The Green Glens Of Antrim, The Wolfe Tones Lyrics And Chords
A traditional Irish song, also recorded by Maureen Hegarty who does an excellent version. Follow the chords below for The Wolfe Tones version which was worked out by Marc Fahrbach. Taken from The Troubles Album. The song was also recorded by Irish country singer Daniel O'Donnell, Bonnie Stewart, Bridie Gallagher,who recorded a lot of ballads and folk songs in her hayday including her big hit A Mother's Love's A Blessing [ lyrics / chords ] .Gerard Connolly, Eileen King who sang Home To Donegal [ lyrics / chords ] before Nathan Carter even began his singing career.and Phil Coulter. Also included here is another County Antrim song, ''The Antrim Glens Are Calling'' which was recorded by accordion player Curtis McGee who's famous for his rendition of Noreen Bawn [ lyrics / chords ] Curtis also covered Absent Friends. The chords are for the version by Curtis. Back to The Wolfe Tones Lyrics And Chords
THE GREEN GLENS OF ANTRIM 4/4 (Traditional)
(For Wolfe Tones Version use capo on 3rd fret)
Far a(D)cross yonder (D7)blue lies a (G)true fairy (D)land
With the sea rippling (Bm)over the (E)shingle and (A)sand
Where the (D)gay honey(D7)suckle is (G)luring the (D)bee
And the green glens of (Bm)Antrim are (A)calling to (D)me
Chorus:
Sure if (G)only you knew how the (D)lamp of the (Bm)moon
Turns a (D)blue Irish (Bm)bay to a (E)silver la(A)goon
You'd (D)imagine a (D7)picture of (G)heaven it would (D)be
Where the green glens of (Bm)Antrim are (A)calling to (D)me.
Soon I hope to return to my own Cuchendall
T’is the one place for me That can outshine them all.
Sure I know every stone I’ll recall every tree
Where the green glens of Antrim are calling to me
I would halt at a cabin close down by the shore
And I’d knock with my heart at that wee cabin door
While the sun showered gold in the lap of the sea
And the green glens of Antrim were smiling at me
Chorus
Now I'd be where the people are simple and so kind
And among them the one who has been on my mind
Sure I pray that the world would in peace let me be
Where the green glens of Antrim are heaven to me
(For Wolfe Tones Version use capo on 3rd fret)
Far a(D)cross yonder (D7)blue lies a (G)true fairy (D)land
With the sea rippling (Bm)over the (E)shingle and (A)sand
Where the (D)gay honey(D7)suckle is (G)luring the (D)bee
And the green glens of (Bm)Antrim are (A)calling to (D)me
Chorus:
Sure if (G)only you knew how the (D)lamp of the (Bm)moon
Turns a (D)blue Irish (Bm)bay to a (E)silver la(A)goon
You'd (D)imagine a (D7)picture of (G)heaven it would (D)be
Where the green glens of (Bm)Antrim are (A)calling to (D)me.
Soon I hope to return to my own Cuchendall
T’is the one place for me That can outshine them all.
Sure I know every stone I’ll recall every tree
Where the green glens of Antrim are calling to me
I would halt at a cabin close down by the shore
And I’d knock with my heart at that wee cabin door
While the sun showered gold in the lap of the sea
And the green glens of Antrim were smiling at me
Chorus
Now I'd be where the people are simple and so kind
And among them the one who has been on my mind
Sure I pray that the world would in peace let me be
Where the green glens of Antrim are heaven to me
Below are the chord shapes for ukulele
The Green Glens Of Antrim Old Road Sign
Margo song The Green Glens Of Antrim
Below is the list of sheet music and tin whistle songs that are in my ebooks. This is the largest collection of tin whistle songs ever put together.[over 900 songs ] Including folk, pop and trad tunes plus German And French songs along with Christmas Carols.
All of the sheet music tabs have been made as easy to play as was possible.
The price of the ebooks is €7.50
The Green Glens Of Antrim Sheet Music Tin Whistle Notes Included.
All of the sheet music tabs have been made as easy to play as was possible.
The price of the ebooks is €7.50
The Green Glens Of Antrim Sheet Music Tin Whistle Notes Included.
The Green Glens of Antrim is a traditional Irish folk song that has been passed down through generations and has become an important part of Irish culture. It is a song that evokes a sense of pride and nostalgia for the lush landscapes of County Antrim in Northern Ireland. The lyrics of the song paint a vivid picture of the beauty and serenity of the green glens, while also capturing the struggles and resilience of the Irish people.
The origins of the song can be traced back to the 19th century, possibly even earlier, when it was first sung by Irish laborers who were working in the Antrim region. These laborers, who were often forced to leave their homes due to economic hardship, found solace in the natural beauty of the green glens. The song was a way for them to express their longing for their homeland and to keep their traditions alive.
The Green Glens of Antrim has a simple yet powerful melody that has stood the test of time. It is a song that has been sung in homes, pubs, and at gatherings for over a century. Its enduring popularity can be attributed to the fact that it captures the essence of the Irish spirit – a deep connection to the land, a love for music, and a strong sense of community.
