The Plains Of Kildare Guitar Chords And Lyrics
A traditional song from the 18th century about a horse race near The Curragh Of Kildare. The video is by Andy Irvine And Paul Brady from 1977. The lads play mostly lead notes which is a pretty hard thing to do while singing at the same time. Also recorded by Daniel O'Donnell. I'm not sure what key they are even playing in, the chords I've given are the basic three chord job.The West Coast Of Clare song is just another of a heap of ballads here by Andy Irvine. Andy's some man for the unusual folk songs. You'd never hear him singing a ''Tourist'' song if his life depended on it.
Come (Am)all you bold sportsmen and (G)listen to my sto(Am)ry
It's about noble Stewball that (G)gallant racing po(Am)ny
Arthur Marble was the man that first (C)brought Stewball (G)here
For to (G)run with Miss (G)Griesel on the Plains of Kil(Am)dare.
And of his late actions that I've heard before,
He was lately challeng'd by one Sir Ralph Gore,
For five hundred guineas on the plains of Kildare,
To run with Miss Sportly, that charming grey mare.
Scew Ball he then hearing the wager was laid,
Unto his kind master said, don't be afraid,
For if on my side you thousands lay would,
I will rig in your castle a fine mass of gold.
The day being come, and the cattle walk'd forth,
The people came flocking from East, North, and South
For to view all the sporters, as I do declare,
And venture their money all on the grey mare.
Squire Mirwin then smiling unto them did say,
Come gentlemen all that's got money to lay,
And you that have hundreds, come I'll lay you all,
For I will venture thousands on famous Scew Ball.
The day being come, and the cattle walk'd out,
Squire Mirwin he order'd his rider to mount,
And all the spectators for to clear the way,
The time being come, not one moment delay.
These cattle were mounted, and away they did fly,
Scew ball like an arrow past Miss Sportly by,
The people went up for to see them go round,
They said in their hearts that they ne'er touch'd the ground.
But as they were running, in the midst of the sport,
Squire Mirwin to his rider began this discourse,
O loving kind rider come tell unto me,
How far is Miss Sportly this moment from me?
O loving kind master you bear a great stile,
The grey mare's behind me a long English mile,
If the saddle maintains, I'll warrant you there,
You ne'er will be beat on the plains of Kildare
But as they were running by the distance chair,
The gentlemen cry'd out, Scew Ball never fear,
Altho' in this country thou was ne'er seen before,
Thou has beaten Miss Sportly, and broke Sir Ralph
It's about noble Stewball that (G)gallant racing po(Am)ny
Arthur Marble was the man that first (C)brought Stewball (G)here
For to (G)run with Miss (G)Griesel on the Plains of Kil(Am)dare.
And of his late actions that I've heard before,
He was lately challeng'd by one Sir Ralph Gore,
For five hundred guineas on the plains of Kildare,
To run with Miss Sportly, that charming grey mare.
Scew Ball he then hearing the wager was laid,
Unto his kind master said, don't be afraid,
For if on my side you thousands lay would,
I will rig in your castle a fine mass of gold.
The day being come, and the cattle walk'd forth,
The people came flocking from East, North, and South
For to view all the sporters, as I do declare,
And venture their money all on the grey mare.
Squire Mirwin then smiling unto them did say,
Come gentlemen all that's got money to lay,
And you that have hundreds, come I'll lay you all,
For I will venture thousands on famous Scew Ball.
The day being come, and the cattle walk'd out,
Squire Mirwin he order'd his rider to mount,
And all the spectators for to clear the way,
The time being come, not one moment delay.
These cattle were mounted, and away they did fly,
Scew ball like an arrow past Miss Sportly by,
The people went up for to see them go round,
They said in their hearts that they ne'er touch'd the ground.
But as they were running, in the midst of the sport,
Squire Mirwin to his rider began this discourse,
O loving kind rider come tell unto me,
How far is Miss Sportly this moment from me?
O loving kind master you bear a great stile,
The grey mare's behind me a long English mile,
If the saddle maintains, I'll warrant you there,
You ne'er will be beat on the plains of Kildare
But as they were running by the distance chair,
The gentlemen cry'd out, Scew Ball never fear,
Altho' in this country thou was ne'er seen before,
Thou has beaten Miss Sportly, and broke Sir Ralph
Alternative guitar chords for the key of Dm.
