Jesus Loves The Little Children Sheet Music And Tin Whistle Notes. The first tab is for you D whistle and the second is for you C.
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Derek Ryan does an interview with Gerry Byrne of Irishradio.org
Online now of course one of Ireland's most successful and talented, not alone is he a singer and entertainer and performer but also an established songwriter. Not alone writing songs for himself, he's also writing songs for other people, and great to speak to him and catch up once again Derek Ryan how are you Derek ? not too bad. A real pleasure Derek a real pleasure. You saw the same as the rest you're in lockdown on all the rest of us, yeah in lockdown like everybody else unfortunately, see our last weeks were over in the U.K. we did a weekend there we did Birmingham and different places and that was actually our last o gig we've been pretty much in lockdown since then and just goes keep myself occupied looking if I can work from home I can I'm writing and producing demos and different things Working on my album as well, so you know it's okay to do a lot of things from home just unfortunate. Yes well that is one thing about it a possibly in this situation it can take out a slightly more creative side, particularly for somebody like yourself who has you know was a very very talented songwriter. I mean you've written a huge amount of material. Yeah I mean in my publishing company, I recently set up with my record company we hit a hundred songs actually we had 100 so between my my albums and other people thousands you know in the last few years. A hundred songs out there so yeah it's fantastic and I'm still writing the waves and different projects coming up with Foster And Allen and Philomena Begley Olivia Douglas Owen Mac different songs so a lot of work going on behind the scenes you know. And that's part of what I enjoy as well you know. Obviously we all love the gigs but it's nice to have the creative side as well I think you know and yet they're always trying to be at the forefront of creative music you know. Indeed and certainly you've done that. I mean you've pushed the boat out but not too far in taking songs which you know that you have been totally are not really different like ''hold on to your hats'' down on your uppers etc etc. I mean they're completely and totally different styles of songs than you know that nothing to have ever been recorded or created before. Yeah I suppose you know what every artist kind of well I suppose it should be kind of, yet you're into and sound different you know if you come out and you do what everyone else is doing and suppose in a way you're just kind of joining the gang really but you know you have to I think you have to make a name for yourself and make a stamp. I put a stamp on the under genre you know. So that was my name right from the start be quite honest to do something different and as you say not too different that it's going to alienate any audience is renting it out here just have your own sound and I'd like to think between myself and my producer John no-one's we've created that sound and thankfully you know if a song comes on the radio a lot of times people will know that it's mine by the production and the type of sound it is. You know, so that's kind of what he aim for you know. Indeed yes, and it's been very much so in particular stars I mean they you know that they even you've done things with other songs which have never ever been done before like, ''Won't you come down to Yarmouth Town'' The raggle taggle gypsy-o the old songs but you managed to actually make them your own. Yeah I here a song and I remember a song maybe from when you know I was younger I would have heard. We had a lot of cassettes and CDs. Everything from all you know Irish country artists Irish folk artists and at home you know so I grew up listening to all that kind of stuff and the songs, the kind of stuck with me and the two that you you mentioned actually would be with you that stuck with me. Also Patsy Fagan, a song my dad would have sang many years ago and that I recorded that as well. So you know, it's not all suppose about you know, originals, that it's about a healthy mix really and uneven you know, there could be life in an old song. But if it's done on the different way or whatever you can make it your own. So you know, it's kind of finding that balance I suppose, and what works you know. That's the way it is you know. Indeed, well sir, certainly, how's work ? I mean I know like you are no search for your own material you're huge successes you've had, I mean ''life is a river'' A Mother's Son, going back in time etc etcetera. I mean, there's just so many of them and I just thought I'd mention those couple because they are sort of old gems from many moons ago, and you've managed to make them your own do you get particularly like in the current situation you're in you are in, trying to sort of pick up the guitar and and write and get ideas and try and be creative on a continual basis, yeah I always have been you know. And then I kind of do conceive a friend of mine and recently I said I kind of was always kind of self isolated you know it's as an actor when you're writing you know you're do lock yourself away quite a lot and you're kind of you know, you're thinking about things and you tend to be deep characters you know any song like that I know and so yeah it hasn't been most different but it gives us time. I haven't really met a singer yet it's been complaining too much about being off, you know. I think because we tour so heavily in the Irish conscious thing you know it's been eight years non-stop gigging for me. The itchy feet to get on stage again, exactly yeah. I love travelling as well. So that's one thing I miss and the gigs, in different places every night, and and you know the pose of the stage I just suppose but look at everything you