All Of The Hard Days Are Gone Lyrics And Guitar Chords
Kevin McKrell Thorntree Music BMI. Has been recorded by The Kingston Trio-Hair of the Dog-Seamus Kennedy-North Sea Gas-Woods Tea Company to name a few name bands. It has been recorded by a ton of folks who think it is a trad folk tune, so I see it quite a bit on CD's attributed to Trad.The folk process at work. Sent to the site by Kevin McKrell.
[G]All of the hard [D]days are [G]gone
it’s[C] all beer and whiskey and [G]songs from now on
[D]Laugh at the darkness and [Em]dance until dawn
[C]All of the [D]hard days are [G]gone .
We’re all safe and warm here my friends
The dard days are gone they won’t come again
So raise up your voices ,give us a song
All of the hard days are gone.
Life has been cloudy and grey
Take the bad memories and put them away
For the sun has come out ,we have waited so long
All of the hard days are gone
So Raise up your glasses and sing
For the hard days are gone
they don’t mean a thing
If you want to be happy I will take you along
All of the hard days are gone
it’s[C] all beer and whiskey and [G]songs from now on
[D]Laugh at the darkness and [Em]dance until dawn
[C]All of the [D]hard days are [G]gone .
We’re all safe and warm here my friends
The dard days are gone they won’t come again
So raise up your voices ,give us a song
All of the hard days are gone.
Life has been cloudy and grey
Take the bad memories and put them away
For the sun has come out ,we have waited so long
All of the hard days are gone
So Raise up your glasses and sing
For the hard days are gone
they don’t mean a thing
If you want to be happy I will take you along
All of the hard days are gone
The Kingston Trio is an iconic American folk music band that rose to fame during the mid-1950s and played a significant role in shaping the folk music revival of the 1960s and beyond. Formed in 1957 in San Francisco, the band consisted of three members – Dave Guard, Bob Shane, and Nick Reynolds – who brought their unique blend of traditional folk songs, original compositions, and lively performances to the mainstream music scene. Over five decades later, the Kingston Trio continues to be one of the most influential bands in American music history, with a legacy that has inspired generations of musicians and fans.
The origins of the Kingston Trio can be traced back to the late 1940s when Dave Guard and Bob Shane met at the prestigious Menlo School in California. Both of them shared a passion for music and formed a close friendship based on their mutual love for traditional folk songs. They started performing together in college, and after graduation, they traveled to Hawaii, where they met Nick Reynolds, who was also a talented musician and shared their love for folk music. The three of them became fast friends and decided to form a band, initially calling themselves 'The Kingston Quartet' before settling on the name 'The Kingston Trio.'
The Kingston Trio's big break came in 1957 when they were discovered by Frank Werber, a talent manager who saw their potential and helped them get a record deal with Capitol Records. Their debut album, simply titled 'The Kingston Trio,' was released in 1958 and became an instant success, selling over a million copies in its first year. The album featured their signature song 'Tom Dooley,' a traditional folk song that they had rearranged and re-recorded in a more upbeat and catchy style. 'Tom Dooley' became a chart-topping hit and earned the band their first Grammy Award for Best Country & Western Performance.
With the success of their debut album, the Kingston Trio became one of the first acts to bring folk music to the mainstream. They were a refreshing alternative to the popular rock and roll music of the time, with their stripped-down acoustic sound and authentic storytelling lyrics. They also had a unique stage presence, with each member playing an instrument (Shane on guitar, Guard on banjo, and Reynolds on bongos) and performing in a semi-circle, encouraging audience participation and sing-alongs. This would become a trademark of their live performances and set them apart from other folk bands.
The Kingston Trio released a string of successful albums throughout the 1960s, including 'From the Hungry I' and 'Sold Out.' They also had several hit singles, such as 'M.T.A.' and 'Where Have All the Flowers Gone?', both of which were protest songs that captured the political and social climate of the time. The band's popularity soared, and they sold out concerts and appeared on popular TV shows, cementing their status as folk music icons. They also became known for introducing and popularizing songs from other folk artists, such as '500 Miles' by Hedy West and 'Blowin' in the Wind' by Bob Dylan.
