of objections and excuses, promoters were intimidated and threatened, venues were warned if they had the group they would lose their license, every dirty trick that could be used to stop The Wolfe Tones from touring Scotland. Eventually we broke through the barrier of hateful, anti Irish bigotry and played the Apollo in Glasgow. After so many battles with the Police authorities we eventually convinced them that The Wolfe Tones [ song lyrics ] were an excepted international act who had played all the great concert venues in the world and were entitled to play a concert to their followers in Glasgow. This was one of the most memorable concerts of my life, a night I will never forget, the atmosphere, the passion, as thousands of enthusiastic fans sang the Wolfe Tones songs with us. It was so loud and sung with such great pride and passion that I thought the roof would lift off at one stage. The anti Irish lobby in Glasgow became very vocal in their objections to our group as our popularity increase,d they even went to great lengths to intimidate the Celtic board by tainting us with sectarian slurs until they eventually bowed to the bigots and stopped ads for the Tones in the Cetlic View. I met with the Police on occasions to answer objections thrown at them regarding the group, they were wild, unfounded and callous but many of our shows were cancelled because of it. I remember the Caird Hall in Edinburgh, cancelled because the police said there were too many people to control and they thought there might be trouble ...... might be trouble. There never was trouble at a Wolfe Tones concert. They had no foundation for this objection as we never had trouble at any of our shows, in fact, our audiences in Scotland were the best behaved, most enthusiastic, fun loving people that could be found anywhere in the world. We celebrated our 25th Anniversary at the Barrowlands in Glasgow and it was a wonderful, unforgettable occasion and now we are proud to celebrate our 50th Anniversary at the Barrowlands on November 23rd, with the greatest audience in the world and I'm sure it will be the same if not better. We're really looking forward to it.
We are excited to visit the great towns and cities, the communities that are the Irish diaspora in England, Scotland and Wales. The Wolfe Tones never forgot the Irish in Britain and the Irish in Britain never forgot The Wolfe Tones, in fact they always loved The Wolfe Tones our music and songs. The Tones mean as much if not more to the Irish in England, Wales or Scotland as they do in Ireland or anywhere else. Our music re-enforces their identity, it's Ireland's music, history and story. I wrote songs like "My Heart is in Ireland", inspired by second generation Irish in Birmingham. "Dreams of Home" was inspired by a returned emigrant who finds everything changed in his town, "The Guildford Four" in support of the Irish caught up in the whirlwind of hysteria against the Irish after the bombings. It was a grave travesty of justice as innocent people were rounded up just because they were Irish. We sang at a concert with Ken Livingston in Hackney Town Hall to highlight the plight of the Maguires, the Guildford four, the Birmingham six, all of whom were acquitted years later. We brought Irish entertainment, songs, stories and music to the great Irish centres and communities all around the country and still do right up to the present time. So come along and experience what this long journey was all about, all the dates are listed on our website so let's celebrate 50 Years of music with the mighty Wolfe Tones!
In January we are off to Australia as part for our 50th Anniversary World Tour, 5 dates in all the major cities. It's two years since we played Australia and I know by the ticket sales and excitement that we will have another sell out tour so get your tickets early. Tickets selling fast so get them now. More about this in the next newsletter.
We will be off to the USA for our celebratory tour commencing mid February and it will continue until March 17th, St. Patricks Day.
Back in Easter, 1964, we met with Tommy Byrne at a fleadh in Elphin, County Roscommon. We became very good friends, he later gave up the day job in Guinness and joined the group for better or for worse, it can't be bad, he's still with us today. To mark this occasion we are having a major event called 'Wolfe Tones Fest', a weekend at the City West Hotel, County Dublin. There will be three concerts across the three days of the festival, on Saturday we will have a special concert with Orchestra, one not to be missed. Then on Sunday we will have a request night with the Wolfe Tones. If you want to nominate a song for this concert you must be in attendance on the night and have submitted your request at least a month in advance and give a reason why you would like to hear the particular song. The third night will be '1916 Remembered', history, story and songs of the period. There will be an exhibition of awards, trophies, citations and memorabilia on display that was collected by the group over the years. This promises to be a uniquely entertaining weekend full of surprises and 'Wolfetonery' so for all who have followed the Tones over the 50 years it is a must. Tickets have just gone on sale and are available from City West Hotel or from their website. When booking via City West Hotel, full payment is made at the time of booking.