know everything we're on the same boat you know so it's just a thing that everyone has to adapt and everyone is adapting and we're just gettin' on with it and you know hopefully it won't it won't last long. With other singers, do you keep in contact, see with your own band and people like that as you're off yeah of course we're doing I'm doing a series of duets online and if anybody wants to check them out they're on my my facebook derekRyanMusic and Instagram. And the first one I did last week, Cliona Hagen and would have been acoustic duet so you know online and it's great it's great craic, I'm doing one with two at least in the queue as well and different people and it's like that so and you know technology is vital, now you know and it's vital. I suppose keep in touch with other people in the business but also keep in touch with the people who support your music you know that would have come to dances and concerts and listen to your music so you know we're gonna face but like but you know all that kind of stuff and you know so it had a say it's just everyone has to adapt and I really enjoyed my facebook live asked me because it brought me back to my folk days when I was gigging for you know in London so we all have to adapt. It takes you back to the days of just yourself and the guitar in a pub and it's a that there's something possibly homely about something like that. Yeah I think there's something very organic about it as well you know. There's no frills you know, it's just me and the guitar no fancy stuff, no fancy effects or anything like that. And people are asking for songs and you know you do requests and all that, so yeah it definitely brings you back that they the days of the the gigs and the request and you know what ? that's for you that's where you learn your craft you know. I've been doing it for years so please and you know it's kind of funny reminder of what I used to do and I really enjoyed it. I'm gonna do a similar actually you know it looks like we're in it for the long haul unforeseen so it'll be a lot more faithful plays and different things you know. Indeed well of course you grew up I mean in there steeped in entertainment with your dad and since Andy give hope your brother was involved in entertainment as well. Yeah I mean he does a very successful one-man show and for salsa dancing and he's flat-out he's all over the country and the U.K. as well actually, and daddy it was one half of cupola unfortunately. Richie Kelly the accordion player passed away and not so long ago and there was a great great musician and a great friend of all families as well for many years so it was a sad loss with Richie. Richie passed away and so yeah we would have brought up you know as I mentioned earlier surrounded by Irish music really Irish is because Irish traditional music and you know so it no surprise any one that notices were all kind of involved in in one way or another you know. Indeed, and as you mentioned by Richie Kelly he was a incredibly well-known musician and to entertain or together with your dad for from many many moons you know used with that for I think it was as long as I'm around it's in 36 years or something that's the week while I was you know we always I always remember it since it since I can remember really you know and I'm fond memories of him and dad playing and but just a great great friend of ours as well you know and but as you say a phenomenal musician and I'm recording there and they could be if he if he greatly missed around the Ryan family. Indeed, Derek lovely to catch up with you and I wish you all the success in the world with with your creativity and also your Facebook live and all of that work and so I look forward as you say it is the long haul. [ Derek Ryan Songs ] Interview on Irishradio.org with Seamus Moore
I have spoken too many singers entertainers and people involved in music and the people who are involved in entertaining us throughout the year and to online. Now I've got a gentleman who is incredibly well-known in London right across the U.K. not alone. But in Ireland he's performed in both places plus numerous others as well. A gentleman affectionately known as the JCB man. I'm delighted to say a big hello Seamus Moore. How are you Gerry I'm alive and kicking, fair play well, that's a good start as they say. Your yo staying safe and all the rest of, your cocooning. Yes that's a great word, it really is, it good and you are at it normally Seamus you to you kick-off in normally around sort of June or early July. You do an extensive summer tour right through into September and Ireland. Normally we do around 70 nights. We start off with Pat Hayes is a week down in Bournemouth, then we head for Ireland and we get in a lot of the festivals and we end up at the Ploughing Championships, and then we head for my self-esteem normally head for day in the Sun but dick and arrow need a mat normally be our our summer but it looks like it's not going to happen this year, as far as I can go I can see you know. It doesn't look like like it's an incredible amount of dates I mean. You're out practically every night on the trot and I mean I've seen your list of dates that are astounding. You're actually in two different places, yeah most of the tours just every year we do with July, September and I've been doing for the last 32 years and it just seems to get better and better every year. But unfortunately were won't be doing it this year. but we'll try and make up for next year. But yeah it's it's great and I look forward to it every year use it as a kind of a bit of a holiday as well and get to see lots of places I wouldn't normally go like the stone barn and places like that you know, and but yeah it was great. But it's a heavy schedule, now I wouldn't be like up in Donegal one show and down in West Cork the next night or and like that if I'm in Donegal every day for a couple nights. I