Working Man Song Lyrics And Chords
Written By Rita Mac Neill who was a Canadian folk singer, (May 28, 1944 – April 16, 2013) and recorded in Ireland by The Dubliners, Celtic Thunder and Paddy Reilly who does a great job on Deportees Song.Working man beginner piano notes now included. Also recorded by Foster And Allen [ lyrics ]. The Dubliners with Paddy Reilly singing play this song in the key of G.Guitar chords in chordpro . Irish country singer Mary Duff has had great success in her 2019 recording of the song. Also included is the tin whistle sheet music notes plus a youtube tutorial video on playing the notes.Working man guitar tab now added.
It's[G] a working man I am,and I've[C] been down under[G]ground
And I swear to God if I ever see the[D] sun
Or[G] for any lenght of time,I can[C] hold it in my[G] mind
I never again will[D] go down under[G]ground
At the age of sixteen years,I quarreled with the spears
Who swore that never be another one
In the dark recess of the mines,where you age before your time
And the coal dust lies heavy on your lungs.
At the age of sixty four,he'll greet you at the door
And gently lead you by the arm
To the dark recess of the mine,he'll take you back in time
And tell you of the hardships that were had
And I swear to God if I ever see the[D] sun
Or[G] for any lenght of time,I can[C] hold it in my[G] mind
I never again will[D] go down under[G]ground
At the age of sixteen years,I quarreled with the spears
Who swore that never be another one
In the dark recess of the mines,where you age before your time
And the coal dust lies heavy on your lungs.
At the age of sixty four,he'll greet you at the door
And gently lead you by the arm
To the dark recess of the mine,he'll take you back in time
And tell you of the hardships that were had
Here are the guitar chords in the key of D.
It's[D] a working man I am,and I've[G] been down under[D]ground
And I swear to God if I ever see the[A] sun
Or[D] for any lenght of time,I can[G] hold it in my[D] mind
I never again will[A] go down under[D]ground
It's[D] a working man I am,and I've[G] been down under[D]ground
And I swear to God if I ever see the[A] sun
Or[D] for any lenght of time,I can[G] hold it in my[D] mind
I never again will[A] go down under[D]ground
Key of C
It's[C] a working man I am,and I've[F] been down under[C]ground
And I swear to God if I ever see the[G] sun
Or[C] for any lenght of time,I can[F] hold it in my[C] mind
I never again will[G] go down under[C]ground
It's[C] a working man I am,and I've[F] been down under[C]ground
And I swear to God if I ever see the[G] sun
Or[C] for any lenght of time,I can[F] hold it in my[C] mind
I never again will[G] go down under[C]ground
Working Man Tin Whistle Sheet Music Notes
Alternative version below in the key of D.
Most of this song is played in the higher octave on the tin whistle. If your wondering what that thing that's stuck to the top of the whistle is, well it's Blu Tack that I use to keep the whistle sounding quieter. I blocked half of the fipple hole when playing this song.
This version is by Welshman David Alexander
and reached number 11 in the U.K. charts in 1990.
It's a working man l am
And I've been down under ground
And I swear to God if ever see the sun
Or for any length of time
I can hold it in my mind
I never again will go down under ground
At the age of sixteen years, with my father close to tears
As he vowed ne're again to send his sons
In the darkness of the mine, where you age before your time
And the coal dust lies heave on your lungs.
At the age of sixty five, I pray to God I'm still alive,
And the wheels above the mines no longer whine,
And they finally close the hole, where for years we clawed for coal,
And never again will we go down underground
and reached number 11 in the U.K. charts in 1990.
It's a working man l am
And I've been down under ground
And I swear to God if ever see the sun
Or for any length of time
I can hold it in my mind
I never again will go down under ground
At the age of sixteen years, with my father close to tears
As he vowed ne're again to send his sons
In the darkness of the mine, where you age before your time
And the coal dust lies heave on your lungs.
At the age of sixty five, I pray to God I'm still alive,
And the wheels above the mines no longer whine,
And they finally close the hole, where for years we clawed for coal,
And never again will we go down underground
The working man song by Rita McNeill is a genre of music that emerged in the early 20th century and has since become a symbol of the struggles and triumphs of the working class. This type of music has its roots in the labor movement, and its lyrics often reflect the experiences of blue-collar workers, their labor struggles, and their perseverance in the face of adversity.
The working man song has its origins in the folk music tradition, with many of its early songs being passed down through oral tradition. These songs were often sung by workers in fields, factories, and mines as a means of solidarity and resistance against their employers. The lyrics of these songs were simple but powerful, with a strong emphasis on the hardships and injustices faced by the working class.
