The Rose Of Allendale Lyrics And Chords
The 5 string banjo chords for G Major are included. The rose of Allandale sheet music notes in Solfege Do Re Mi format now added. I have included three versions here, the first is in the key I sing in myself, D Major, the next version by The Corries in the key of G Major with the Dubliners version also in the key of G' . The first youtube video is Susan McCann who does a nice rendition with Sean Wilson. Susan covered one of my favorites Slievenam Song many years ago. Then The Corries [ lyrics ], and Sean Cannon of The Dubliners with vocals.The song was written in the 1930's by Charles Jefferys with the music from Sidney Nelson. The town of Allendale is in Northumberland England.The sheet music is included plus a pdf for downloading . The guitar chords are in chordpro.
Music has the power to evoke a wide range of emotions in individuals, be it joy, sadness, nostalgia, or love. One such song that has stood the test of time and has the ability to stir up deep emotions is 'The Rose of Allendale'. This folk song, originally a Scottish ballad, has been sung and reinterpreted by various artists throughout the years. Its haunting melody and poignant lyrics have made it a favorite among music lovers, and it continues to be passed down from generation to generation. In this thesis, we will delve deeper into the history, meaning, and significance of 'The Rose of Allendale' and analyze its impact on culture and society.
History of the Song:
'The Rose of Allendale' is a traditional Scottish ballad that dates back to the 19th century. The origins of the song are unclear, but it is believed to have originated in the Scottish Borders region, specifically in the town of Allendale in Northumberland. The first known recording of the song was by the English composer and pianist Charles Jefferys in 1856. However, the song gained widespread popularity when it was published in the book '101 Scottish Songs' by George Farquhar Graham in 1861.
The song's popularity continued to grow, and it was eventually included in the repertoire of many folk singers and bands, such as The Corries, The Clancy Brothers, and The Dubliners. In recent years, 'The Rose of Allendale' has been covered by contemporary artists, including Irish singer Daniel O'Donnell, country singer, and actor Kris Kristofferson, and folk singer Mary Black.
Meaning and Interpretation:
At its core, 'The Rose of Allendale' is a love song that tells the story of a man who has been separated from his beloved and longs for her return. The lyrics are simple yet powerful, and they paint a vivid picture of the man's emotions and longing.
The first verse sets the scene, describing the beauty of Allendale and how it holds memories of the man's love. The second verse reveals that the man's love has left him, and he is now alone and heartbroken. The third verse is the most emotional, as the man pleads for his love to return to him, promising to love her forever. The final verse brings a glimmer of hope as the man believes that his love will one day come back to him.
The song's lyrics can be interpreted in various ways, depending on the listener's personal experiences and emotions. Some may see it as a song of lost love and longing, while others may relate it to a time of war or separation from loved ones. The song's universal theme of love and longing, combined with its poignant lyrics, has made it resonate with listeners across generations and cultures.
Impact on Culture and Society:
'The Rose of Allendale' has not only left a mark on the music industry but also on culture and society. The song's enduring popularity is a testament to its ability to transcend time and connect with people from all walks of life. It has become a staple in traditional Scottish and Irish music, and its haunting melody and emotional lyrics have been passed down from generation to generation.
The song's influence can also be seen in popular culture. It has been featured in movies, television shows, and even video games. In the 1996 film 'Michael Collins', the song is played during a pivotal scene, adding to the emotional impact of the film. In the popular video game 'Assassin's Creed', the song can be heard playing in the background, creating a sense of melancholy and nostalgia for the players.
Conclusion:
In conclusion, 'The Rose of Allendale' is a timeless folk song that has captured the hearts of people for centuries. Its haunting melody and emotional lyrics have made it a favorite among music lovers, and its impact on culture and society is undeniable. From its humble beginnings in the Scottish Borders to its modern-day interpretations, the song's legacy continues to live on, and it will undoubtedly continue to be sung and cherished for years to come.
.
History of the Song:
'The Rose of Allendale' is a traditional Scottish ballad that dates back to the 19th century. The origins of the song are unclear, but it is believed to have originated in the Scottish Borders region, specifically in the town of Allendale in Northumberland. The first known recording of the song was by the English composer and pianist Charles Jefferys in 1856. However, the song gained widespread popularity when it was published in the book '101 Scottish Songs' by George Farquhar Graham in 1861.
