I Wish I Had Someone To Love Me lyrics and guitar chords
I Wish I Had Someone To Love Me lyrics and easy guitar chordsThis old song was recorded by Johnny McEvoy, Masterless Men, and later by The Dubliners with Barney McKenna singing.The ukulele chords are included for the key of A. The guitar chords are in chordpro formatting. Written by Bill Massey.I Wish I Had Someone To Love Me Sheet Music this version is by Barney who sadly passed away on the 5/4/2012 and will be sadly missed by everybody in the world of folk music. He was 72 years old. Other love songs here which are a little bit more lively include Say You Love Me Lyrics by Dessie O'Halloran and Sharon Shannon. Irish country singer Paddy O'Brien also recorded this song on his album ''Country Treasures ''. In America, where the song comes from, it's known as ''The Prisoner's Song''.
I wish I had someone to love me lyrics
I wish I had someone to love me / The Prisoner's Song guitar chords and tab
Easy Guitar Chords In The Key Of A Major
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- A] ways,
I'm [D] weary of [E] being [A] alone.
[A] Meet me tonight in the [D] moon- [A] light,
[D] Meet me [A] tonight all [E] alone;
[A] I have a sad story to [D] tell [A] you,
I'll [D] tell by the [E] light of the [A] moon.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] I'll be sent to the new jail [D] tomor- [A] row,
[D] Leavin' my [A] darlin' [E] alone,
[A] With the cold iron bars all [D] around [A] me,
And [D] my head on a [E] pillow of [A] stone.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] Tonight is our last night [D] toget- [A] her,
The [D] nearest and [A] dearest must [E] part,
[A] For all that has bound us [D] toget- [A] her,
Is [D] quickly being [E] torn [A] apart.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] I have a large ship on the [D] o- [A] cean,
All [D] laden with [A] silver and [E] gold,
[A] And before my poor darlin' will [D] suf- [A] fer,
That [D] ship will be [E] anchored and [A] sold.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] I wish I had wings of a [D] spar- [A] row,
For [D] those prison [A] walls I must [E] flee;
[A] I'd fly to the arms of my [D] true [A] love,
And [D] bring her home [E] safety to [A] me.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] I'm [E] weary of being [A] alone.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- A] ways,
I'm [D] weary of [E] being [A] alone.
[A] Meet me tonight in the [D] moon- [A] light,
[D] Meet me [A] tonight all [E] alone;
[A] I have a sad story to [D] tell [A] you,
I'll [D] tell by the [E] light of the [A] moon.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] I'll be sent to the new jail [D] tomor- [A] row,
[D] Leavin' my [A] darlin' [E] alone,
[A] With the cold iron bars all [D] around [A] me,
And [D] my head on a [E] pillow of [A] stone.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] Tonight is our last night [D] toget- [A] her,
The [D] nearest and [A] dearest must [E] part,
[A] For all that has bound us [D] toget- [A] her,
Is [D] quickly being [E] torn [A] apart.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] I have a large ship on the [D] o- [A] cean,
All [D] laden with [A] silver and [E] gold,
[A] And before my poor darlin' will [D] suf- [A] fer,
That [D] ship will be [E] anchored and [A] sold.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] I wish I had wings of a [D] spar- [A] row,
For [D] those prison [A] walls I must [E] flee;
[A] I'd fly to the arms of my [D] true [A] love,
And [D] bring her home [E] safety to [A] me.
[A] I wish I had someone to [D] love [A] me,
[D] Someone to [A] call me their [E] own,
[A] Someone to stay with me [D] al- [A] ways,
I'm [D] weary of [E] being [A] alone.
[A] I'm [E] weary of being [A] alone.
I wish I had someone to love me ukulele chords
Barney McKenna song I Wish I Had Someone To Love Me
Chords In The Key Of G Major
[G] I wish I had someone to [C] love [G] me,
[C] Someone to [G] call me their [D] own,
[G] Someone to stay with me [C] al- [G] ways,
I'm [C] weary of [D] being [G] alone.
[G] Meet me tonight in the [C] moon- [G] light,
[C] Meet me [G] tonight all [D] alone;
[G] I have a sad story to [C] tell [G] you,
I'll [C] tell by the [D] light of the [G] moon.