Warfield On The War Path ...
I wrote the song, "Let The People Sing" back in the sixties and I'd no idea that it was to become such an anthem over time. The Irish in Scotland have suffered a great deal of discrimination, resentment, anti Irish, anti Catholic feelings from the indigenous Protestant population in Scotland. They were never accepted as a community and suffered discrimination in housing, employment and every walk of life. They rallied around Glasgow Celtic, a football club formed by the Irish back in 1888 for charitable purposes. I've dealt with the story of Celtic in a former newsletter. They felt they were on equal terms with local communities on the football field when 11 Celtic players would take on 11 from the opposing community. Since then the Celtic supporters have delighted in the platform provided to them on every match day, giving them an opportunity to display their Irish heritage, by singing Irish songs on the terraces. These were moments that gave them great pride as they sang the Irish song telling to all the story of their historic Irish heritage. It was one of the few occasions that they could express themselves without looking over their shoulders.
This was very much resented by the authorities in Scotland who tried on every occasion to brand the story of Ireland as sectarian. Of course this is totally unfounded, Irish song has many facets to it, it was never sectarian. Wolfe Tone, Robert Emmet, Henry Joy, all Protestants, the story of Ireland is in the song lore of Ireland so nobody can make accusations of sectarianism against its content.
This article was sent to me by a friend of mine, it was written by Angela Haggerty, a journalist, broadcaster and editor based in the west of Scotland. I think you might find it of interest.
Her most recent work includes editing the best selling book Downfall: How Rangers FC Self-Destructed, charting the demise of one of Scotland’s biggest football clubs. The book was written by Phil Mac Giolla Bhain, a journalist credited with breaking many of the major stories of the club’s impending financial crisis. She currently works for a magazine in the west of Scotland. This little piece I share with you because it tells a wonderful story of the feelings of the Irish in Scotland.
The littlest incidents and moments in life can tell a much greater story and I was lucky enough to encounter one this week.
During a movie night at a friend’s house we were all suddenly distracted by a strange drawl outside. TV muted and a scramble to the window ensued to witness a very drunk, middle aged man staggering around outside, singing as loud as he could strain his voice, with a growling emphasis on his favorite lines. The song?
“Hulllo, huulllo, we aaaarrrra Billy Boys, hulllo, hulllo…”
He stopped, staggered, grunted.
“We’re up to our knees in Fenian blood surrender or you'll DIE…”
It was quite a vision. If we could have stopped laughing for long enough the sight of a middle aged man dreaming in a drunken haze of wading in Irish blood might have been disconcerting – but then the best bit happened.
He stopped in his tracks and turned around to pinpoint where another noise was emerging from. He looked confused, we all listened. In the not-too-far-distance we could hear the sounds of what must have been three or four fairly young kids singing right back at him.
“Let the people sing, their stories and their songs, the music of their native lands…”
Defeated, he threw his hands up in the air and grunted in their direction, to a chorus of giggles, before he slinked away.
What a moment. The old, outdated and outgoing generation of racist stereotypes and the brand new generation of children who have begun life with a sense of their rights. The two songs could not have been more emblematic. One venerated a fascist street thug, Billy Fullerton, and the other is an anthem of hope. Banned by UEFA in 2006, the Billy Boys, like Fullerton himself, is history.
The treatment of Irish immigrants and of their descendants in Scotland is an issue that I’ve been close to for many years. I grew up with a father who was born in Scotland but never identified with a Scottish nationality. He is Irish; he comes from Irish family, he spent his childhood summers back where he considers home and the country he was born in was one he never felt he had a place in.
When he hears the Scottish national anthem, he feels nothing. When the Irish national anthem plays, it’s clear where his heart is. I grew up in a family with a great fondness for Ireland. What’s more, I grew up with parents who could relay stories of the discrimination they faced throughout their lives in Glasgow because of their Irish names.
My mother, a Docherty who grew up in various parts of Glasgow’s East End in the 1940s and 1950s, was a fiery woman. We used to love hearing the stories of how she handled anyone that asked her what school she came from during a job interview.
She left one Englishman stunned during an interview for a job in the civil service when he asked the dreaded question. He got a piece of her mind and my mother had a famous way with words. As it turned out, his question was entirely genuine and she got the job. She had a great sense of justice and in those days it wasn’t easy to stand your ground.
