The Rose Of Tralee Lyrics And Chords
The full sheet music score in G Major is now here and suitable for the flute and accordion. W.P.Mc Mulchinock.This Irish folk song was written to Mary O'Conner , a servant girl of the author with who he fell in love with.it was written around the 1850s. Recorded by John McCormack, Nathan Carter, Connie Foley, John McDermott who does a brilliant version of a John McCormack song ''The Old House Song'', Deirdre McNulty and Dennis Day to name a few. The singer here in the youtube video is John McCormack. Tin whistle sheet music notes and mandolin tab is included. The rose of Tralee which is now a week long festival in this Co. Kerry town is still going strong and is broadcast live over two nights each year by the Irish broadcaster R.T.E. Guitar chords are in chordpro.The rose of Tralee sheet music notes in solfege, do re mi format now included plus a pdf of the score in G Major with chords.
Song Meaning.
"The Rose of Tralee" is a beloved Irish ballad that tells a tender love story about a man’s deep and enduring affection for a woman named Mary, whom he refers to as "the Rose of Tralee." The song is closely associated with Irish culture and romance. Here’s a breakdown of its meaning:
1. Romantic Love and Admiration
The narrator describes Mary’s beauty, comparing her to a rose, a traditional symbol of love and perfection. However, he emphasizes that it’s not just her physical beauty that captivates him—her kindness and gentle heart are equally cherished.
2. Timeless and Eternal Love
The song conveys the idea that true love is unchanging and eternal. Even though circumstances may separate them, the narrator vows that his love for Mary will endure.
This theme of devotion and longing is central to many Irish ballads.
3. Setting in Tralee, Ireland
Tralee is a town in County Kerry, Ireland, and the setting gives the song a strong connection to Irish culture and identity. The rose imagery also symbolizes Ireland’s natural beauty and romanticism.
4. Themes of Separation and Loss
Some interpretations of the song suggest that the narrator may have been separated from Mary by death or emigration, a common theme in Irish folk songs that reflect the struggles of love and longing during difficult times.
5. Cultural Significance
The song’s popularity led to the creation of the Rose of Tralee Festival, an annual international event held in Tralee that celebrates Irish heritage and culture. Women of Irish descent from around the world compete to be crowned the “Rose of Tralee,” representing qualities of beauty, kindness, and grace.
In summary, "The Rose of Tralee" is a touching love ballad that celebrates beauty, kindness, and the power of enduring love. Its heartfelt lyrics and connection to Irish culture have made it an enduring classic in Ireland and beyond.
Song Meaning.
"The Rose of Tralee" is a beloved Irish ballad that tells a tender love story about a man’s deep and enduring affection for a woman named Mary, whom he refers to as "the Rose of Tralee." The song is closely associated with Irish culture and romance. Here’s a breakdown of its meaning:
1. Romantic Love and Admiration
The narrator describes Mary’s beauty, comparing her to a rose, a traditional symbol of love and perfection. However, he emphasizes that it’s not just her physical beauty that captivates him—her kindness and gentle heart are equally cherished.
2. Timeless and Eternal Love
The song conveys the idea that true love is unchanging and eternal. Even though circumstances may separate them, the narrator vows that his love for Mary will endure.
This theme of devotion and longing is central to many Irish ballads.
3. Setting in Tralee, Ireland
Tralee is a town in County Kerry, Ireland, and the setting gives the song a strong connection to Irish culture and identity. The rose imagery also symbolizes Ireland’s natural beauty and romanticism.
4. Themes of Separation and Loss
Some interpretations of the song suggest that the narrator may have been separated from Mary by death or emigration, a common theme in Irish folk songs that reflect the struggles of love and longing during difficult times.
5. Cultural Significance
The song’s popularity led to the creation of the Rose of Tralee Festival, an annual international event held in Tralee that celebrates Irish heritage and culture. Women of Irish descent from around the world compete to be crowned the “Rose of Tralee,” representing qualities of beauty, kindness, and grace.