[G] I wish I had someone to [C] love [G] me,
[C] Someone to [G] call me their [D] own,
[G] Someone to stay with me [C] al- [G] ways,
I'm [C] weary of [D] being [G] alone.
[G] Meet me tonight in the [C] moon- [G] light,
[C] Meet me [G] tonight all [D] alone;
[G] I have a sad story to [C] tell [G] you,
I'll [C] tell by the [D] light of the [G] moon.
Notes from the Christy Moore Album
A lovely auld song, I tried to record it
many times after learning it from the
singing of Joe Heaney. I heard it on a
tape he made for Lynn Doherty in Maruba
New South Wales.
Sometimes I love to sing
this but not always. Most songs I can put
out almost at will but this one needs a lonely
air around it. It won't exist in my old
atmosphere but maybe needs the ears
of those who know the feeling of loneliness
I Wish I Had Someone To Love Me-Notes by Christy
Moore, from the box set album C.D.
Irish song lyrics G-J
A lovely auld song, I tried to record it
many times after learning it from the
singing of Joe Heaney. I heard it on a
tape he made for Lynn Doherty in Maruba
New South Wales.
Sometimes I love to sing
this but not always. Most songs I can put
out almost at will but this one needs a lonely
air around it. It won't exist in my old
atmosphere but maybe needs the ears
of those who know the feeling of loneliness
I Wish I Had Someone To Love Me-Notes by Christy
Moore, from the box set album C.D.
Irish song lyrics G-J
Below is the ebook list of Irish Folk Songs with guitar chords
in 3 keys. Price €8.90 and I'll email the ebook after purchase .
The chords are suited to ukulele, banjo or mandolin also.
Martin
in 3 keys. Price €8.90 and I'll email the ebook after purchase .
The chords are suited to ukulele, banjo or mandolin also.
Martin
Barney McKenna, born on December 16th, 1939, was an Irish musician widely known for his contributions to traditional Irish music as a founding member of the iconic folk group The Dubliners. His unparalleled talent on the tenor banjo and mandolin, coupled with his charismatic stage presence, cemented his place in the hearts of Irish music enthusiasts worldwide. Throughout his illustrious career spanning over five decades, McKenna not only left an indelible mark on the Irish music scene but also revolutionized the way traditional music was perceived.
McKenna was born and raised in Donnycarney, a suburb of Dublin, Ireland. He was introduced to music at a young age by his mother, who played the fiddle. His early years were spent playing music with his father, a highly skilled whistle player, and his brother Sean, who later became a member of The Dubliners. It was this familial influence that sparked McKenna's love for traditional Irish music, and he quickly developed a keen interest in playing the tenor banjo.
At the age of 16, McKenna joined forces with Ronnie Drew, Luke Kelly, and Ciarán Bourke to form The Dubliners. Their unique blend of traditional Irish music and contemporary influences garnered widespread attention, and they soon became the leading ambassadors of Irish music. McKenna's virtuosity on the tenor banjo, coupled with his ability to infuse a modern touch to traditional tunes, set him apart from other musicians of his time.
One of McKenna's greatest contributions to Irish music was his role in bringing the tenor banjo to the forefront of traditional music. Previously, the instrument was often overlooked and considered inferior to the more popular fiddle and tin whistle. However, McKenna's skillful playing and innovative approach to the banjo changed this perception entirely. He incorporated new techniques and styles, such as the plectrum picking style, which added a new dimension to the instrument's sound. As a result, the tenor banjo gained recognition and became an integral part of Irish music.
McKenna's musical prowess extended beyond the tenor banjo. He was also a skilled mandolin player, and his contributions to the instrument's popularity in Irish music cannot be overstated. He introduced the mandolin to The Dubliners' repertoire, and his unique playing style greatly influenced other musicians to incorporate the instrument into their music. McKenna's love for experimentation and willingness to push boundaries played a crucial role in expanding the range and diversity of traditional Irish music.
Apart from his musical talents, McKenna was known for his larger-than-life personality and infectious sense of humor. He was often referred to as the 'jester' of The Dubliners, and his witty on-stage banter added an element of entertainment to their performances. McKenna's presence on stage was electric, and his interactions with the audience made every show a memorable experience. He had a way of connecting with people through his music, and his ability to make everyone feel like they were a part of the performance was truly remarkable.