The song's popularity continued to grow, and it was eventually included in the repertoire of many folk singers and bands, such as The Corries, The Clancy Brothers, and The Dubliners. In recent years, 'The Rose of Allendale' has been covered by contemporary artists, including Irish singer Daniel O'Donnell, country singer, and actor Kris Kristofferson, and folk singer Mary Black.
Meaning and Interpretation:
At its core, 'The Rose of Allendale' is a love song that tells the story of a man who has been separated from his beloved and longs for her return. The lyrics are simple yet powerful, and they paint a vivid picture of the man's emotions and longing.
The first verse sets the scene, describing the beauty of Allendale and how it holds memories of the man's love. The second verse reveals that the man's love has left him, and he is now alone and heartbroken. The third verse is the most emotional, as the man pleads for his love to return to him, promising to love her forever. The final verse brings a glimmer of hope as the man believes that his love will one day come back to him.
The song's lyrics can be interpreted in various ways, depending on the listener's personal experiences and emotions. Some may see it as a song of lost love and longing, while others may relate it to a time of war or separation from loved ones. The song's universal theme of love and longing, combined with its poignant lyrics, has made it resonate with listeners across generations and cultures.
Impact on Culture and Society:
'The Rose of Allendale' has not only left a mark on the music industry but also on culture and society. The song's enduring popularity is a testament to its ability to transcend time and connect with people from all walks of life. It has become a staple in traditional Scottish and Irish music, and its haunting melody and emotional lyrics have been passed down from generation to generation.
The song's influence can also be seen in popular culture. It has been featured in movies, television shows, and even video games. In the 1996 film 'Michael Collins', the song is played during a pivotal scene, adding to the emotional impact of the film. In the popular video game 'Assassin's Creed', the song can be heard playing in the background, creating a sense of melancholy and nostalgia for the players.
Conclusion:
In conclusion, 'The Rose of Allendale' is a timeless folk song that has captured the hearts of people for centuries. Its haunting melody and emotional lyrics have made it a favorite among music lovers, and its impact on culture and society is undeniable. From its humble beginnings in the Scottish Borders to its modern-day interpretations, the song's legacy continues to live on, and it will undoubtedly continue to be sung and cherished for years to come.
.
The Rose Of Allendale Lyrics And Chords In D Major
The[D] morning was fair,the[G] sky's were[D] clear
No breath came o;re the[A] sea
When[D] Mare left her[G] highland[D] home
And[G] wandered[A] forth with[D] me
Though[A] flowere decked the[D] mountain side
And[G] fragrance[D] filled the[A] vale
By[D] far the sweetest[G] flower[D] there
Was the[G] rose of[A] Allen[D]dale
[Chorus]
Was[D] the rose of Allen[G]dale,was the[Bm] rose of Allen[A]dale
By[G] far the sweetest[D] flower there,was the[G] rose of [A7]Allen[D]dale
[2]
Where'er I wandered east or west,
Tho'faith began to lour
A solace still she was to me
In sorrow's lonely hour
When tempest lashed our lonely barque
And rent her shivering sail
One maiden form withstood the storm
'Twas the rose of Allendale
[3]
And when my fever'd lips were parched
On Afrie's burning sands
She whispered hopes of happiness
And tales of distant lands
My life has been a wilderness
Unbiest by fortune's gale
Had faith not linked my lot to hers
The rose of Allendale
The[D] morning was fair,the[G] sky's were[D] clear
No breath came o;re the[A] sea
When[D] Mare left her[G] highland[D] home
And[G] wandered[A] forth with[D] me
Though[A] flowere decked the[D] mountain side
And[G] fragrance[D] filled the[A] vale
By[D] far the sweetest[G] flower[D] there
Was the[G] rose of[A] Allen[D]dale
[Chorus]
Was[D] the rose of Allen[G]dale,was the[Bm] rose of Allen[A]dale
By[G] far the sweetest[D] flower there,was the[G] rose of [A7]Allen[D]dale
[2]
Where'er I wandered east or west,
Tho'faith began to lour
A solace still she was to me
In sorrow's lonely hour
When tempest lashed our lonely barque
And rent her shivering sail
One maiden form withstood the storm
'Twas the rose of Allendale
[3]
And when my fever'd lips were parched
On Afrie's burning sands
She whispered hopes of happiness
And tales of distant lands
My life has been a wilderness
Unbiest by fortune's gale
Had faith not linked my lot to hers
The rose of Allendale
Here's the chords for the key of G Major.