One of the earliest examples of a working man song is 'Joe Hill,' written by labor activist and songwriter Joe Hill in 1910. The song tells the story of a young worker who is wrongfully accused and executed for a crime he did not commit. The lyrics of this song, and others like it, reflected the harsh realities faced by workers during this time, including poor working conditions, low wages, and lack of job security.
As the labor movement gained momentum in the early 20th century, so did the popularity of working man songs. These songs became a powerful tool for workers to voice their grievances and unify their struggles. Many labor unions and organizations adopted these songs as their anthems, using them to rally their members and inspire them to fight for their rights.
During the Great Depression of the 1930s, working man songs took on a new significance. With widespread unemployment and economic turmoil, these songs became a source of hope and resilience for the working class. One of the most famous songs from this era is 'Brother, Can You Spare a Dime?' by Yip Harburg and Jay Gorney, which poignantly captures the struggles of the working class during this time.
In the 1950s and 1960s, the working man song evolved as a genre, incorporating elements of rock and roll, country, and blues. Artists like Woody Guthrie, Pete Seeger, and Bob Dylan used their music to highlight social and political issues faced by the working class, including civil rights, war, and economic inequality. These songs became anthems for the labor movement and inspired a new generation of musicians to use their music as a means of social commentary and activism.
In the 1970s and 1980s, the working man song continued to evolve, with punk and folk-rock artists like Bruce Springsteen and Billy Bragg writing songs that spoke to the struggles of the working class in the modern era. These songs not only addressed issues of economic inequality but also tackled social and cultural issues such as the decline of blue-collar jobs and the impact of globalization on the working class.
Today, the working man song remains a relevant and important genre of music, with artists like Tom Waits, Steve Earle, and Rage Against the Machine carrying on the tradition of using music to give voice to the working class. These songs continue to reflect the realities of the working class, including the challenges of automation, outsourcing, and the gig economy.
In conclusion, the working man song is a genre of music that has evolved over time, but its core message remains the same – to give voice to the experiences and struggles of the working class. These songs have served as a means of resistance, solidarity, and inspiration for generations of workers, and they continue to remain relevant and powerful in today's society. As long as there are workers facing hardships and injustices, the working man song will continue to serve as a symbol of their strength and resilience.
The working man song has its origins in the folk music tradition, with many of its early songs being passed down through oral tradition. These songs were often sung by workers in fields, factories, and mines as a means of solidarity and resistance against their employers. The lyrics of these songs were simple but powerful, with a strong emphasis on the hardships and injustices faced by the working class.
One of the earliest examples of a working man song is 'Joe Hill,' written by labor activist and songwriter Joe Hill in 1910. The song tells the story of a young worker who is wrongfully accused and executed for a crime he did not commit. The lyrics of this song, and others like it, reflected the harsh realities faced by workers during this time, including poor working conditions, low wages, and lack of job security.
As the labor movement gained momentum in the early 20th century, so did the popularity of working man songs. These songs became a powerful tool for workers to voice their grievances and unify their struggles. Many labor unions and organizations adopted these songs as their anthems, using them to rally their members and inspire them to fight for their rights.
During the Great Depression of the 1930s, working man songs took on a new significance. With widespread unemployment and economic turmoil, these songs became a source of hope and resilience for the working class. One of the most famous songs from this era is 'Brother, Can You Spare a Dime?' by Yip Harburg and Jay Gorney, which poignantly captures the struggles of the working class during this time.
In the 1950s and 1960s, the working man song evolved as a genre, incorporating elements of rock and roll, country, and blues. Artists like Woody Guthrie, Pete Seeger, and Bob Dylan used their music to highlight social and political issues faced by the working class, including civil rights, war, and economic inequality. These songs became anthems for the labor movement and inspired a new generation of musicians to use their music as a means of social commentary and activism.
In the 1970s and 1980s, the working man song continued to evolve, with punk and folk-rock artists like Bruce Springsteen and Billy Bragg writing songs that spoke to the struggles of the working class in the modern era. These songs not only addressed issues of economic inequality but also tackled social and cultural issues such as the decline of blue-collar jobs and the impact of globalization on the working class.
Today, the working man song remains a relevant and important genre of music, with artists like Tom Waits, Steve Earle, and Rage Against the Machine carrying on the tradition of using music to give voice to the working class. These songs continue to reflect the realities of the working class, including the challenges of automation, outsourcing, and the gig economy.
In conclusion, the working man song is a genre of music that has evolved over time, but its core message remains the same – to give voice to the experiences and struggles of the working class. These songs have served as a means of resistance, solidarity, and inspiration for generations of workers, and they continue to remain relevant and powerful in today's society. As long as there are workers facing hardships and injustices, the working man song will continue to serve as a symbol of their strength and resilience.
Working man piano sheet music notes in do re mi, solfege style.