McKenna's impact on the Irish music scene was not limited to his work with The Dubliners. He also collaborated with other renowned musicians, such as The Chieftains, and released solo albums that showcased his versatility as a musician. He was a prolific composer and wrote numerous tunes that have become staples in traditional Irish music sessions. Furthermore, he was a mentor to many young musicians and played a significant role in passing down the tradition of Irish music to the next generation.
In 2012, at the age of 72, McKenna passed away suddenly, leaving behind a rich musical legacy that continues to inspire and influence musicians worldwide. His contributions to Irish music were recognized by the Irish government, who posthumously awarded him the Lifetime Achievement Award at the 2012 RTÉ Radio 1 Folk Awards. His passing was mourned by the music community, with tributes pouring in from fellow musicians, fans, and political figures.
In conclusion, Barney McKenna's impact on Irish music cannot be overstated. He was a pioneer, a trailblazer, and a true ambassador of traditional music. His legacy lives on through his music, which continues to be celebrated and enjoyed by audiences of all ages. McKenna's influence can be seen in the countless musicians who have been inspired by his work and in the evolution of Irish music as a whole. He will forever be remembered as one of the greatest musicians to have graced the Irish music scene and a beloved member of The Dubliners family.
McKenna was born and raised in Donnycarney, a suburb of Dublin, Ireland. He was introduced to music at a young age by his mother, who played the fiddle. His early years were spent playing music with his father, a highly skilled whistle player, and his brother Sean, who later became a member of The Dubliners. It was this familial influence that sparked McKenna's love for traditional Irish music, and he quickly developed a keen interest in playing the tenor banjo.
At the age of 16, McKenna joined forces with Ronnie Drew, Luke Kelly, and Ciarán Bourke to form The Dubliners. Their unique blend of traditional Irish music and contemporary influences garnered widespread attention, and they soon became the leading ambassadors of Irish music. McKenna's virtuosity on the tenor banjo, coupled with his ability to infuse a modern touch to traditional tunes, set him apart from other musicians of his time.
One of McKenna's greatest contributions to Irish music was his role in bringing the tenor banjo to the forefront of traditional music. Previously, the instrument was often overlooked and considered inferior to the more popular fiddle and tin whistle. However, McKenna's skillful playing and innovative approach to the banjo changed this perception entirely. He incorporated new techniques and styles, such as the plectrum picking style, which added a new dimension to the instrument's sound. As a result, the tenor banjo gained recognition and became an integral part of Irish music.
McKenna's musical prowess extended beyond the tenor banjo. He was also a skilled mandolin player, and his contributions to the instrument's popularity in Irish music cannot be overstated. He introduced the mandolin to The Dubliners' repertoire, and his unique playing style greatly influenced other musicians to incorporate the instrument into their music. McKenna's love for experimentation and willingness to push boundaries played a crucial role in expanding the range and diversity of traditional Irish music.
Apart from his musical talents, McKenna was known for his larger-than-life personality and infectious sense of humor. He was often referred to as the 'jester' of The Dubliners, and his witty on-stage banter added an element of entertainment to their performances. McKenna's presence on stage was electric, and his interactions with the audience made every show a memorable experience. He had a way of connecting with people through his music, and his ability to make everyone feel like they were a part of the performance was truly remarkable.
McKenna's impact on the Irish music scene was not limited to his work with The Dubliners. He also collaborated with other renowned musicians, such as The Chieftains, and released solo albums that showcased his versatility as a musician. He was a prolific composer and wrote numerous tunes that have become staples in traditional Irish music sessions. Furthermore, he was a mentor to many young musicians and played a significant role in passing down the tradition of Irish music to the next generation.
In 2012, at the age of 72, McKenna passed away suddenly, leaving behind a rich musical legacy that continues to inspire and influence musicians worldwide. His contributions to Irish music were recognized by the Irish government, who posthumously awarded him the Lifetime Achievement Award at the 2012 RTÉ Radio 1 Folk Awards. His passing was mourned by the music community, with tributes pouring in from fellow musicians, fans, and political figures.