The lyrics of the song describe the glens of Antrim as a place of peace and tranquility, a place where one can escape the hardships of life and find solace in nature. The green glens, with their rolling hills and meandering streams, are a symbol of the resilience and endurance of the Irish people. Despite facing struggles and hardships, they find comfort and strength in the beauty of their surroundings.
One of the most poignant lines of the song is “where the mountains sweep down to the sea.” This line captures the breathtaking landscape of the Antrim region, where the Glens of Antrim meet the rugged coastline of the North Atlantic. It is a reminder of the powerful forces of nature and the enduring spirit of the Irish people.
The song also pays homage to the traditional way of life in the glens. The lyrics mention the “cot” or cottage, which is a traditional Irish home made of stone and thatched roof. These cottages were once the heart of the Irish community, where families would gather around the fire and share stories and songs. The song also mentions the “shamrock” and the “heather” which are both symbols of Irish identity and pride.
The Green Glens of Antrim has been recorded and performed by numerous artists over the years, both in Ireland and around the world. One of the most famous recordings is by the Irish folk group The Clancy Brothers, who helped popularize Irish traditional music in the 1960s. Their version of the song is a testament to its enduring appeal and the universal message it conveys.
The song has also been featured in various films and television shows, further cementing its place in popular culture. In the film “The Quiet Man”, the main character, played by John Wayne, sings the song while walking through the green countryside of County Antrim. This scene captures the essence of the song – a nostalgic tribute to the beauty and spirit of Ireland.
In recent years, the Green Glens of Antrim has become a symbol of Irish heritage and identity. It is often sung at St. Patrick’s Day celebrations, and at Irish festivals and events around the world. The song has also been used as a rallying cry for the preservation of the natural beauty of County Antrim, as there have been efforts to protect the glens from development and industrialization.
In conclusion, The Green Glens of Antrim is more than just a song – it is a cultural treasure that has stood the test of time. It has become a symbol of Irish identity and pride, evoking a sense of nostalgia and longing for the green glens of Antrim. Its enduring popularity and universal message of resilience and connection to the land make it a true masterpiece of Irish folk music.
The origins of the song can be traced back to the 19th century, possibly even earlier, when it was first sung by Irish laborers who were working in the Antrim region. These laborers, who were often forced to leave their homes due to economic hardship, found solace in the natural beauty of the green glens. The song was a way for them to express their longing for their homeland and to keep their traditions alive.
The Green Glens of Antrim has a simple yet powerful melody that has stood the test of time. It is a song that has been sung in homes, pubs, and at gatherings for over a century. Its enduring popularity can be attributed to the fact that it captures the essence of the Irish spirit – a deep connection to the land, a love for music, and a strong sense of community.
The lyrics of the song describe the glens of Antrim as a place of peace and tranquility, a place where one can escape the hardships of life and find solace in nature. The green glens, with their rolling hills and meandering streams, are a symbol of the resilience and endurance of the Irish people. Despite facing struggles and hardships, they find comfort and strength in the beauty of their surroundings.
One of the most poignant lines of the song is “where the mountains sweep down to the sea.” This line captures the breathtaking landscape of the Antrim region, where the Glens of Antrim meet the rugged coastline of the North Atlantic. It is a reminder of the powerful forces of nature and the enduring spirit of the Irish people.
The song also pays homage to the traditional way of life in the glens. The lyrics mention the “cot” or cottage, which is a traditional Irish home made of stone and thatched roof. These cottages were once the heart of the Irish community, where families would gather around the fire and share stories and songs. The song also mentions the “shamrock” and the “heather” which are both symbols of Irish identity and pride.
The Green Glens of Antrim has been recorded and performed by numerous artists over the years, both in Ireland and around the world. One of the most famous recordings is by the Irish folk group The Clancy Brothers, who helped popularize Irish traditional music in the 1960s. Their version of the song is a testament to its enduring appeal and the universal message it conveys.
The song has also been featured in various films and television shows, further cementing its place in popular culture. In the film “The Quiet Man”, the main character, played by John Wayne, sings the song while walking through the green countryside of County Antrim. This scene captures the essence of the song – a nostalgic tribute to the beauty and spirit of Ireland.
In recent years, the Green Glens of Antrim has become a symbol of Irish heritage and identity. It is often sung at St. Patrick’s Day celebrations, and at Irish festivals and events around the world. The song has also been used as a rallying cry for the preservation of the natural beauty of County Antrim, as there have been efforts to protect the glens from development and industrialization.
In conclusion, The Green Glens of Antrim is more than just a song – it is a cultural treasure that has stood the test of time. It has become a symbol of Irish identity and pride, evoking a sense of nostalgia and longing for the green glens of Antrim. Its enduring popularity and universal message of resilience and connection to the land make it a true masterpiece of Irish folk music.