Apart from their success in the music industry, the Kingston Trio also had a significant impact on American culture and society. They were at the forefront of the folk music revival, which saw a resurgence of interest in traditional and socially conscious music. Their songs often reflected the issues and concerns of the time, such as civil rights, war, and environmentalism, and they were embraced by the counterculture movement of the 1960s. The band's influence can also be seen in the many artists they have inspired, including Peter, Paul and Mary, The Beach Boys, The Byrds, and even The Beatles.
Despite their immense success, the Kingston Trio faced challenges and changes in the late 1960s. Dave Guard left the band in 1961, and John Stewart replaced him, bringing a more contemporary sound to their music. The band also faced criticism for being too commercial and straying from their traditional folk roots. However, they continued to release albums and tour throughout the 1970s and 1980s, with various line-up changes. In 1981, the original members reunited for a tour to celebrate the 25th anniversary of the band's formation. This tour was a huge success and led to more reunion concerts and recordings over the years.
Today, the Kingston Trio continues to tour and perform, with Bob Shane being the only original member remaining. They have released over 50 albums and have received numerous accolades and awards, including induction into the Vocal Group Hall of Fame and the Grammy Lifetime Achievement Award. The band's legacy lives on, with their music still being celebrated and enjoyed by fans of all ages. Their contribution to the folk music genre and American music as a whole is immeasurable, and their influence continues to inspire new generations of musicians.
In conclusion, the Kingston Trio is a band that has left an indelible mark on American music history. From their humble beginnings in San Francisco to their rise to fame and continued success, they have captured the hearts of audiences worldwide with their unique blend of traditional folk music and modern sensibilities. Their songs and performances have stood the test of time and continue to resonate with people, making the Kingston Trio a timeless and beloved band that will always hold a special place in the hearts of music lovers.
The origins of the Kingston Trio can be traced back to the late 1940s when Dave Guard and Bob Shane met at the prestigious Menlo School in California. Both of them shared a passion for music and formed a close friendship based on their mutual love for traditional folk songs. They started performing together in college, and after graduation, they traveled to Hawaii, where they met Nick Reynolds, who was also a talented musician and shared their love for folk music. The three of them became fast friends and decided to form a band, initially calling themselves 'The Kingston Quartet' before settling on the name 'The Kingston Trio.'
The Kingston Trio's big break came in 1957 when they were discovered by Frank Werber, a talent manager who saw their potential and helped them get a record deal with Capitol Records. Their debut album, simply titled 'The Kingston Trio,' was released in 1958 and became an instant success, selling over a million copies in its first year. The album featured their signature song 'Tom Dooley,' a traditional folk song that they had rearranged and re-recorded in a more upbeat and catchy style. 'Tom Dooley' became a chart-topping hit and earned the band their first Grammy Award for Best Country & Western Performance.
With the success of their debut album, the Kingston Trio became one of the first acts to bring folk music to the mainstream. They were a refreshing alternative to the popular rock and roll music of the time, with their stripped-down acoustic sound and authentic storytelling lyrics. They also had a unique stage presence, with each member playing an instrument (Shane on guitar, Guard on banjo, and Reynolds on bongos) and performing in a semi-circle, encouraging audience participation and sing-alongs. This would become a trademark of their live performances and set them apart from other folk bands.
The Kingston Trio released a string of successful albums throughout the 1960s, including 'From the Hungry I' and 'Sold Out.' They also had several hit singles, such as 'M.T.A.' and 'Where Have All the Flowers Gone?', both of which were protest songs that captured the political and social climate of the time. The band's popularity soared, and they sold out concerts and appeared on popular TV shows, cementing their status as folk music icons. They also became known for introducing and popularizing songs from other folk artists, such as '500 Miles' by Hedy West and 'Blowin' in the Wind' by Bob Dylan.