It’s easier for me to stand mine. I was 15 when Glasgow achieved occupational parity in 2001, the milestone which meant those of Irish descent were finally on an equal footing when it comes to things like employment and education. It took Glasgow a full 100 years longer than New York to get there.
When I became of working age I was going out into a world where my name should be under little consideration for an employer – it should be, but given that my name is so closely associated with standing up to the Klan in the world of Scottish journalism, it sadly wouldn’t surprise me if my name sounded like too much of a threat to sales around these parts.
But I have a job, a very good job at a business magazine, and I also work as a book editor. It’s through the latter that I’ve been privileged to work on a book about a subject that has dominated much of my life.
Minority Reporter: Modern Scotland’s Bad Attitude Towards Her Own Irish by Phil Mac Giolla Bháin is an important document charting the discrimination faced by Irish immigrants to Scotland and their descendants.
It blows away the myth of sectarianism and illustrates how ethnicity is absolutely central to the cultural problems which still exist in the west of Scotland. While structural discrimination no longer exists for the Irish, attitudinal discrimination, as Professor Tom Devine styles it, is still present.
The book looks extensively at the stand out examples of this discrimination in recent years, namely the Famine Song and the disgraceful treatment of Celtic manager Neil Lennon, who has endured physical attacks and serious threats on his life throughout his time in Scotland. The Irishman has shown incredible strength and Scotland is in his debt.
As a result of my work on Phil Mac Giolla Bháin’s previous book, Downfall: How Rangers FC Self Destructed, I’ve experienced that very discrimination almost relentlessly for the past year.
The downfall of Rangers was a wonderful coincidence. Just over a decade after Glasgow achieved occupational parity, one of the spiritual homes of anti-Irish racism in Scotland collapsed in total humiliation.
The fans who displayed those racist tendencies – many now loyal followers of Sevco and whichever comes next – continue to belt out their old favourites. They recount their fantasies about Fenian blood through the Billy Boys and tell the plastic paddies to go home to Ireland through the Famine Song without a hint of irony.
But that subculture, the ‘klan’ as Phil correctly terms it in a nod to their brothers in racism, no longer feels like a threat. While Sir David Murray strung them along and had them fooled about their entitlement they failed to notice the confidence emerging among the ‘taigs’ – still a favourite term on their message boards – and the cracks that were about to bring their culture tumbling down.
I’m glad my Dad lived to see it and finally feel a sense of justice, and I’m humbled that he saw the day that one of his offspring edited a solid record of the discrimination he and others suffered. While Downfall and the real story behind the Rangers collapse was important, this book really grabs the roots of what Rangers represented for so many in Scottish society and rips them up from below the surface for all to see, and unashamedly so.
And like Downfall, it has a happy ending. The Irish in Scotland no longer sit at the back of the bus. Those days are over, they are gone, and no matter how much the remnants of the klan strive to claw back the old days, their efforts will be futile.
They are on the wrong side of history, equality terrifies them.
Let The People Sing. Brian Warfield
For many years the police in Scotland prevented us from playing there with all kinds of objections and excuses, promoters were intimidated and threatened, venues were warned if they had the group they would lose their license, every dirty trick that could be used to stop The Wolfe Tones from touring Scotland. Eventually we broke through the barrier of hateful, anti Irish bigotry and played the Apollo in Glasgow. After so many battles with the Police authorities we eventually convinced them that The Wolfe Tones [ song lyrics ] were an excepted international act who had played all the great concert venues in the world and were entitled to play a concert to their followers in Glasgow. This was one of the most memorable concerts of my life, a night I will never forget, the atmosphere, the passion, as thousands of enthusiastic fans sang the Wolfe Tones songs with us. It was so loud and sung with such great pride and passion that I thought the roof would lift off at one stage. The anti Irish lobby in Glasgow became very vocal in their objections to our group as our popularity increase,d they even went to great lengths to intimidate the Celtic board by tainting us with sectarian slurs until they eventually bowed to the bigots and stopped ads for the Tones in the Cetlic View. I met with the Police on occasions to answer objections thrown at them regarding the group, they were wild, unfounded and callous but many of our shows were cancelled because of it. I remember the Caird Hall in Edinburgh, cancelled because the police said there were too many people to control and they thought there might be trouble ...... might be trouble. There never was trouble at a Wolfe Tones concert. They had no foundation for this objection as we never had trouble at any of our shows, in fact, our audiences in Scotland were the best behaved, most enthusiastic, fun loving people that could be found anywhere in the world. We celebrated our 25th Anniversary at the Barrowlands in Glasgow and it was a wonderful, unforgettable occasion and now we are proud to celebrate our 50th Anniversary at the Barrowlands on November 23rd, with the greatest audience in the world and I'm sure it will be the same if not better. We're really looking forward to it.
