The Dublin Saunter (Dublin can be heaven)
Written by Leo Maguire (1903-1985)(e *) = play A- and D-string, not E. Originally recorded by Noel Purcell in the 1940s and later by Paddy Reilly and Maureen Potter and later by Aoife Scott. Leo Maguire was a Jackeen [ Dublin Man ]who wrote over one hundred songs, his most famous being The Whistling Gypsy, Maguire was born in 1903 and died in 1985, he worked for the national broadcaster R.T.E. presenting the radio programme The Waltons Show where he played ballads for thirty years. The man who sings the song is the bold Paddy Reilly from Dublin who was the front man in The Dubliners for a few years. Paddy became famous overnight when he had a massive hit with the Pete St. John Song ''The Fields Of Athenry'' .
The Dublin Saunter
The city still retained much of its old character even though the suburban sprawl was
already under way. It was certainly a poorer, yet more tranquil and perhaps happier time.
Going to the pictures and listening to the radio were the favoured pastimes, but Jimmy O’Dea,
Noel Purcell and Sean Mooney, to name but a few, could still be seen regularly in the city
theatres, while the local parish halls drew large attendances to their pantomimes and variety
concerts. It was at this type of venue that the Ballyfermot Boy’s Band made its debut. Formed in the middle fifties by Brother Thomas, the principal at the Ballyfermot School, it was directed by Brother Victor whose efforts firmly established the popularity of the band during that period. As for the Artane Boys’ Band, they were already a legend in themselves. Formed originally in
1882, their distinct brand of music has charmed Dubliners and many more for generations. It was from this varied background that the
inspiration for this collection was formed. The advent of television was just around the corner, yet its influence towards change was
still a little time off. Perhaps that era of change is best represented here by James Bartley in the
role of Sean Nolan from the popular RTE TV serial of the sixties, “Tolka Row’. It recalls the efforts of this fictional character to become a
pop star — efforts in vain, as it turned out. This nostalgic trip down memory lane is vividly enhanced by the addition of authentic Dublin sounds which, with the exception of a few, can, alas, be heard no more in their original setting. They are now just a small piece of social history.
The Dublin Saunter
The city still retained much of its old character even though the suburban sprawl was
already under way. It was certainly a poorer, yet more tranquil and perhaps happier time.
Going to the pictures and listening to the radio were the favoured pastimes, but Jimmy O’Dea,
Noel Purcell and Sean Mooney, to name but a few, could still be seen regularly in the city
theatres, while the local parish halls drew large attendances to their pantomimes and variety
concerts. It was at this type of venue that the Ballyfermot Boy’s Band made its debut. Formed in the middle fifties by Brother Thomas, the principal at the Ballyfermot School, it was directed by Brother Victor whose efforts firmly established the popularity of the band during that period. As for the Artane Boys’ Band, they were already a legend in themselves. Formed originally in
1882, their distinct brand of music has charmed Dubliners and many more for generations. It was from this varied background that the
inspiration for this collection was formed. The advent of television was just around the corner, yet its influence towards change was
still a little time off. Perhaps that era of change is best represented here by James Bartley in the
role of Sean Nolan from the popular RTE TV serial of the sixties, “Tolka Row’. It recalls the efforts of this fictional character to become a
pop star — efforts in vain, as it turned out. This nostalgic trip down memory lane is vividly enhanced by the addition of authentic Dublin sounds which, with the exception of a few, can, alas, be heard no more in their original setting. They are now just a small piece of social history.