Apart from their success in the music industry, the Kingston Trio also had a significant impact on American culture and society. They were at the forefront of the folk music revival, which saw a resurgence of interest in traditional and socially conscious music. Their songs often reflected the issues and concerns of the time, such as civil rights, war, and environmentalism, and they were embraced by the counterculture movement of the 1960s. The band's influence can also be seen in the many artists they have inspired, including Peter, Paul and Mary, The Beach Boys, The Byrds, and even The Beatles.
Despite their immense success, the Kingston Trio faced challenges and changes in the late 1960s. Dave Guard left the band in 1961, and John Stewart replaced him, bringing a more contemporary sound to their music. The band also faced criticism for being too commercial and straying from their traditional folk roots. However, they continued to release albums and tour throughout the 1970s and 1980s, with various line-up changes. In 1981, the original members reunited for a tour to celebrate the 25th anniversary of the band's formation. This tour was a huge success and led to more reunion concerts and recordings over the years.
Today, the Kingston Trio continues to tour and perform, with Bob Shane being the only original member remaining. They have released over 50 albums and have received numerous accolades and awards, including induction into the Vocal Group Hall of Fame and the Grammy Lifetime Achievement Award. The band's legacy lives on, with their music still being celebrated and enjoyed by fans of all ages. Their contribution to the folk music genre and American music as a whole is immeasurable, and their influence continues to inspire new generations of musicians.
In conclusion, the Kingston Trio is a band that has left an indelible mark on American music history. From their humble beginnings in San Francisco to their rise to fame and continued success, they have captured the hearts of audiences worldwide with their unique blend of traditional folk music and modern sensibilities. Their songs and performances have stood the test of time and continue to resonate with people, making the Kingston Trio a timeless and beloved band that will always hold a special place in the hearts of music lovers.
The Kingston Trio song ''All Of The Hard Days Are Gone''.
While the lightning-fast pace of life in the swinging yet turbulent 1960s resulted in nearly as many musical movements as sociopolitical ones, few proved as influential, or as far-reaching, as the folk music revival. Combining a new generation's interest in traditional American country and blues with a refreshing sense of self-discovery, the folk movement led to an atmosphere in which both the old and the new were vibrantly celebrated.
A good example is the Kingston Trio, the San Francisco group credited with igniting the commercial fuse of the folk revival with its string of hits during the late '50s and early '60s. The repertoire of guitarists Bob Shane and Nick Reynolds and banjoist Dave Guard (and John Stewart, who replaced Guard in 1961) featured adaptations of numerous songs from earlier times, several of which were gleaned from the catalog of country music's legendary Carter Family. The Kingston Trio's 1959 hit A Worried Man was a reworking of the Carters' 1930 recording Worried Man Blues, while '63's The Reverend Mr. Black featured a chorus taken from Lonesome Valley, another Carter Family classic from the Depression era.
By the early '60s, the folk craze that the Kingston Trio had helped launch was in full flower, drawing all manner of performers. Nineteen sixty-one saw the birth of the New Christy Minstrels. Named after the famed Christy's Minstrels troupe of the mid-1800s, the group at times included nearly a dozen musicians. Its 1963 hit Saturday Night was written by founder Randy Sparks and featured vocals from Barry McGuire, who would go on to succeed as a solo artist with the 1965 protest classic Eve of Destruction.
The Chad Mitchell Trio came into existence in the late '50s when three chums at Spokane, Washington's Gonzaga University-Chad Mitchell, Mike Kobluk and Mike Pugh-caught the folk music bug and decided to form a group. During the trio's heyday, Mitchell, Kobluk and Joe Frazier (who replaced Pugh in 1960) introduced many a folk standard, including Ewan McColl's First Time Ever I Saw Your Face, known to audiences of the '70s via the hit version by Roberta Flack. In its early days the trio was backed by 12-string guitarist Jim (a.k.a. Roger) McGuinn, who would go on to become the leader of folk-rock giants the Byrds (heard here on their 1967 cover of Bob Dylan's My Back Pages); and when lead vocalist Mitchell retired from performing in 1965, he was replaced by a young folk hopeful named John Denver.