We are excited to visit the great towns and cities, the communities that are the Irish diaspora in England, Scotland and Wales. The Wolfe Tones never forgot the Irish in Britain and the Irish in Britain never forgot The Wolfe Tones, in fact they always loved The Wolfe Tones our music and songs. The Tones mean as much if not more to the Irish in England, Wales or Scotland as they do in Ireland or anywhere else. Our music re-enforces their identity, it's Ireland's music, history and story. I wrote songs like "My Heart is in Ireland", inspired by second generation Irish in Birmingham. "Dreams of Home" was inspired by a returned emigrant who finds everything changed in his town, "The Guildford Four" in support of the Irish caught up in the whirlwind of hysteria against the Irish after the bombings. It was a grave travesty of justice as innocent people were rounded up just because they were Irish. We sang at a concert with Ken Livingston in Hackney Town Hall to highlight the plight of the Maguires, the Guildford four, the Birmingham six, all of whom were acquitted years later. We brought Irish entertainment, songs, stories and music to the great Irish centres and communities all around the country and still do right up to the present time. So come along and experience what this long journey was all about, all the dates are listed on our website so let's celebrate 50 Years of music with the mighty Wolfe Tones!
In January we are off to Australia as part for our 50th Anniversary World Tour, 5 dates in all the major cities. It's two years since we played Australia and I know by the ticket sales and excitement that we will have another sell out tour so get your tickets early. Tickets selling fast so get them now. More about this in the next newsletter.
We will be off to the USA for our celebratory tour commencing mid February and it will continue until March 17th, St. Patricks Day.
Back in Easter, 1964, we met with Tommy Byrne at a fleadh in Elphin, County Roscommon. We became very good friends, he later gave up the day job in Guinness and joined the group for better or for worse, it can't be bad, he's still with us today. To mark this occasion we are having a major event called 'Wolfe Tones Fest', a weekend at the City West Hotel, County Dublin. There will be three concerts across the three days of the festival, on Saturday we will have a special concert with Orchestra, one not to be missed. Then on Sunday we will have a request night with the Wolfe Tones. If you want to nominate a song for this concert you must be in attendance on the night and have submitted your request at least a month in advance and give a reason why you would like to hear the particular song. The third night will be '1916 Remembered', history, story and songs of the period. There will be an exhibition of awards, trophies, citations and memorabilia on display that was collected by the group over the years. This promises to be a uniquely entertaining weekend full of surprises and 'Wolfetonery' so for all who have followed the Tones over the 50 years it is a must. Tickets have just gone on sale and are available from City West Hotel or from their website. When booking via City West Hotel, full payment is made at the time of booking.
Warfield On The War Path ...
I wrote the song, "Let The People Sing" back in the sixties and I'd no idea that it was to become such an anthem over time. The Irish in Scotland have suffered a great deal of discrimination, resentment, anti Irish, anti Catholic feelings from the indigenous Protestant population in Scotland. They were never accepted as a community and suffered discrimination in housing, employment and every walk of life. They rallied around Glasgow Celtic, a football club formed by the Irish back in 1888 for charitable purposes. I've dealt with the story of Celtic in a former newsletter. They felt they were on equal terms with local communities on the football field when 11 Celtic players would take on 11 from the opposing community. Since then the Celtic supporters have delighted in the platform provided to them on every match day, giving them an opportunity to display their Irish heritage, by singing Irish songs on the terraces. These were moments that gave them great pride as they sang the Irish song telling to all the story of their historic Irish heritage. It was one of the few occasions that they could express themselves without looking over their shoulders.
This was very much resented by the authorities in Scotland who tried on every occasion to brand the story of Ireland as sectarian. Of course this is totally unfounded, Irish song has many facets to it, it was never sectarian. Wolfe Tone, Robert Emmet, Henry Joy, all Protestants, the story of Ireland is in the song lore of Ireland so nobody can make accusations of sectarianism against its content.
This article was sent to me by a friend of mine, it was written by Angela Haggerty, a journalist, broadcaster and editor based in the west of Scotland. I think you might find it of interest.