play like you know plus a few extra ones every year you know, almost yeah it was always great. You're busy, you recorded a single you've drive a single there which went very very, was the song written by Peter Burke she only wants to dance, yeah, and he said I have a song that might suit you like, he said and I had a listen to it and I thought was really good because I had a song off before that the one I had up before that was the thing that was called ''The mighty man from Mayo'' yes it went very well for me and this one was kind of to do with the same was kind of a Mayo song as well, I'd rather be on tour and trying to give it a bit of an annex I had a video out of it as well and it went fairly well as well. Your earlier material has been re-released as a period of time there wasn't available such been re-released on on the Irish music label. Yes my older stuff, it seems to be a very popular rather than some of the newer stuff, you know the older stuff seems to be requested all the time you know like The Winning Dream, and The JCB Song, The Transit Van and yes that's heavy stuff you know. That's how they're always I was indeed yes yes incredibly popular and I mean they I think that you know the JCB song will never die it's just one of those all the time it really is a classic song. I know it's amazing it's amazing my mom has been probably lucky, would since the JCB song came out and then had the transit van and the winning dream and Mary Ann, and I was going to be very lucky with her, with an old song because songs only tend to last for maybe a short time. But my songs seemed to never die, like yes almost being a question like you know and I'd like to have something new around every year special going on to like because he there a bit of a lift as well you know and it keeps the auld name there as well you know. Oh yes definitely, but they know you have you know was it luck I think you in many respects as an artist I think you make your own luck, because I mean the songs that you've out like I mean unforgettable many of them have unforgettable tracks like My Little Honda Fifty, absolutely huge yeah that kind of gave me a new lease of life as well, journey you know I was very lucky with that song and it gives me a bit of a buzz as especially when I see people enjoying it like it gives me a real buzz all together you know. And that's why I put something at least once a year anywhere something different you know. Indeed and more recently you've been running the Monahans in Wood Green obviously shows now but I was up there for the last twelve months and in Mullins were green but not really a big music house there was more of a drinking, I was not really a big but I used to have music the weekends and I've had it clearly there and the Davits and a couple but not really a big music house but you know we would have music there, probably of a Saturday night. An Irish band like a local Irish band but yeah, I was it was okay like just to keep me hand in and just for something to do, with is all I thought I was doing before you know rice rice and yes yes you're you you don't strike me as the sort of guy that would get bored you'd always get something to do. Someplace along the way, I don't know, this is the first time I mean I even haven't been rushing to Deardon everywhere. I'm just out walking the dog mostly, is like you know and that's that's basically it like so and I'm itching to get going again whenever that's going to be like yes as the title of the album was mad to go again. Yeah Matt was really, a does that's back a few year ago no that was reading I was a pretty popular album too and it was yeah. I've had over twenty sing at twenty a CD thousand ten DVDs you know I've been pretty lucky but now it is Jerry you couldn't give away a CD you know that's kind that's where it's gone you know at all and I download them after you know yeah those waste of time doing CDs now. Like we said you never never get your money back on them. Yes I would sell a lot of stuff at that and look at the lecture that tell them or show or concert or the flower you'd sell a bit of stuff for them kind of things all right perception that you idiot not only yes it's a no mainly the the CDs as your re-release on that label of your your earlier material. It's a package deal of a couple of DVD a couple of you know CDs say that three CDs a DVD in together this type of thing. I think it's three CDs in that's right our music guests are music talk okay yeah they've is their copyright up here's the rights of the the under fifty DVD anyway oh that's right yes yes launder which it was a DVD one two went extremely well but she must listen it's lovely to catch up with you and at least at least you you you're out walking with the dog I mean where you're getting some exercise you know and thank you for having me on and like I say to all your listeners there it is it for everybody to stay safe and I'm sure we'll be will have it will be having some who do and this is all over indeed indeed I'm looking forward to the party already whenever it may be whatever yep yeah she was listen take care great to talk to you.
I'm dreaming of you, true and through
over and over what can I do she's here beside me when I know your blue We stick together, but I dream of you. Oh I know you told me not to call You said never, no never at all But I thought I'd write this letter Just to ask you how you've been Tell me darling are you smiling Like you were in my dreams Chorus: I'm dreaming of you, true and through over and over what can I do she's here beside me when I know your blue We stick together, but I dream of you. I found another, they say we're good together, But she's so pretty''''''''''''''' or two '' '' '' We sleep together but I dream of you I'm dreaming of you, true and through over and over what can I do she's here beside me when I know your blue We stick together, but I dream of you.
