My Love's In Germany Lyrics And Chords
MY LOVE'S IN GERMANIE / Germany Lyrics And Guitar Chords 4/4 (traditional) Lyrics and chords as used by Silly Wizard who recorded the old folk song If I Was A Blackbird . use capo on 2nd fret. This song is based on a poem by Hector MacNeill from Scotland in 1794, the title of the poem was ''My Love's In Germanie'' and I'm sure the song's title is ''My Love's In Germany''.
I suppose you could call it an anti war song or even a love song, while the king or queen of England got involved or started many wars throughout the past centuries the young men from Scotland were sent abroad to fight for England in wars that meant absolutely nothing to them.
I suppose you could call it an anti war song or even a love song, while the king or queen of England got involved or started many wars throughout the past centuries the young men from Scotland were sent abroad to fight for England in wars that meant absolutely nothing to them.
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Chorus
My (Em)love's in Germanie, send him (G)hame, send him (D)hame My (Em)love's in Germanie, send him hame My (G)love's in Germanie, fighting (D)brave for royalty He may (Em)ne'er his Jeannie see, send him (G)hame, send him (D)hame He may (Em)ne'er his Jeannie see, send him hame. He's as (Em)brave as brave can be, send him (G)hame, send him (D)hame He's as(Em)brave as brave can be, send him hame He's as (G)brave as brave can be, he would (D)rather fa' than flee But his (Em)life’s sae dear to me, send him (G)hame, send him (D)hame For his (Em)life’s sae dear to me, send him hame. Chorus Our (Em)foes are ten tae three, send him (G)hame, send him (D)hame Our (Em)foes are ten tae three, send him hame Our (G)foes are ten tae three, he would (D)rather fa' than flee But his (Em)life’s sae dear to me, send him (G)hame, send him (D)hame For his (Em)life’s sae dear to me, send him hame. Chorus twice He'll (Em)ne'er come o’er the sea, Wullie's (G)slain, Wullie's (D)slain He'll (Em)ne'er come o’er the sea, Wullie's slain He may (G)ne'er come o'er the sea, tae his (D)love and ain countrie This (Em)life's nae mair for me, Wullie's (G)slain, Wullie's (D)slain This (Em)life's nae mair for me, Wullie's slain. Chorus Bridge: Em-Em-Em-Em D-D-D-D Em-Em-Em-Em D-D-Em-Em (3x) Chorus Repeat Bridge two times |
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Silly Wizard is a Scottish folk band that emerged in the early 1970s and quickly became one of the most influential groups in the traditional music scene. The band’s unique blend of traditional Scottish music and contemporary folk elements, coupled with their energetic live performances and charismatic personalities, captured the hearts of audiences all over the world.
Formed in Edinburgh, Scotland, in 1971, Silly Wizard was made up of five talented musicians – Johnny Cunningham, Phil Cunningham, Martin Hadden, Andy M. Stewart, and Gordon Jones. The band’s name was inspired by a book of children's poetry by Ivor Cutler, and their playful and whimsical approach to music-making was evident from the start.
Silly Wizard’s music was deeply rooted in the traditional Scottish music of their homeland, but they also incorporated elements of other Celtic styles, such as Irish and Breton, into their sound. Their repertoire consisted of a mix of instrumental tunes and songs, with the majority of the songs being traditional Scottish ballads and songs written by the band members themselves.
One of the defining features of Silly Wizard’s music was their use of multiple instruments, including fiddle, accordion, guitar, flute, and bodhrán. Each member of the band was a skilled musician, and their seamless blend of instruments created a rich and dynamic sound that was both traditional and modern at the same time.
The band’s first album, “Silly Wizard,” was released in 1976 and received critical acclaim for its fresh and innovative take on traditional Scottish music. This was followed by a string of successful albums, including “Caledonia’s Hardy Sons” (1978), “So Many Partings” (1980), and “Wild and Beautiful” (1981). These albums established Silly Wizard as a leading force in the traditional music revival of the 1970s and 1980s.
However, it was their live performances that truly set Silly Wizard apart from other folk bands of the time. The band was known for their high-energy shows, with each member bringing their unique personality and stage presence to the performance. Johnny Cunningham, with his wild and energetic fiddle playing, was the showman of the group, while frontman Andy M. Stewart’s powerful vocals and wit engaged the audience. The band’s chemistry and camaraderie on stage were infectious, and their live shows were always a highlight for fans.