Her most recent work includes editing the best selling book Downfall: How Rangers FC Self-Destructed, charting the demise of one of Scotland’s biggest football clubs. The book was written by Phil Mac Giolla Bhain, a journalist credited with breaking many of the major stories of the club’s impending financial crisis. She currently works for a magazine in the west of Scotland. This little piece I share with you because it tells a wonderful story of the feelings of the Irish in Scotland.
The littlest incidents and moments in life can tell a much greater story and I was lucky enough to encounter one this week.
During a movie night at a friend’s house we were all suddenly distracted by a strange drawl outside. TV muted and a scramble to the window ensued to witness a very drunk, middle aged man staggering around outside, singing as loud as he could strain his voice, with a growling emphasis on his favorite lines. The song?
“Hulllo, huulllo, we aaaarrrra Billy Boys, hulllo, hulllo…”
He stopped, staggered, grunted.
“We’re up to our knees in Fenian blood surrender or you'll DIE…”
It was quite a vision. If we could have stopped laughing for long enough the sight of a middle aged man dreaming in a drunken haze of wading in Irish blood might have been disconcerting – but then the best bit happened.
He stopped in his tracks and turned around to pinpoint where another noise was emerging from. He looked confused, we all listened. In the not-too-far-distance we could hear the sounds of what must have been three or four fairly young kids singing right back at him.
“Let the people sing, their stories and their songs, the music of their native lands…”
Defeated, he threw his hands up in the air and grunted in their direction, to a chorus of giggles, before he slinked away.
What a moment. The old, outdated and outgoing generation of racist stereotypes and the brand new generation of children who have begun life with a sense of their rights. The two songs could not have been more emblematic. One venerated a fascist street thug, Billy Fullerton, and the other is an anthem of hope. Banned by UEFA in 2006, the Billy Boys, like Fullerton himself, is history.
The treatment of Irish immigrants and of their descendants in Scotland is an issue that I’ve been close to for many years. I grew up with a father who was born in Scotland but never identified with a Scottish nationality. He is Irish; he comes from Irish family, he spent his childhood summers back where he considers home and the country he was born in was one he never felt he had a place in.
When he hears the Scottish national anthem, he feels nothing. When the Irish national anthem plays, it’s clear where his heart is. I grew up in a family with a great fondness for Ireland. What’s more, I grew up with parents who could relay stories of the discrimination they faced throughout their lives in Glasgow because of their Irish names.
My mother, a Docherty who grew up in various parts of Glasgow’s East End in the 1940s and 1950s, was a fiery woman. We used to love hearing the stories of how she handled anyone that asked her what school she came from during a job interview.
She left one Englishman stunned during an interview for a job in the civil service when he asked the dreaded question. He got a piece of her mind and my mother had a famous way with words. As it turned out, his question was entirely genuine and she got the job. She had a great sense of justice and in those days it wasn’t easy to stand your ground.
It’s easier for me to stand mine. I was 15 when Glasgow achieved occupational parity in 2001, the milestone which meant those of Irish descent were finally on an equal footing when it comes to things like employment and education. It took Glasgow a full 100 years longer than New York to get there.
When I became of working age I was going out into a world where my name should be under little consideration for an employer – it should be, but given that my name is so closely associated with standing up to the Klan in the world of Scottish journalism, it sadly wouldn’t surprise me if my name sounded like too much of a threat to sales around these parts.
But I have a job, a very good job at a business magazine, and I also work as a book editor. It’s through the latter that I’ve been privileged to work on a book about a subject that has dominated much of my life.
Minority Reporter: Modern Scotland’s Bad Attitude Towards Her Own Irish by Phil Mac Giolla Bháin is an important document charting the discrimination faced by Irish immigrants to Scotland and their descendants.
It blows away the myth of sectarianism and illustrates how ethnicity is absolutely central to the cultural problems which still exist in the west of Scotland. While structural discrimination no longer exists for the Irish, attitudinal discrimination, as Professor Tom Devine styles it, is still present.
The book looks extensively at the stand out examples of this discrimination in recent years, namely the Famine Song and the disgraceful treatment of Celtic manager Neil Lennon, who has endured physical attacks and serious threats on his life throughout his time in Scotland. The Irishman has shown incredible strength and Scotland is in his debt.