A Night In Ireland - Ruby Murray
SOME CALL her the "Heartbeat Girl." But Ruby Murray of Belfast today reigns alone as the fore- most-and most beloved-Irish singer of popular songs in the world.
Since 1954 Ruby has sold more records in Ire- land, Scotland and England than any other artist in the United Kingdom. For seven consecutive months, in 1955-56, she headlined the show at London's vast Palladium, and throughout her engagement Ruby was "doubling" on B.B.C. radio and television programs and-not incidentally- recording this album of favorite Irish tunes.
When she was only 12, Ruby was spotted (in Belfast) by the British television producer Richard Afton, who featured her in London on a "one- shot" appearance which attracted favorable press notices. But the little colleen was, in her own words, "a mite too young to go professional" and she wisely returned to her schooling in Belfast.
Not until 1954 did Ruby pop back again into prominence. She was there on tour with an all-Irish vaudeville troupe when the eagle-eyed Afton encountered her once again. Afton placed her regularly on B.B.C. and while singing on the first tele- cast of the modest "Quite Contrary" series, a British record producer and bandleader, Ray Martin, watched Ruby's act, listened carefully to her pure, Gaelic soprano and signed her for records a few hours after "Quite Contrary" signed off for the night.
Ruby's success on discs has since become a leg- end. At one time in 1955 five of her releases were among Great Britain's "Top Twenty" best-sellers. Her first record for Capitol was issued in March, 1956, simultaneously with Ruby's arrival in New York on a vacation trip which took her to Las Vegas, Los Angeles, Palm Springs and Toronto before returning to London and the hectic career of a nation's favorite singer.
Shy, soft-spoken and quick to deprecate her unique, entirely original vocal style, Ruby Murray has emerged from Belfast as an internationally acclaimed "Voice of Ireland.' She doesn't sound like other girl singers. And her choice of songs is different, too.
This collection of Ruby's special personal selections confirms both points. Her mentor, Ray Martin, conducts the orchestra.
TRACK LIST OF SONGS
THE GREEN GLENS OF ANTRIM
WHEN IRISH EYES ARE SMILING
IT'S A GREAT DAY FOR THE IRISH
THE MOUNTAINS OF MOURNE
IF YOU'RE IRISH COME INTO THE PARLOR
GALWAY BAY
TOO-RA-LOO-RA-LOO-RAL
DEAR OLD DONEGAL
HOW CAN YOU BUY KILLARNEY?
PHIL THE FLUTER'S BALL
DANNY BOY
TEDDY O'NEIL.
SOME CALL her the "Heartbeat Girl." But Ruby Murray of Belfast today reigns alone as the fore- most-and most beloved-Irish singer of popular songs in the world.
Since 1954 Ruby has sold more records in Ire- land, Scotland and England than any other artist in the United Kingdom. For seven consecutive months, in 1955-56, she headlined the show at London's vast Palladium, and throughout her engagement Ruby was "doubling" on B.B.C. radio and television programs and-not incidentally- recording this album of favorite Irish tunes.
When she was only 12, Ruby was spotted (in Belfast) by the British television producer Richard Afton, who featured her in London on a "one- shot" appearance which attracted favorable press notices. But the little colleen was, in her own words, "a mite too young to go professional" and she wisely returned to her schooling in Belfast.
Not until 1954 did Ruby pop back again into prominence. She was there on tour with an all-Irish vaudeville troupe when the eagle-eyed Afton encountered her once again. Afton placed her regularly on B.B.C. and while singing on the first tele- cast of the modest "Quite Contrary" series, a British record producer and bandleader, Ray Martin, watched Ruby's act, listened carefully to her pure, Gaelic soprano and signed her for records a few hours after "Quite Contrary" signed off for the night.
Ruby's success on discs has since become a leg- end. At one time in 1955 five of her releases were among Great Britain's "Top Twenty" best-sellers. Her first record for Capitol was issued in March, 1956, simultaneously with Ruby's arrival in New York on a vacation trip which took her to Las Vegas, Los Angeles, Palm Springs and Toronto before returning to London and the hectic career of a nation's favorite singer.
Shy, soft-spoken and quick to deprecate her unique, entirely original vocal style, Ruby Murray has emerged from Belfast as an internationally acclaimed "Voice of Ireland.' She doesn't sound like other girl singers. And her choice of songs is different, too.
This collection of Ruby's special personal selections confirms both points. Her mentor, Ray Martin, conducts the orchestra.
TRACK LIST OF SONGS
THE GREEN GLENS OF ANTRIM
WHEN IRISH EYES ARE SMILING
IT'S A GREAT DAY FOR THE IRISH
THE MOUNTAINS OF MOURNE
IF YOU'RE IRISH COME INTO THE PARLOR
GALWAY BAY
TOO-RA-LOO-RA-LOO-RAL
DEAR OLD DONEGAL
HOW CAN YOU BUY KILLARNEY?
PHIL THE FLUTER'S BALL
DANNY BOY
TEDDY O'NEIL.