In summary, "The Rose of Tralee" is a touching love ballad that celebrates beauty, kindness, and the power of enduring love. Its heartfelt lyrics and connection to Irish culture have made it an enduring classic in Ireland and beyond.
The Rose Of Tralee Lyrics And Chords In The Key Of C Major
[C]The pale moon was[C7] ris[F]ing above the [C]green mountain,
The sun was declining [D7]beneath the [G7]blue sea;
[G7]When I [C]strayed with my [C7]love to [F]the pure cry[C]stal fountain,
That [F]stands in the[C] beauti[G]ful Vale of [C]Tralee.
Chorus
She was [Am]lovely and fair as [E]the rose of the summer,
Yet [Am]'twas not her beauty alone that [G]won [G7]me;
[G7]Oh[C] no, 'twas the [C7]truth in [F]her eyes [C]ever dawning,
That [F]made me love [C]Mary, [G]the Rose of [C]Tralee.
The cool shades of evening their mantles were spreading
And Mary all smiling sat listening to me
The moon through the vally her pale rays were shining
When I won the heart of the rose of Tralee
Though lovely and fair as the rose of the summer
Yet 'twas not her beauty alone that I won
Oh no 'twas the truth in her eyes ever dawning
That made me love Mary the rose of Tralee
[C]The pale moon was[C7] ris[F]ing above the [C]green mountain,
The sun was declining [D7]beneath the [G7]blue sea;
[G7]When I [C]strayed with my [C7]love to [F]the pure cry[C]stal fountain,
That [F]stands in the[C] beauti[G]ful Vale of [C]Tralee.
Chorus
She was [Am]lovely and fair as [E]the rose of the summer,
Yet [Am]'twas not her beauty alone that [G]won [G7]me;
[G7]Oh[C] no, 'twas the [C7]truth in [F]her eyes [C]ever dawning,
That [F]made me love [C]Mary, [G]the Rose of [C]Tralee.
The cool shades of evening their mantles were spreading
And Mary all smiling sat listening to me
The moon through the vally her pale rays were shining
When I won the heart of the rose of Tralee
Though lovely and fair as the rose of the summer
Yet 'twas not her beauty alone that I won
Oh no 'twas the truth in her eyes ever dawning
That made me love Mary the rose of Tralee
The rose of Tralee sheet music notes in solfege do re mi format
The pdf file is for the piano sheet music in G Major and has the chords.

rose-of-tralee-piano-sheet-music-pdf.pdf |
The Rose Of Tralee Sheet Music score in the key of G Major Notes
The Minstrel Boy Album By Christopher Lynch • The Garden Where The Praties Grow The
Rose Of Tralee The Palatine's Daughter. A Little Bit Of Heaven A Ballynure Ballad. When Irish Eyes Are Smiling The Young May Moon You'd Better Ask Me.
Ever since Christopher Lynch made his American debut in the autumn of 1946, critics have been tossing at the minstrel boy from County Limerick, Eire, such phrases as "a true Irish tenor with voice of hauntingly sweet quality," "an Irish lark with blue-eyed charm and good looks," and "he sings Gaelic ballads and folk songs so you can smell the shamrock in them."
The gifted young Irish tenor arrived in the United States-bearing credentials from no less a per- son than the late great John McCormack who had attended Lynch's debut recital in Dublin. On that occasion the elder tenor had exclaimed, "He is the one most likely to succeed me. A very beautiful voice. I have not heard better in a quarter of a century."
Christopher Lynch was born deep in the heart of Eire at Rathkeale where the river Deel flows. There he grew to sturdy young manhood, at one time showing promise of being chosen all-Ireland goalkeeper in the rugged national game of hurley. Along with an enthusiasm for athletics and for horses (his father owns an extensive stud farm) went a deep love for music. As a boy he sang in the church choir, and a perceptive lady of the village on hearing him sing presented him with a book of easy operatic arias and of Moore's melo- dies and encouraged him to study music seriously.