As a result of my work on Phil Mac Giolla Bháin’s previous book, Downfall: How Rangers FC Self Destructed, I’ve experienced that very discrimination almost relentlessly for the past year.
The downfall of Rangers was a wonderful coincidence. Just over a decade after Glasgow achieved occupational parity, one of the spiritual homes of anti-Irish racism in Scotland collapsed in total humiliation.
The fans who displayed those racist tendencies – many now loyal followers of Sevco and whichever comes next – continue to belt out their old favourites. They recount their fantasies about Fenian blood through the Billy Boys and tell the plastic paddies to go home to Ireland through the Famine Song without a hint of irony.
But that subculture, the ‘klan’ as Phil correctly terms it in a nod to their brothers in racism, no longer feels like a threat. While Sir David Murray strung them along and had them fooled about their entitlement they failed to notice the confidence emerging among the ‘taigs’ – still a favourite term on their message boards – and the cracks that were about to bring their culture tumbling down.
I’m glad my Dad lived to see it and finally feel a sense of justice, and I’m humbled that he saw the day that one of his offspring edited a solid record of the discrimination he and others suffered. While Downfall and the real story behind the Rangers collapse was important, this book really grabs the roots of what Rangers represented for so many in Scottish society and rips them up from below the surface for all to see, and unashamedly so.
And like Downfall, it has a happy ending. The Irish in Scotland no longer sit at the back of the bus. Those days are over, they are gone, and no matter how much the remnants of the klan strive to claw back the old days, their efforts will be futile.
They are on the wrong side of history, equality terrifies them.
Let The People Sing. Brian Warfield
From Brian from The Wolfe Tones Newsletter
This coming year sees the celebration of the 50th anniversary of the founding of the group that is known as The Wolfe Tones! Little did I think that, after all these years later, we would be still performing and singing the songs and stories of Ireland. It's been a remarkable journey, a roller-coaster ride of ups and downs, of sadness and joy, of frustration and success but what a ride it has been!
There were many times over the years when I felt like throwing in the towel but persevered and continued on with even more enthusiasm than ever. There were many knockers and begrudgers but to dispute all the negatives, we battled on. It was not for my ego, it was because I wanted to let the world know the history and story of Ireland. I have written over 120 songs for the Tones that have documented the story of Ireland and its diaspora over the years of my existence, all the events that have affected me. Songs of events such as emigration, love, laughter and humour. I have cried, laughed, been sad, happy and cheered with the events that passed us by on the journey through life. What an experience it has been and I must say a privilege to have been able to make a living out of something that I have loved and enjoyed.
Back in 1963, I could have only dreamed of the career we have had, that has spanned over 49 years and we will be celebrating 50 years of The Wolfe Tones come next November. We have sold millions of records - 8 track, vinyl, tapes, CD's and now a new format opened up by the Internet, the world of digital downloads. How things have changed since the early days in 1963-64.
Our first record was released in 1964 on Fontana Records, a label associated with Phillips, they had groups like Wayne Fontana and the Mindbenders, The Pretty Things, Dave Dee Dozy Becky Mick and Tich, The Spinners and of course, The Wolfe Tones. It was not long before we became one of their biggest sellers, our first reclease sold over a quarter of a million records, a huge seller in those days. So they gave us a contract for another 3 albums! Television and radio followed and it wasn't long before we became a household name and a favourite among the people and the emigrants of Ireland.
We travelled several times around the world, played in many different countries, many great festivals and all the great concert halls, having many wonderful experiences. I do hope the we brought happiness, joy and pride to many people across the world.
Well, unfortunately, it is not possible to go on forever and, as we get older, the strain of touring gets very, very tiring. We have therefore agreed that we will continue touring for a full year from the anniversary of our founding in November this year and end touring following completion of our 50th Anniversary World Tour in late 2014. We will only be available for special events thereafter.
Of course, we would wish to be around for the 100th Anniversary of the Easter Rising and, if God spares us till then, I would be proud to be part of the remembrance of that great and historic event. Unlike other groups and performers, we have sung many songs about the men, women and events surrounding the 1916 rising, we have cherished their memory throughout our career so who better to tell their story in 2016 than The Wolfe Tones. There will be lots of bandwagoners who will be there to cash in on the occasion, lots of west Brits to degrade and undermine their memory, so hopefully we can be healthy enough to counteract their rantings, what country has better heroes than the men of 16!