The[G] morning was fair,the[C] sky's were[G] clear
No breath came o;re the[D] sea
When[G] Mare left her[C] highland[G] home
And[C] wandered[D] forth with[G] me
Though[D] flower decked the[G] mountain side
And[C] fragrance[G] filled the[D] vale
By[G] far the sweetest[C] flower[G] there
Was the[C] rose of[D] Allen[G]dale
Was[G] the rose of Allen[C]dale,was the[Em] rose of Allen[D]dale
By[C] far the sweetest[G] flower there,was the[C] rose of [D7]Allen[G]dale.
Included below are the chord shapes for the 5 string banjo chords in G Major.
The[G] morning was fair,the[C] sky's were[G] clear
No breath came o;re the[D] sea
When[G] Mare left her[C] highland[G] home
And[C] wandered[D] forth with[G] me
Though[D] flower decked the[G] mountain side
And[C] fragrance[G] filled the[D] vale
By[G] far the sweetest[C] flower[G] there
Was the[C] rose of[D] Allen[G]dale
Was[G] the rose of Allen[C]dale,was the[Em] rose of Allen[D]dale
By[C] far the sweetest[G] flower there,was the[C] rose of [D7]Allen[G]dale.
Included below are the chord shapes for the 5 string banjo chords in G Major.
The rose of Allandale sheet music notes in Solfege Do Re Mi format
Below is the sheet music for The Rose Of Allendale in the key of G Major.
| rose-of-allendale-piano-sheet-music-with-chords.pdf |
Below is the ebook list of Irish Folk Songs with guitar chords
in 3 keys. Price €8.90 and I'll email the ebook after purchase .
The chords are suited to ukulele, banjo or mandolin also.
Martin
in 3 keys. Price €8.90 and I'll email the ebook after purchase .
The chords are suited to ukulele, banjo or mandolin also.
Martin
THE WILD ROVER - BEST-LOVED IRISH SONGS ALBUM
While the grand tradition of Irish music contains much dance and instrumental music, vocal music has always played a particularly important role in Irish social and musical life. This collection, with contributions from some of Ireland's finest singers, focuses on the blend of traditional ballad and modern songs that comprises the best-loved Irish vocal repertoire.
As this collection demonstrates, much of Irish song celebrates place. Further, a strong sense of nostalgia tends to imbue these songs with a particularly Irish form of beauty and poignancy. The oppression suffered by the Irish in their homeland, as well as the mixed blessing of Irish diaspora, tend to inspire in Irish song themes of both loss and remembrance.
Many of the songs collected here - even when they don't explicitly long for a lost home- participate in this powerful sense of memory and look back to well-loved people, places, and times. For all the liveliness, and even rowdiness, of much Irish music, sorrow is also everywhere evident.
In "The Town I Loved So Well," Josef Locke, the legendary Irish singer, leads off the collection in precisely such a mood of poignant longing and recaptured time. Even a song with a rowdy edge like "The Wild Rover," interpreted here by the seminal band the Dubliners, describes a farewell to a pleasurable past: the roving narrator may be returning at last to his home and parents, but he is also bidding a fond farewell to whiskey and wildness. (It's also not clear that he won't be out roving again soon.)
Specific place names are a hallmark of Irish song, as this collection makes clear. Titles constantly refer to places: "Fields Of Athenry," "The Rose
Of Mooncoin," "Where The Three Counties Meet," "Raglan Road," "Carrickfergus." Even song lyrics toss place names around with abandon: the chorus of "Star Of The County Down" is driven by the rhymes and rhythms of the names of "Bantry Bay...Derry
Quay... Galway...Dublin town." When the narrator learns the name of his beloved, that name also gets tagged with the beauty's
place of origin.