Silly Wizard’s success was not limited to their home country of Scotland. They gained a strong following in North America, with their tours drawing large crowds and earning them a reputation as one of the top folk bands in the world. They also performed at major music festivals, such as the Cambridge Folk Festival, the Philadelphia Folk Festival, and the Winnipeg Folk Festival, further solidifying their international appeal.
Despite their success, Silly Wizard faced several challenges throughout their career. In 1983, Johnny Cunningham left the band to pursue a solo career, and was replaced by Bob Thomas. This change in the lineup brought a new dynamic to the band’s sound, but some fans felt the absence of Cunningham’s fiddle playing. The band also faced financial struggles and had to disband in 1988 due to mounting debts.
However, Silly Wizard’s legacy lives on through their music, which continues to inspire and influence musicians today. The band’s impact on the traditional music scene cannot be overstated, as they paved the way for future generations of folk musicians to explore and push the boundaries of traditional music.
In conclusion, Silly Wizard was a band that combined talent, innovation, and a deep love for their Scottish heritage to create a unique and enduring contribution to the world of traditional music. Their legacy lives on through their recordings and the many musicians they have influenced, and their name remains synonymous with the best of Scottish folk music.
Formed in Edinburgh, Scotland, in 1971, Silly Wizard was made up of five talented musicians – Johnny Cunningham, Phil Cunningham, Martin Hadden, Andy M. Stewart, and Gordon Jones. The band’s name was inspired by a book of children's poetry by Ivor Cutler, and their playful and whimsical approach to music-making was evident from the start.
Silly Wizard’s music was deeply rooted in the traditional Scottish music of their homeland, but they also incorporated elements of other Celtic styles, such as Irish and Breton, into their sound. Their repertoire consisted of a mix of instrumental tunes and songs, with the majority of the songs being traditional Scottish ballads and songs written by the band members themselves.
One of the defining features of Silly Wizard’s music was their use of multiple instruments, including fiddle, accordion, guitar, flute, and bodhrán. Each member of the band was a skilled musician, and their seamless blend of instruments created a rich and dynamic sound that was both traditional and modern at the same time.
The band’s first album, “Silly Wizard,” was released in 1976 and received critical acclaim for its fresh and innovative take on traditional Scottish music. This was followed by a string of successful albums, including “Caledonia’s Hardy Sons” (1978), “So Many Partings” (1980), and “Wild and Beautiful” (1981). These albums established Silly Wizard as a leading force in the traditional music revival of the 1970s and 1980s.
However, it was their live performances that truly set Silly Wizard apart from other folk bands of the time. The band was known for their high-energy shows, with each member bringing their unique personality and stage presence to the performance. Johnny Cunningham, with his wild and energetic fiddle playing, was the showman of the group, while frontman Andy M. Stewart’s powerful vocals and wit engaged the audience. The band’s chemistry and camaraderie on stage were infectious, and their live shows were always a highlight for fans.
Silly Wizard’s success was not limited to their home country of Scotland. They gained a strong following in North America, with their tours drawing large crowds and earning them a reputation as one of the top folk bands in the world. They also performed at major music festivals, such as the Cambridge Folk Festival, the Philadelphia Folk Festival, and the Winnipeg Folk Festival, further solidifying their international appeal.
Despite their success, Silly Wizard faced several challenges throughout their career. In 1983, Johnny Cunningham left the band to pursue a solo career, and was replaced by Bob Thomas. This change in the lineup brought a new dynamic to the band’s sound, but some fans felt the absence of Cunningham’s fiddle playing. The band also faced financial struggles and had to disband in 1988 due to mounting debts.
However, Silly Wizard’s legacy lives on through their music, which continues to inspire and influence musicians today. The band’s impact on the traditional music scene cannot be overstated, as they paved the way for future generations of folk musicians to explore and push the boundaries of traditional music.
In conclusion, Silly Wizard was a band that combined talent, innovation, and a deep love for their Scottish heritage to create a unique and enduring contribution to the world of traditional music. Their legacy lives on through their recordings and the many musicians they have influenced, and their name remains synonymous with the best of Scottish folk music.
Silly Wizzard song My Love's In Germany