I've been North and I've been South
I've been East and West
I've been just a rolling stone
Yet there's one place on this earth
I've always liked the best
Just a little town I call my own
For Dublin can beheaven
With coffee at eleven
And a stroll in Stephen's Green
There's no need to hurry
There's no need to worry
You're a king and the lady's a queen
Grafton Street's a wonderland
There's magic in the air
There's diamonds in the lady's eyes
And gold-dust in her hair
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning
I've been here and I've been there
I've sought the rainbow's end
But no crock of gold I've found
Now I know that come what will
Whatever fate may send
Here my roots are deep in friendly ground
For Dublin can be heaven
With coffee at eleven
And a stroll in Stephen's green
There's no need to hurry
There's no need to worry
You're the king and the lady's a queen
Grafton Street's a wonderland
There's magic in the air
There's diamonds in the lady's eyes
And gold-dust in her hair
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning,
I've been East and West
I've been just a rolling stone
Yet there's one place on this earth
I've always liked the best
Just a little town I call my own
For Dublin can beheaven
With coffee at eleven
And a stroll in Stephen's Green
There's no need to hurry
There's no need to worry
You're a king and the lady's a queen
Grafton Street's a wonderland
There's magic in the air
There's diamonds in the lady's eyes
And gold-dust in her hair
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning
I've been here and I've been there
I've sought the rainbow's end
But no crock of gold I've found
Now I know that come what will
Whatever fate may send
Here my roots are deep in friendly ground
For Dublin can be heaven
With coffee at eleven
And a stroll in Stephen's green
There's no need to hurry
There's no need to worry
You're the king and the lady's a queen
Grafton Street's a wonderland
There's magic in the air
There's diamonds in the lady's eyes
And gold-dust in her hair
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning,
Song Lyrics With Guitar Chords
(G) I've been North and (e) I've been South
(G) I've been East and (e) West
I've (G) been just a (e *) rolling (D) stone (D7)
(G) Yet there's one place (e) on this earth
I've (G) always liked the (e)best
(G) Just a little (e *)town I call my (D) own (D7)
For (G) Dublin can be (e) heaven
With (G) coffee at e-(e)-leven
And a (a) stroll in Stephen's (D) Green (D7)
(G) There's no need to (e) hurry
(G) There's no need to (e) worry
You're a (a) king and the lady's a (D) queen (D7)
(G) Grafton Street's a (e) wonderland
There's (G) magic in the (e) air
There's (a) diamonds in the lady's eyes
And (D) gold-dust in her (D7) hair
And (G) if you don't be-(e)-lieve me
(C) Come and meet me (a) there
In (D) Dublin on a (D7) sunny Summer (C) mor-(G)-ning
I've been here and I've been there
I've sought the rainbow's end
But no crock of gold I've found
Now I know that come what will
Whatever fate may send
Here my roots are deep in friendly ground
For Dublin can be heaven
With coffee at eleven
And a stroll in Stephen's green
There's no need to hurry
There's no need to worry
You're the king and the lady's a queen
Grafton Street's a wonderland
There's magic in the air
There's diamonds in the lady's eyes
And gold-dust in her hair
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning,
written by Leo Maguire. Originally recorded by Noel Purcell in the 1940s and later by Paddy Reilly and Maureen Potter. Leo Maguire was a Jackeen who wrote over one hundred songs, his most famous being The Whistling Gypsy, Maguire was born in 1903 and died in 1985, he worked for the national broadcaster R.T.E. presenting the radio programme The Waltons Show where he played ballads for thirty years. The man who sings the song is the bold Paddy Reilly from Dublin who was the front man in The Dubliners for a few years. Paddy became famous overnight when he had a massive hit with the Pete St. John Song ''The Fields Of Athenry'' .
(G) I've been North and (e) I've been South
(G) I've been East and (e) West
I've (G) been just a (e *) rolling (D) stone (D7)
(G) Yet there's one place (e) on this earth
I've (G) always liked the (e)best
(G) Just a little (e *)town I call my (D) own (D7)
For (G) Dublin can be (e) heaven
With (G) coffee at e-(e)-leven
And a (a) stroll in Stephen's (D) Green (D7)
(G) There's no need to (e) hurry
(G) There's no need to (e) worry
You're a (a) king and the lady's a (D) queen (D7)
(G) Grafton Street's a (e) wonderland
There's (G) magic in the (e) air
There's (a) diamonds in the lady's eyes
And (D) gold-dust in her (D7) hair
And (G) if you don't be-(e)-lieve me
(C) Come and meet me (a) there
In (D) Dublin on a (D7) sunny Summer (C) mor-(G)-ning
I've been here and I've been there
I've sought the rainbow's end
But no crock of gold I've found
Now I know that come what will
Whatever fate may send
Here my roots are deep in friendly ground
For Dublin can be heaven
With coffee at eleven
And a stroll in Stephen's green
There's no need to hurry
There's no need to worry
You're the king and the lady's a queen
Grafton Street's a wonderland
There's magic in the air
There's diamonds in the lady's eyes
And gold-dust in her hair
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning
And if you don't believe me
Come and meet me there
In Dublin on a sunny Summer morning,
written by Leo Maguire. Originally recorded by Noel Purcell in the 1940s and later by Paddy Reilly and Maureen Potter. Leo Maguire was a Jackeen who wrote over one hundred songs, his most famous being The Whistling Gypsy, Maguire was born in 1903 and died in 1985, he worked for the national broadcaster R.T.E. presenting the radio programme The Waltons Show where he played ballads for thirty years. The man who sings the song is the bold Paddy Reilly from Dublin who was the front man in The Dubliners for a few years. Paddy became famous overnight when he had a massive hit with the Pete St. John Song ''The Fields Of Athenry'' .
The Dublin Saunter, a traditional Irish song, is a timeless piece of music that captures the essence of Dublin and its people. The song, written and performed by the legendary Irish actor and singer Noel Purcell, is a celebration of the city and its inhabitants, and has become an integral part of Irish culture.
The Dublin Saunter was first recorded by Noel Purcell in the 1940s, and has since been covered by numerous artists, solidifying its place in the Irish music canon. With its upbeat melody and catchy lyrics, the song has become a beloved anthem for Dubliners and a nostalgic reminder of home for those who have left the city.