In conclusion, Barney McKenna's impact on Irish music cannot be overstated. He was a pioneer, a trailblazer, and a true ambassador of traditional music. His legacy lives on through his music, which continues to be celebrated and enjoyed by audiences of all ages. McKenna's influence can be seen in the countless musicians who have been inspired by his work and in the evolution of Irish music as a whole. He will forever be remembered as one of the greatest musicians to have graced the Irish music scene and a beloved member of The Dubliners family.
Barney McKenna and Tony MacMahon interview
on a winter's morning in 1947 here in the oldest part of Dublin city in Ireland a part of Dublin inhabited by the vikings and by the Irish more than a thousand years ago a wall collapsed on the caravan of a traveling man killing the last of Ireland's great traveling musicians a man called johnny doran for 30 years he had traveled the roads of Ireland he had played at markets at fair days at gatherings of all kind for the small pieces of money his listeners gladly gave him to this day this man has inspired the folk musicians
of Ireland and so this year two of us tony McMahon is my name and a friend of mine barney McKenna we've decided to in a sense follow in the piper's footsteps not only in ireland but on the roads and streets of Europe too so i welcome you to join us in our travels and in our music welcome to the green linnit hey Tommy onall right
we've come southwest to come to Anna's to a town here it has been a meeting place for street musicians for a long time it's an old town it's a town where the players and the pipers and the fiddle players where they played at market days and festivals for many long years at the moment there is a traditional music festival here there is a great brotherhood of folk musicians all over Ireland and indeed in other countries too and many people have come today to win
us they have come to play music to talk to learn tunes to get together people to walk together people to disgust there's men i say i'd say we met before banner that's right [Music] [Music] good [Music] there's got to be more music here tomorrow hi can be sure [Music] yeah we'll see you later all right [Music] oh
well friends um i remember growing up in this town uh you always had the traveling musician who would come to the marketplace here he would play in O'Connell street in the turnpike he would play all over Ennis and these were men who were good players there was johnny Dorn uh whom I talked about there was his brother felix jordan there were great people
they came and they played the pipes they played the fiddle they sang in the streets and i often remember my own father when i was growing up in this town would bring these men to the house nights weekends Sundays anytime and it's a tradition and sadly that is dying in Ireland today but i don't believe that these old traditions should be let die because these men made great music they made great music on the streets for people to hear and uh i think you know they used to collect it's a snag and everything folks i've told them indeed
and these people made their money by people giving them small pieces of money they went around with the hat they collected after a day it is possible it is possible that this tradition may still come back at some time because in the days when these musicians played people loved and respected well Michael Russell here is a man who has his own style of playing irish music he comes from the west coast of county Claire up near the north Michael would you like to play as a
chone maybe on the tin whistle I will tony are we on this nice day ] I'd like now to play you a slow air one of the wonderful slow wires of Ireland is called the wounded hazar and it's a tune that commemorates the hundreds of thousands of Irish men who over the centuries have died in the service of foreign armies
mainly the armies of France
] right so [Music] okay hey Irish traditional music is it anyway like your own music of Iweden it's the same way of fiddling for my friends I couldn't tell another instruction the style is the same yeah some of the particles are very small they got relevant yeah it is you have the same kind of emotion in the music too you know
i always feel there's a great bond between the peoples of Sweden and Denmark and Ireland we have the people from Denmark and Sweden here a thousand years ago [Laughter] one more time we didn't throw you out we just put manners on you oh that's okay a few neighbors that's good Michael how about a small bit of a song I think it's time about um a song that was it was composed about the first of the 19th century but
some I can't explain you'll know as cardinals sing the song oh boys or boys I'm glad to meet you if I had money trot I tricked you till with a song I'd finally greet you in all wrong dear land do your best for one another love your neighbor as your brother hearty feelings we must mother in our own dear land oh boys or boys I'm glad to meet you if I had money try to treat you she's with the song I'd finally greet you in all on their land now in the search of agitation whilst we seek home legislation we're not in the need of separation to ruin or run their land oh
the British commons they're mushed on but they have plenty business of their horn so let all settle owls at home we know on their land oh boys or boys and glad to meet you if I had money try to trick you to sweet this song I'd finally greet you in our own dear land lovely Michael that's great okay.
what did you enjoy that I did yeah it's great but most of it was good to know it was you had the music and the the weather was good also nice but it changed most of the people town it was the main thing the people well we're leaving Ireland now we're leaving the town of Venice we've been here for two days the music the people everything has been great we're leaving Ireland and we're going to play music in the towns and cities of Europe so we're going to follow the blue tower.