We are delighted to let you know that we have a new song out on download for the Fighting Irish of Notre Dame, it's called "Lets Go Irish" - the story and history of the great college football Club. I must acknowledge Gerry Meskill who is co-writer of the lyrics, without whom this project would not be possible. He is a past graduate of the college and his enthusiasm and knowledge of the history of the club was indispensable. The story of the club is the story of the Irish in America, the anti Catholic, anti Irish factions like the no nothings who refused to give acceptance to the Irish with the war cry 'No Irish Need Apply'. Despite this uphill battle, the fighting Irish have risen to the top of College football. Have a look on Youtube, I think you'll love it. You can download it in full sound quality from iTunes and all of the other major digital download platforms, it's only 99c, show all the begrudgers that we fight until the end - "Lets Go Irish!"
From The Wolfe Tones Newsletter March 2016 - Brian Warfield
They called the Easter Rising of 1916 the Poets revolution because so many of the leaders were Poets in their own right. Many of the leaders were musicians, writers or actors. Peadar Kearney, writer of the words to our National Anthem, the music was by Paddy Heeney, worked at the Abbey.
Arthur Shields, actor at the Abbey became a Hollywood star some years later and he and his brother, Will, better known as Barry Fitzgerald, both played parts in many movies including The Quiet Man.
Sean Connolly singer and actor with the Abbey sang and wrote songs. He performed at fund raising events. Sean wrote anti-recruiting songs trying to prevent Irishmen from joining the British army. He stormed a recruiting meeting held by John Redmond at the Mansion House, Dublin, mounted the platform and lead the crowd in singing "A Nation Once again [ lyrics ]". He was shot at City Hall during the Rising unfurling the Flag of Ireland.
Eamonn Ceannt was a piper who played both the Uileann and War pipes, he was the founder of the Cumann Na bPiobrairi (the Pipers Club) in Thomas St, still going strong to this very day. He played the pipes for Pope Pius X when he was brought to Rome with a group of Irish Athletes. The tunes he played were "O'Donnell Abu" and "The Wearing of the Green [ lyrics ]". He wrote a song entitled "Ireland Over All" to raise money for his battalion.
Thomas MacDonagh was a Baritone and he sang at many concerts and events, his Battalion often marched to him singing "Eileen Oige". He was also an accomplished Poet and a university lecturer. He and fellow signatory of the proclamation Joseph Plunkett, also a poet, were both directors at the National Theatre.
Padraic Pearse was a Poet and writer, educator and playwright. James Connolly was a writer and a playwright, Sean Connolly starred in his play at the Abbey the week before the Rising called "Under Which Flag." He was shot on Easter Monday trying to unfurl the same flag he used in the play over City Hall.
God Save Ireland was sung by Cathal Brugha at the South Dublin Union while defending one of the buildings, singing and taunting the British to come and get him. 25 bullets and shrapnel were taken from his body.
They shall be remembered forever
They shall be alive forever
They shall be speaking forever
The people shall hear them forever.
W.B.Yeats
Slainte,
Brian Warfield
This coming year sees the celebration of the 50th anniversary of the founding of the group that is known as The Wolfe Tones! Little did I think that, after all these years later, we would be still performing and singing the songs and stories of Ireland. It's been a remarkable journey, a roller-coaster ride of ups and downs, of sadness and joy, of frustration and success but what a ride it has been!
There were many times over the years when I felt like throwing in the towel but persevered and continued on with even more enthusiasm than ever. There were many knockers and begrudgers but to dispute all the negatives, we battled on. It was not for my ego, it was because I wanted to let the world know the history and story of Ireland. I have written over 120 songs for the Tones that have documented the story of Ireland and its diaspora over the years of my existence, all the events that have affected me. Songs of events such as emigration, love, laughter and humour. I have cried, laughed, been sad, happy and cheered with the events that passed us by on the journey through life. What an experience it has been and I must say a privilege to have been able to make a living out of something that I have loved and enjoyed.
Back in 1963, I could have only dreamed of the career we have had, that has spanned over 49 years and we will be celebrating 50 years of The Wolfe Tones come next November. We have sold millions of records - 8 track, vinyl, tapes, CD's and now a new format opened up by the Internet, the world of digital downloads. How things have changed since the early days in 1963-64.