Come (Dm)all you bold sportsmen and (C)listen to my sto(Dm)ry
It's about noble Stewball that (C)gallant racing po(Dm)ny
Arthur Marble was the man that first (F)brought Stewball (C)here
For to (C)run with Miss (C)Griesel on the Plains of Kil(Dm)dare.
Come (Dm)all you bold sportsmen and (C)listen to my sto(Dm)ry
It's about noble Stewball that (C)gallant racing po(Dm)ny
Arthur Marble was the man that first (F)brought Stewball (C)here
For to (C)run with Miss (C)Griesel on the Plains of Kil(Dm)dare.
Introduction
Andy Irvine is an Irish folk singer and musician renowned for his contributions to traditional Irish music. He is a highly skilled multi-instrumentalist, singer, and songwriter who has had a significant impact on the Irish music scene for over five decades. Irvine's unique blend of traditional Irish music with influences from other genres has earned him a dedicated fan base and critical acclaim. In this thesis, we will explore the life, career, and impact of Andy Irvine as a singer, musician, and cultural icon.
Early Life and Musical Influences
Andy Irvine was born on June 14, 1942, in St. John's Wood, London, to Irish parents. His father was a doctor, and his mother was a nurse. At the age of five, Irvine's family moved back to Ireland, where he spent most of his childhood in the small town of St. Mullins, County Carlow. Growing up, Irvine was exposed to the rich Irish culture, including traditional music, language, and storytelling.
Irvine's first musical influence was his mother, who played the piano and sang traditional songs. He also credits his aunt, who played the concertina, for introducing him to Irish music. As a teenager, Irvine became fascinated with American folk music and artists such as Woody Guthrie and Pete Seeger. He also developed a love for Scottish music and the singing of Scottish folk singer Ewan MacColl.
Career Beginnings
In the early 1960s, Irvine moved to Dublin to attend University College Dublin, where he studied English and history. It was during this time that he started performing in folk clubs and coffee houses, playing guitar and singing traditional Irish songs. In 1966, Irvine formed the band Sweeney's Men with Johnny Moynihan and Terry Woods from The Pogues. The band quickly gained popularity for their unique blend of traditional Irish, Scottish, and American folk music.
In 1968, Irvine left Sweeney's Men and joined the influential Irish folk group Planxty, alongside Christy Moore, Donal Lunny, and Liam O'Flynn. The band's distinct sound and energetic live performances earned them a devoted following and critical acclaim. During this time, Irvine also collaborated with other musicians, such as Paul Brady and Planxty's Donal Lunny, on various projects, further expanding his musical horizons.
Solo Career and Musical Style
In 1978, Irvine left Planxty to pursue a solo career. He released his first solo album, 'Rainy Sundays... Windy Dreams,' which showcased his unique musical style, blending traditional Irish, Scottish, and English folk with American influences. Irvine's music also incorporates elements of Eastern European, Balkan, and Middle Eastern music, reflecting his travels and musical explorations.
Irvine's distinctive voice and mastery of multiple instruments, including bouzouki, mandolin, hurdy-gurdy, and harmonica, have become synonymous with his music. He is also known for his storytelling abilities, often incorporating spoken word pieces into his songs. Irvine's lyrics often tackle political and social issues, reflecting his passion for activism and social justice.
Impact on Irish Music
Andy Irvine's contributions to Irish music cannot be overstated. He is considered one of the most influential figures in the revival of traditional Irish music in the 1960s and 1970s. His collaborations and musical innovations have inspired countless musicians and bands, both in Ireland and around the world.
Irvine's influence can be seen in the emergence of the Irish folk-rock genre, with bands such as The Pogues and The Dubliners citing him as a major influence. He has also collaborated with musicians from other genres, such as rock band Horslips and punk band Stiff Little Fingers, further expanding the reach of Irish music.
In addition to his musical contributions, Irvine has also been a vocal advocate for preserving and promoting Irish culture. He has been involved in various cultural and political organizations, such as the Irish Traditional Music Archive and the Ireland-Palestine Solidarity Campaign. His passion for social justice and activism is also reflected in his music, making him a cultural icon in Ireland and beyond.