At its core, The Dublin Saunter is a song about the spirit of Dublin and the people who call it home. The lyrics paint a vivid picture of the city, from the bustling streets and crowded pubs to the iconic landmarks such as the Ha'penny Bridge and the Liffey River. Purcell’s poetic words capture the charm and character of Dublin, showcasing its unique blend of old and new, tradition and modernity.
One of the most striking elements of The Dublin Saunter is its ability to transport listeners to the heart of the city. The song’s lively rhythm and playful tone evoke a sense of joy and warmth, mirroring the vibrant energy of Dublin. It is a song that speaks to the soul of the city and its people, reflecting the strong sense of community and pride that is deeply ingrained in Dublin’s culture.
Moreover, The Dublin Saunter is a celebration of the Irish spirit and the resilience of the Dubliners. Through its lyrics, the song pays tribute to the city’s working-class neighborhoods, where hardworking and spirited people live. It also celebrates the city’s rich history, from the struggles of the Easter Rising to the cultural renaissance of the 20th century. The song serves as a reminder of the city’s past and the indomitable spirit of its people.
Noel Purcell, the writer and performer of The Dublin Saunter, was a prolific actor and musician who had a deep connection with the city and its people. Born in Dublin in 1900, Purcell grew up in the working-class neighborhood of Ringsend and was deeply influenced by the city’s culture and traditions. He went on to become a prominent figure in Irish theater and film, and his love for Dublin shines through in his performance of The Dublin Saunter.
The enduring popularity of The Dublin Saunter can be attributed to its universal appeal. The song has been embraced by people of all ages and backgrounds, both within Ireland and abroad. It has been played at countless weddings, parties, and gatherings, bringing people together and creating a sense of unity and belonging.
Furthermore, The Dublin Saunter has become a symbol of Irish identity, representing the spirit and soul of the nation. Its lyrics have been translated into various languages, and the song has been covered by artists from all over the world, cementing its place as a global cultural icon.
In conclusion, The Dublin Saunter by Noel Purcell is more than just a song – it is a celebration of Dublin and its people. Its enduring popularity and universal appeal are a testament to the song’s ability to capture the hearts and minds of listeners, transcending time and borders. The song serves as a reminder of the beauty and charm of Dublin, and the strong sense of community and pride that defines its people. It is a musical tribute to the city and its people, and will continue to be cherished for generations to come.
The Dublin Saunter was first recorded by Noel Purcell in the 1940s, and has since been covered by numerous artists, solidifying its place in the Irish music canon. With its upbeat melody and catchy lyrics, the song has become a beloved anthem for Dubliners and a nostalgic reminder of home for those who have left the city.
At its core, The Dublin Saunter is a song about the spirit of Dublin and the people who call it home. The lyrics paint a vivid picture of the city, from the bustling streets and crowded pubs to the iconic landmarks such as the Ha'penny Bridge and the Liffey River. Purcell’s poetic words capture the charm and character of Dublin, showcasing its unique blend of old and new, tradition and modernity.
One of the most striking elements of The Dublin Saunter is its ability to transport listeners to the heart of the city. The song’s lively rhythm and playful tone evoke a sense of joy and warmth, mirroring the vibrant energy of Dublin. It is a song that speaks to the soul of the city and its people, reflecting the strong sense of community and pride that is deeply ingrained in Dublin’s culture.
Moreover, The Dublin Saunter is a celebration of the Irish spirit and the resilience of the Dubliners. Through its lyrics, the song pays tribute to the city’s working-class neighborhoods, where hardworking and spirited people live. It also celebrates the city’s rich history, from the struggles of the Easter Rising to the cultural renaissance of the 20th century. The song serves as a reminder of the city’s past and the indomitable spirit of its people.
Noel Purcell, the writer and performer of The Dublin Saunter, was a prolific actor and musician who had a deep connection with the city and its people. Born in Dublin in 1900, Purcell grew up in the working-class neighborhood of Ringsend and was deeply influenced by the city’s culture and traditions. He went on to become a prominent figure in Irish theater and film, and his love for Dublin shines through in his performance of The Dublin Saunter.
The enduring popularity of The Dublin Saunter can be attributed to its universal appeal. The song has been embraced by people of all ages and backgrounds, both within Ireland and abroad. It has been played at countless weddings, parties, and gatherings, bringing people together and creating a sense of unity and belonging.
Furthermore, The Dublin Saunter has become a symbol of Irish identity, representing the spirit and soul of the nation. Its lyrics have been translated into various languages, and the song has been covered by artists from all over the world, cementing its place as a global cultural icon.
In conclusion, The Dublin Saunter by Noel Purcell is more than just a song – it is a celebration of Dublin and its people. Its enduring popularity and universal appeal are a testament to the song’s ability to capture the hearts and minds of listeners, transcending time and borders. The song serves as a reminder of the beauty and charm of Dublin, and the strong sense of community and pride that defines its people. It is a musical tribute to the city and its people, and will continue to be cherished for generations to come.