Our first record was released in 1964 on Fontana Records, a label associated with Phillips, they had groups like Wayne Fontana and the Mindbenders, The Pretty Things, Dave Dee Dozy Becky Mick and Tich, The Spinners and of course, The Wolfe Tones. It was not long before we became one of their biggest sellers, our first reclease sold over a quarter of a million records, a huge seller in those days. So they gave us a contract for another 3 albums! Television and radio followed and it wasn't long before we became a household name and a favourite among the people and the emigrants of Ireland.
We travelled several times around the world, played in many different countries, many great festivals and all the great concert halls, having many wonderful experiences. I do hope the we brought happiness, joy and pride to many people across the world.
Well, unfortunately, it is not possible to go on forever and, as we get older, the strain of touring gets very, very tiring. We have therefore agreed that we will continue touring for a full year from the anniversary of our founding in November this year and end touring following completion of our 50th Anniversary World Tour in late 2014. We will only be available for special events thereafter.
Of course, we would wish to be around for the 100th Anniversary of the Easter Rising and, if God spares us till then, I would be proud to be part of the remembrance of that great and historic event. Unlike other groups and performers, we have sung many songs about the men, women and events surrounding the 1916 rising, we have cherished their memory throughout our career so who better to tell their story in 2016 than The Wolfe Tones. There will be lots of bandwagoners who will be there to cash in on the occasion, lots of west Brits to degrade and undermine their memory, so hopefully we can be healthy enough to counteract their rantings, what country has better heroes than the men of 16!
We are delighted to let you know that we have a new song out on download for the Fighting Irish of Notre Dame, it's called "Lets Go Irish" - the story and history of the great college football Club. I must acknowledge Gerry Meskill who is co-writer of the lyrics, without whom this project would not be possible. He is a past graduate of the college and his enthusiasm and knowledge of the history of the club was indispensable. The story of the club is the story of the Irish in America, the anti Catholic, anti Irish factions like the no nothings who refused to give acceptance to the Irish with the war cry 'No Irish Need Apply'. Despite this uphill battle, the fighting Irish have risen to the top of College football. Have a look on Youtube, I think you'll love it. You can download it in full sound quality from iTunes and all of the other major digital download platforms, it's only 99c, show all the begrudgers that we fight until the end - "Lets Go Irish!"
From The Wolfe Tones Newsletter March 2016 - Brian Warfield
They called the Easter Rising of 1916 the Poets revolution because so many of the leaders were Poets in their own right. Many of the leaders were musicians, writers or actors. Peadar Kearney, writer of the words to our National Anthem, the music was by Paddy Heeney, worked at the Abbey.
Arthur Shields, actor at the Abbey became a Hollywood star some years later and he and his brother, Will, better known as Barry Fitzgerald, both played parts in many movies including The Quiet Man.
Sean Connolly singer and actor with the Abbey sang and wrote songs. He performed at fund raising events. Sean wrote anti-recruiting songs trying to prevent Irishmen from joining the British army. He stormed a recruiting meeting held by John Redmond at the Mansion House, Dublin, mounted the platform and lead the crowd in singing "A Nation Once again [ lyrics ]". He was shot at City Hall during the Rising unfurling the Flag of Ireland.
Eamonn Ceannt was a piper who played both the Uileann and War pipes, he was the founder of the Cumann Na bPiobrairi (the Pipers Club) in Thomas St, still going strong to this very day. He played the pipes for Pope Pius X when he was brought to Rome with a group of Irish Athletes. The tunes he played were "O'Donnell Abu" and "The Wearing of the Green [ lyrics ]". He wrote a song entitled "Ireland Over All" to raise money for his battalion.
Thomas MacDonagh was a Baritone and he sang at many concerts and events, his Battalion often marched to him singing "Eileen Oige". He was also an accomplished Poet and a university lecturer. He and fellow signatory of the proclamation Joseph Plunkett, also a poet, were both directors at the National Theatre.
Padraic Pearse was a Poet and writer, educator and playwright. James Connolly was a writer and a playwright, Sean Connolly starred in his play at the Abbey the week before the Rising called "Under Which Flag." He was shot on Easter Monday trying to unfurl the same flag he used in the play over City Hall.
God Save Ireland was sung by Cathal Brugha at the South Dublin Union while defending one of the buildings, singing and taunting the British to come and get him. 25 bullets and shrapnel were taken from his body.
They shall be remembered forever
They shall be alive forever
They shall be speaking forever
The people shall hear them forever.
W.B.Yeats
Slainte,
Brian Warfield