Conclusion
In conclusion, Andy Irvine's impact on Irish music and culture is immeasurable. His unique blend of traditional Irish music with influences from other genres has not only contributed to the revival of Irish music but also expanded its reach and popularity. Irvine's mastery of multiple instruments, powerful vocals, and thought-provoking lyrics have made him a revered figure in the Irish music scene and a cultural icon in his own right. His legacy will continue to inspire and influence generations of musicians to come.
Andy Irvine is an Irish folk singer and musician renowned for his contributions to traditional Irish music. He is a highly skilled multi-instrumentalist, singer, and songwriter who has had a significant impact on the Irish music scene for over five decades. Irvine's unique blend of traditional Irish music with influences from other genres has earned him a dedicated fan base and critical acclaim. In this thesis, we will explore the life, career, and impact of Andy Irvine as a singer, musician, and cultural icon.
Early Life and Musical Influences
Andy Irvine was born on June 14, 1942, in St. John's Wood, London, to Irish parents. His father was a doctor, and his mother was a nurse. At the age of five, Irvine's family moved back to Ireland, where he spent most of his childhood in the small town of St. Mullins, County Carlow. Growing up, Irvine was exposed to the rich Irish culture, including traditional music, language, and storytelling.
Irvine's first musical influence was his mother, who played the piano and sang traditional songs. He also credits his aunt, who played the concertina, for introducing him to Irish music. As a teenager, Irvine became fascinated with American folk music and artists such as Woody Guthrie and Pete Seeger. He also developed a love for Scottish music and the singing of Scottish folk singer Ewan MacColl.
Career Beginnings
In the early 1960s, Irvine moved to Dublin to attend University College Dublin, where he studied English and history. It was during this time that he started performing in folk clubs and coffee houses, playing guitar and singing traditional Irish songs. In 1966, Irvine formed the band Sweeney's Men with Johnny Moynihan and Terry Woods from The Pogues. The band quickly gained popularity for their unique blend of traditional Irish, Scottish, and American folk music.
In 1968, Irvine left Sweeney's Men and joined the influential Irish folk group Planxty, alongside Christy Moore, Donal Lunny, and Liam O'Flynn. The band's distinct sound and energetic live performances earned them a devoted following and critical acclaim. During this time, Irvine also collaborated with other musicians, such as Paul Brady and Planxty's Donal Lunny, on various projects, further expanding his musical horizons.
Solo Career and Musical Style
In 1978, Irvine left Planxty to pursue a solo career. He released his first solo album, 'Rainy Sundays... Windy Dreams,' which showcased his unique musical style, blending traditional Irish, Scottish, and English folk with American influences. Irvine's music also incorporates elements of Eastern European, Balkan, and Middle Eastern music, reflecting his travels and musical explorations.
Irvine's distinctive voice and mastery of multiple instruments, including bouzouki, mandolin, hurdy-gurdy, and harmonica, have become synonymous with his music. He is also known for his storytelling abilities, often incorporating spoken word pieces into his songs. Irvine's lyrics often tackle political and social issues, reflecting his passion for activism and social justice.
Impact on Irish Music
Andy Irvine's contributions to Irish music cannot be overstated. He is considered one of the most influential figures in the revival of traditional Irish music in the 1960s and 1970s. His collaborations and musical innovations have inspired countless musicians and bands, both in Ireland and around the world.
Irvine's influence can be seen in the emergence of the Irish folk-rock genre, with bands such as The Pogues and The Dubliners citing him as a major influence. He has also collaborated with musicians from other genres, such as rock band Horslips and punk band Stiff Little Fingers, further expanding the reach of Irish music.
In addition to his musical contributions, Irvine has also been a vocal advocate for preserving and promoting Irish culture. He has been involved in various cultural and political organizations, such as the Irish Traditional Music Archive and the Ireland-Palestine Solidarity Campaign. His passion for social justice and activism is also reflected in his music, making him a cultural icon in Ireland and beyond.
Conclusion
In conclusion, Andy Irvine's impact on Irish music and culture is immeasurable. His unique blend of traditional Irish music with influences from other genres has not only contributed to the revival of Irish music but also expanded its reach and popularity. Irvine's mastery of multiple instruments, powerful vocals, and thought-provoking lyrics have made him a revered figure in the Irish music scene and a cultural icon in his own right. His legacy will continue to inspire and influence generations of musicians to come.