Roses, too, pervade both Irish song and this collection. In songs such as "The Rose Of Mooncoin," "My Wild Irish Rose," "The Rose Of Allendale," and "Rose Of Tralee," the Irish love of the summer bloom is fully expressed here. The classic "Rose of Tralee," by C. Mordaunt Spencer and Charles Glover (sung here by Susan McCann), might serve as a textbook example of the delight taken in recalling the past and the beautiful, vivid imagery that are hallmarks of Irish sentiment.
like "The Wild Rover," interpreted The history of the well-known "Raglan Road" is an interesting one. Along with reveling in recalling place and lost love, so typical in Irish song, "Raglan Road" is also an example of a favored Irish compositional tech- nique: writing new verses to old airs. In this case the poet Patrick Kavanagh's words have been applied to the air "The Dawning Of The Day."
Kavanagh was born in 1904 and died in 1967; much of his poetry is modern and unrhymed, but "Raglan Road" makes clever and subtle use of rhyme and regular meter.
The collection closes with Sean O'Se's rendition of "Carrickfergus," one of the saddest yet most defiant of Irish laments. All the powerful moods of Irish music can be found in this rich collection of well-loved
songs.
William Hogeland
While the grand tradition of Irish music contains much dance and instrumental music, vocal music has always played a particularly important role in Irish social and musical life. This collection, with contributions from some of Ireland's finest singers, focuses on the blend of traditional ballad and modern songs that comprises the best-loved Irish vocal repertoire.
As this collection demonstrates, much of Irish song celebrates place. Further, a strong sense of nostalgia tends to imbue these songs with a particularly Irish form of beauty and poignancy. The oppression suffered by the Irish in their homeland, as well as the mixed blessing of Irish diaspora, tend to inspire in Irish song themes of both loss and remembrance.
Many of the songs collected here - even when they don't explicitly long for a lost home- participate in this powerful sense of memory and look back to well-loved people, places, and times. For all the liveliness, and even rowdiness, of much Irish music, sorrow is also everywhere evident.
In "The Town I Loved So Well," Josef Locke, the legendary Irish singer, leads off the collection in precisely such a mood of poignant longing and recaptured time. Even a song with a rowdy edge like "The Wild Rover," interpreted here by the seminal band the Dubliners, describes a farewell to a pleasurable past: the roving narrator may be returning at last to his home and parents, but he is also bidding a fond farewell to whiskey and wildness. (It's also not clear that he won't be out roving again soon.)
Specific place names are a hallmark of Irish song, as this collection makes clear. Titles constantly refer to places: "Fields Of Athenry," "The Rose
Of Mooncoin," "Where The Three Counties Meet," "Raglan Road," "Carrickfergus." Even song lyrics toss place names around with abandon: the chorus of "Star Of The County Down" is driven by the rhymes and rhythms of the names of "Bantry Bay...Derry
Quay... Galway...Dublin town." When the narrator learns the name of his beloved, that name also gets tagged with the beauty's
place of origin.
Roses, too, pervade both Irish song and this collection. In songs such as "The Rose Of Mooncoin," "My Wild Irish Rose," "The Rose Of Allendale," and "Rose Of Tralee," the Irish love of the summer bloom is fully expressed here. The classic "Rose of Tralee," by C. Mordaunt Spencer and Charles Glover (sung here by Susan McCann), might serve as a textbook example of the delight taken in recalling the past and the beautiful, vivid imagery that are hallmarks of Irish sentiment.
like "The Wild Rover," interpreted The history of the well-known "Raglan Road" is an interesting one. Along with reveling in recalling place and lost love, so typical in Irish song, "Raglan Road" is also an example of a favored Irish compositional tech- nique: writing new verses to old airs. In this case the poet Patrick Kavanagh's words have been applied to the air "The Dawning Of The Day."
Kavanagh was born in 1904 and died in 1967; much of his poetry is modern and unrhymed, but "Raglan Road" makes clever and subtle use of rhyme and regular meter.
The collection closes with Sean O'Se's rendition of "Carrickfergus," one of the saddest yet most defiant of Irish laments. All the powerful moods of Irish music can be found in this rich collection of well-loved
songs.
William Hogeland