on a winter's morning in 1947 here in the oldest part of Dublin city in Ireland a part of Dublin inhabited by the vikings and by the Irish more than a thousand years ago a wall collapsed on the caravan of a traveling man killing the last of Ireland's great traveling musicians a man called johnny doran for 30 years he had traveled the roads of Ireland he had played at markets at fair days at gatherings of all kind for the small pieces of money his listeners gladly gave him to this day this man has inspired the folk musicians
of Ireland and so this year two of us tony McMahon is my name and a friend of mine barney McKenna we've decided to in a sense follow in the piper's footsteps not only in ireland but on the roads and streets of Europe too so i welcome you to join us in our travels and in our music welcome to the green linnit hey Tommy onall right
we've come southwest to come to Anna's to a town here it has been a meeting place for street musicians for a long time it's an old town it's a town where the players and the pipers and the fiddle players where they played at market days and festivals for many long years at the moment there is a traditional music festival here there is a great brotherhood of folk musicians all over Ireland and indeed in other countries too and many people have come today to win
us they have come to play music to talk to learn tunes to get together people to walk together people to disgust there's men i say i'd say we met before banner that's right [Music] [Music] good [Music] there's got to be more music here tomorrow hi can be sure [Music] yeah we'll see you later all right [Music] oh
well friends um i remember growing up in this town uh you always had the traveling musician who would come to the marketplace here he would play in O'Connell street in the turnpike he would play all over Ennis and these were men who were good players there was johnny Dorn uh whom I talked about there was his brother felix jordan there were great people
they came and they played the pipes they played the fiddle they sang in the streets and i often remember my own father when i was growing up in this town would bring these men to the house nights weekends Sundays anytime and it's a tradition and sadly that is dying in Ireland today but i don't believe that these old traditions should be let die because these men made great music they made great music on the streets for people to hear and uh i think you know they used to collect it's a snag and everything folks i've told them indeed
and these people made their money by people giving them small pieces of money they went around with the hat they collected after a day it is possible it is possible that this tradition may still come back at some time because in the days when these musicians played people loved and respected well Michael Russell here is a man who has his own style of playing irish music he comes from the west coast of county Claire up near the north Michael would you like to play as a
chone maybe on the tin whistle I will tony are we on this nice day ] I'd like now to play you a slow air one of the wonderful slow wires of Ireland is called the wounded hazar and it's a tune that commemorates the hundreds of thousands of Irish men who over the centuries have died in the service of foreign armies
mainly the armies of France
] right so [Music] okay hey Irish traditional music is it anyway like your own music of Iweden it's the same way of fiddling for my friends I couldn't tell another instruction the style is the same yeah some of the particles are very small they got relevant yeah it is you have the same kind of emotion in the music too you know
i always feel there's a great bond between the peoples of Sweden and Denmark and Ireland we have the people from Denmark and Sweden here a thousand years ago [Laughter] one more time we didn't throw you out we just put manners on you oh that's okay a few neighbors that's good Michael how about a small bit of a song I think it's time about um a song that was it was composed about the first of the 19th century but
some I can't explain you'll know as cardinals sing the song oh boys or boys I'm glad to meet you if I had money trot I tricked you till with a song I'd finally greet you in all wrong dear land do your best for one another love your neighbor as your brother hearty feelings we must mother in our own dear land oh boys or boys I'm glad to meet you if I had money try to treat you she's with the song I'd finally greet you in all on their land now in the search of agitation whilst we seek home legislation we're not in the need of separation to ruin or run their land oh
the British commons they're mushed on but they have plenty business of their horn so let all settle owls at home we know on their land oh boys or boys and glad to meet you if I had money try to trick you to sweet this song I'd finally greet you in our own dear land lovely Michael that's great okay.
what did you enjoy that I did yeah it's great but most of it was good to know it was you had the music and the the weather was good also nice but it changed most of the people town it was the main thing the people well we're leaving Ireland now we're leaving the town of Venice we've been here for two days the music the people everything has been great we're leaving Ireland and we're going to play music in the towns and cities of Europe so we're going to follow the blue tower.