Speaking of artists getting their start, while Carly Simon had become a world-famous singer- songwriter by the early '70s, this New Yorker's career had begun in the early '60s, when she and her older sibling Lucy performed as the folk-singing Simon Sisters. Their most noted recording was 1964's Winkin', Blinkin' and Nod, an adaptation of the popular children's poem.
The folk scene even spawned a comedy act, in the form of the Smothers Brothers. Sons of an army officer who died on a Japanese prison ship during World War II, guitarist Tom and bassist Dick began performing together while attending high school in Southern California in the mid-'50s. Their stock-in-trade was poking gentle fun at the traditional music they played, as is evident in their hilarious take on the well-worn marching song Pretoria.
One group that provided an interesting link to earlier folk music was the Rooftop Singers, heard here on their
spirited 1963 rendition of the old country barn burner Mama Don't Allow. The trio was led by multi-instrumentalist Erik Darling, formerly of the Tarriers (of 1957's Banana Boat Song fame) and the fabled Weavers (he'd replaced the venerable Pete Seeger in 1958). Darling's Rooftop mates muitoriet Bill S..
Perhaps the most unlikely star of the folk movement was the Belgian singer and guitarist born Janine Deckers, who the world came to know as Soeur Sourire ("Sister Smile"), or the Singing Nun. While her songs were originally intended for use solely by her convent for youth retreats, word of her captivating music eventually led to a formal recording session-and to the international success of Dominique, the Sister's tribute to the founder of the Dominican order.
Further adding to the international flavor of the folk mélange were several U.K. groups who scored memorable hits in the mid-'60s. Fronted by lead singer Judith Durham, the Seekers got started in their native Melbourne, Australia, but their career really took off
Roger Miller
when they moved to London in 1964 and began working with Tom Springfield, brother and former singing partner of superstar Dusty Springfield. Tom helped write and arrange many of the Seekers' hits, including 1967's Georgy Girl, the theme song to the popular British movie. Good connections were also a primary reason for the success, albeit short-lived, of the Silkie, a quartet formed by students at England's Hull University. Lead vocalist Sylvia Tatler and her colleagues were discovered by Beatles manager Brian Epstein, who not only secured them a record deal but got several members of the Fab Four to help them on their 1965 rendition of You've Got to Hide Your Love Away. The magic rubbed off, to the tune of the Silkie's lone chart hit. Folk diva Judy Collins, too, recorded a Lennon and McCartney composition, giving a touching reading to In My Life in 1967.
An important aspect of the folk movement was its link to country music. For proof of this kinship one need look no further than the country stars whose path to fame began on the folk or folk-pop route in the '60s. Glen Campbell had long been one of the most sought-after session guitarists in Los Angeles before his 1965 version of Native American songstress Buffy Sainte- Marie's haunting protest tune Universal Soldier gave him his first-ever top-50 hit. Time was The title track of the 1966 debut album by Texas's Pozo-Seco Singers, a trio led by Don Williams, the talented singer-songwriter who went on to become a major country star in the 70s and '80s. And Ruby, Don't Take Your Love to Town, written by country legend Mel Tillis, was one of the earliest hits for Kenny Rogers, at the time the bassist and front man for the Folk-rock group the First Edition.
The folk years saw a tremendous merging of musical types and approaches. Under the vide span of the '60s folk umbrella, songs as breezy as Roger Miller's
King of the Road or Arlo Guthrie's Motorcycle Song and as intense as Tim Hardin's Reason to Believe or Janis lan's Society's Child (Baby I've Been Thinking) shared
common ground effortlessly and unselfconciously. In so doing, they expanded the possibilities and widened the horizons of artists and listeners like. In music-not to mention life-that's always good thing.
-Billy Altman