Here's the guitar chords in G Major. Jack Keogh sings Dreaming Of You in the key of F# which is not the chords most people would use, So I have changed the chords to a more simple version in the key of G Major.
Regarding the missing lyrics ? Well, I just couldn't understand some of the words. [G]I'm dreaming of you, true and [C]through over and [G]over what can I [D]do she's here be[G]side me when I know your[C] blue We stick to[Em]gether, [D]but I dream of [G]you. [G]Oh I know you told me not to call You said [C]never, no never at [G]all,,[D] But I thought I'd write this [G]letter Just to ask you how you've [C]been Tell me [G]darling are you [Em]smiling Like [D]you were in my [G]dreams Chorus: I'm [G]dreaming of you, true and [C]through over and [G]over what can I [D]do she's here be[G]side me when I know your [C]blue We stick to[Em]gether, [D]but I dream of [G]you. [G]I found another, they say we're good together, But she's so [C]pretty''''''''''''''' or [D]two ''[G] '' '' We [Em]sleep together [D]but I dream of [G]you I'm dreaming of you, true and through over and over what can I do she's here beside me when I know your blue We stick together, but I dream of you. MoreIrish Country Songs With Chords
Interview Jack Keogh done on Irish music Radio.
I'm Jerry Byrne I've been speaking to many of the great and the good on the talent in Irish music now I've got a young gentleman, when I say young, I mean young .He is from Country Wicklow he's just 16 years old and he's recorded professionally his very very first single. I'm delighted to say hello to jack Keogh. Jack how are you ? not bad at all. Jack listen, you're certainly starting out at a youthful age in recording. Yes and it's actually a very professional recording you did with Wayne Thorose. Yeah you know the doctor was coming it was probably last march and we've got to record I'm Dreaming Of You and you would pay to record it right ? where did you get that particular song from and ? Well I'm a big fan of Patrick Feeney he's a great singer and then I heard on youtube one night and said I'd love to record it. Right well done yes indeed Patrick Feeney was, I believe the only artist actually to record that particular song. From what I'm aware of. Anyhow tell me this, have you been interested in Irish music and country music for a long time ? Yes, I always loved Irish country songs, and my granny was, I used to listen to it when I was young and from there i always picked it up and used to know the sounds that's excellent that is excellent so obviously Patrick Feeney has been a major influence on you ? Yes I know, I went to a few of his gigs and all and taught him great you know and I love his songs as well. Right, have you done any public appearances as yet ? I don't know, I've never really done any public appearances here I thank the local hall in Ireland all right okay well done. Were you nervous in doing the first recording ? I mean was it something that sort of you know that you didn't sleep too well the night before, were you okay yeah it was something new to me like you know I wasn't used before. I want to go into the studio you know, where they're all felt grand you know they go home yeah, I think the producer and you know has a lot to do with it you know, and how they sort of make you feel relaxed and you don't walk with you on us yeah yeah that's great yeah rain and swing indeed indeed so and have you seen many of, who else would be an influence on your music as well as Patrick Feeney ? Well I listened to a lot of other singers you know but yes, probably Patrick Feeney and Mike Denver and Michael English right right indeed. I must say you know, Ireland has a huge amount of incredible talent in singing, you know so it's just for a small country. It's got an incredible amount of talent. Yes totally sure it's great right now. you're doing all of this, you released, you're lucky in that you managed to record this before the lockdown last March Yes it was only two weeks later when we were in lockdown after I recorded it. Excellent stuff, and were sorry you probably intended to release the song earlier but with the whole lockdown and everything else he sort of held on, I assume it was hard now to know I should be locked down now, indeed. I did so well you've got the the other complication I mean you're going to school you're doing your leaving cert next year you're currently studying at home I assume ? Yes I'm doing the online classes at home, and you know, it's it's grounded away you know because you can find time to practice music you know the studying at home. Do you find it easier or more difficult than it is if you're actually in class ? sometimes there's some parts are a little bit harder. Well it keeps you know it's keeping your good self and everyone else safe in the time so we've got in it yeah, that's it listen Jack, it's been it's been lovely to speak to you I must say and I wish you all the very very best in the in music. Also good luck in your studies at school and all the rest of it and listen, uh thanks a million for joining me and you know stay safe and well to yourself and your family. No problem thanks very much thanks for having me on. Mise Éire Irish sheet music, tin whistle notes and mandolin tab. Words by Patrick Pearse and music score by Patrick Cassidy in D Major.
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