In a short time it became apparent that young Christopher Lynch was, as all Rathkeale said, "born to sing." When he felt the time was ripe, he took a public audition at the Savoy Theatre in Limerick. As he stepped before the footlights, the stage, he remembers, felt "like a ten-acre plowed field," but once he started to sing assurance returned, and the audience clamored for encore after encore. In that audience were two friends and admirers of John McCormack's. These men were so im- pressed by the young singer's voice that they thereupon determined to do something substantial about his career. They sent him to Dr. Vincent O'Brien, a distinguished voice teacher and former coach of McCormack's.
Lynch profited not only by this expert training but by the friendship as well of John McCormack who up to the time of his death in 1945 served as the younger man's cordial counsellor. Reports of Christopher Lynch's lovely voice had spread abroad; but he, feeling that more study still was necessary, went to Rome shortly after McCormack's death to coach with Maestro Carlo Morelli. Lynch's engagement, sight un- seen, for a series of weekly pro- grams on an American national radio network is a matter of his- tory. It was done on the basis of test recordings made abroad and shipped to the United States.
For his first Columbia recordings Christopher Lynch has chosen nine delightful songs of his native land, ranging from the sentimental to the gay and humorous. All of these he sings with a consummate ease and vocal beauty that remind the listener of the critical comment on Christopher Lynch that "there is magic in his music to warm the heart and to mist the eyes."
Notes by MORRIS HASTINGS
Rose Of Tralee The Palatine's Daughter. A Little Bit Of Heaven A Ballynure Ballad. When Irish Eyes Are Smiling The Young May Moon You'd Better Ask Me.
Ever since Christopher Lynch made his American debut in the autumn of 1946, critics have been tossing at the minstrel boy from County Limerick, Eire, such phrases as "a true Irish tenor with voice of hauntingly sweet quality," "an Irish lark with blue-eyed charm and good looks," and "he sings Gaelic ballads and folk songs so you can smell the shamrock in them."
The gifted young Irish tenor arrived in the United States-bearing credentials from no less a per- son than the late great John McCormack who had attended Lynch's debut recital in Dublin. On that occasion the elder tenor had exclaimed, "He is the one most likely to succeed me. A very beautiful voice. I have not heard better in a quarter of a century."
Christopher Lynch was born deep in the heart of Eire at Rathkeale where the river Deel flows. There he grew to sturdy young manhood, at one time showing promise of being chosen all-Ireland goalkeeper in the rugged national game of hurley. Along with an enthusiasm for athletics and for horses (his father owns an extensive stud farm) went a deep love for music. As a boy he sang in the church choir, and a perceptive lady of the village on hearing him sing presented him with a book of easy operatic arias and of Moore's melo- dies and encouraged him to study music seriously.
In a short time it became apparent that young Christopher Lynch was, as all Rathkeale said, "born to sing." When he felt the time was ripe, he took a public audition at the Savoy Theatre in Limerick. As he stepped before the footlights, the stage, he remembers, felt "like a ten-acre plowed field," but once he started to sing assurance returned, and the audience clamored for encore after encore. In that audience were two friends and admirers of John McCormack's. These men were so im- pressed by the young singer's voice that they thereupon determined to do something substantial about his career. They sent him to Dr. Vincent O'Brien, a distinguished voice teacher and former coach of McCormack's.
Lynch profited not only by this expert training but by the friendship as well of John McCormack who up to the time of his death in 1945 served as the younger man's cordial counsellor. Reports of Christopher Lynch's lovely voice had spread abroad; but he, feeling that more study still was necessary, went to Rome shortly after McCormack's death to coach with Maestro Carlo Morelli. Lynch's engagement, sight un- seen, for a series of weekly pro- grams on an American national radio network is a matter of his- tory. It was done on the basis of test recordings made abroad and shipped to the United States.
For his first Columbia recordings Christopher Lynch has chosen nine delightful songs of his native land, ranging from the sentimental to the gay and humorous. All of these he sings with a consummate ease and vocal beauty that remind the listener of the critical comment on Christopher Lynch that "there is magic in his music to warm the heart and to mist the eyes."
Notes by MORRIS HASTINGS